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Gagosian Quarterly

Summer 2017 Issue

Substance and Shadow

Alberto Giacometti’s iconic sculptures have become the focus of Peter Lindbergh’s photographic gaze. An exhibition at Gagosian London brings together the sculptures and the photographs. Click the image to scroll through the slideshow.

Substance and Shadow

Peter Lindbergh, Alberto Giacometti, Buste de Diego (1964–1965), Zurich, 2016

Giacometti is constantly reinventing himself, each new sculpture is at once very close to and very different from the one before. And I strongly feel how everything he creates is completely connected to him. For me that’s the greatest quality an artist can have.

Peter Lindbergh

Photographs © Peter Lindbergh. Artwork © 2017 Alberto Giacometti Estate/Licensed by VAGA and ARS, NY

Peter Lindbergh photograph of four women

Peter Lindbergh: Untold Stories

The traveling retrospective gathering the work of legendary photographer Peter Lindbergh will be on view in A Coruña, Spain, from December 4, 2021, through February 28, 2022. Featuring work created over four decades of his expansive career, the exhibition was curated by Lindbergh before his death in 2019. Here, the artist’s son Benjamin Lindbergh speaks with Derek Blasberg about the project.

A portrait of Betty Parsons surrounded by art.

Game Changer
Betty Parsons

Wyatt Allgeier pays homage to the renowned gallerist and artist Betty Parsons (1900–1982).

Peter Lindbergh on Alberto Giacometti

Peter Lindbergh on Alberto Giacometti

Peter Lindbergh discusses photography and the history of his practice with Catherine Grenier, Director of Fondation Giacometti. An accompanying video captures Lindbergh describing the powerful experience he had while photographing sculptures by Alberto Giacometti.

Alberto Giacometti and Yves Klein: Interview with Joachim Pissarro

Alberto Giacometti and Yves Klein: Interview with Joachim Pissarro

Joachim Pissarro, the curator of Alberto Giacometti Yves Klein: In Search of the Absolute discusses with Gagosian’s Alison McDonald the works and themes that will be presented in this exhibition.

Image of kneeling nun, still from Paul Verhoeven’s Benedetta (2021)

Cannes Film Festival 2021

Carlos Valladares shares his early look at five of this years standout films.

Hao Liang, Eight Views of Xiaoxiang—Relics, 2015–16, ink on silk, 72 ½ × 152 ⅜ inches (184 × 387 cm).

Hao Liang: To Forge the Chain of Being

Fan Jingzhong analyzes the classical concepts and references in Hao Liang’s paintings.

John Currin, Memorial, 2020 (detail), oil on canvas, 62 × 40 inches (157.5 × 101.6 cm)

John Currin: Monuments to Lust

Natasha Stagg reports on a trip to John Currin’s New York studio.

Installation view, Nancy Rubins: Fluid Space, Gagosian, Beverly Hills, June 24–August 6, 2021.

Conclusions Never Reached: Nancy Rubins in Fluid Space

Sara Softness reflects on a new series of sculptures by Nancy Rubins, Fluid Space (2019–21), “visual poems” that hint at the invisible and the unknown.

Taryn Simon, “Folder: Broken Objects” (detail), from the series The Picture Collection, 2012, framed archival inkjet print, 47 × 62 inches (119.4 × 157.5 cm) © Taryn Simon

The New York Public Library’s Picture Collection

Joshua Chuang, the Robert B. Menschel Senior Curator of Photography at the New York Public Library, discusses the institution’s singular Picture Collection, the artist Taryn Simon’s rigorous engagement with it, and four instances of its little-known role in the history of art making.

Thomas McEvilley, Ulay (hiding behind a slab of wood), Eric Orr, and James Lee Byars, c. 1995 © Ulay, courtesy ULAY Foundation/Artists Rights Society (ARS), New York

Game Changer
Thomas McEvilley

David Frankel celebrates the art-historical contributions made by the scholar, poet, and critic Thomas McEvilley.

Black-and-white photograph of Marie-Laure de Noailles in 1936 by Man Ray.

Game Changer
Vicomtesse Marie-Laure de Noailles

Ariella Wolens explores the patron’s role in fostering the legendary art world of early twentieth-century France.

Walter De Maria, The Lightning Field, 1977. Entire field from northwest exterior looking southeast, summer 1979

A Day in the Life of The Lightning Field

In the first of a two-part feature, John Elderfield recounts his experiences at The Lightning Field (1977), Walter De Maria’s legendary installation in New Mexico. Elderfield considers how this work requires our constantly finding and losing a sense of symmetry and order in shifting perceptions of space, scale, and distance, as the light changes throughout the day.