Artwork © Rudolf Stingel. Photos by Eric Piasecki
Winter 2017 Issue
In July 2017, a special installation of paintings was shown at Casa Malaparte, Capri, the famous house built by the author, publisher, diplomat, and filmmaker Curzio Malaparte. Click on the image to begin the slideshow.
Casa Malaparte: A House Like Ourselves
Wyatt Allgeier explores the legacy of Curzio Malaparte and corresponds with the avant-garde author’s youngest descendant, Tommaso Rositani Suckert, on the subject of his decision to reproduce select pieces of furniture from the iconic Casa Malaparte in Capri, Italy.
Visions of the Self: Jenny Saville on Rembrandt
Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.
Rudolf Polanszky: Reconstructions
Gagosian director Ealan Wingate describes his first visit to Rudolf Polansky’s studio outside Vienna and discusses the development of the artist’s practice—from his early works informed by the legacy of the Viennese Actionists to the Reconstructions, an ongoing body of assemblage-type wall works and sculptures.
Mark Grotjahn: Capri
Mark Grotjahn speaks to Sam Orlofsky about the stories and processes behind his Capri series, on the occasion of his exhibition New Capri, Capri, Free Capri in New York.
Hans Ulrich Obrist visits the artist at his studio outside Vienna to discover more about the origins of his practice, his experiments in freedom, and the importance of drifting.
Before and After the Fall
Richard Calvocoressi examines the trajectory of pre- and postwar German and Austrian art from the 1930s through the mid-1950s, revealing how the events leading up to and following World War II affected this generation of artists.
Michael Slenske discusses the uses of gold in art, from the Aztec Empire to Chris Burden and beyond.
Gagosian Quarterly Spring 2017
The Spring 2017 Gagosian Quarterly featuring a cover by Rudolf Stingel is now available.
During a conversation with David Rimanelli, Roe Ethridge reflected on photographs that he made during the late 1990s and early 2000s after moving to New York. They spoke as Ethridge was preparing for his exhibition Old Fruit.
Gagosian Quarterly Winter 2019
The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.
A photography portfolio by Roe Ethridge, accompanied by Saul Anton’s The Story of L.
Substance and Shadow
Alberto Giacometti’s iconic sculptures have become the focus of Peter Lindbergh’s photographic gaze. An exhibition at Gagosian London brings together the sculptures and the photographs.