November 16, 2018
Gagosian Quarterly Talks
giuseppe penone and carlos basualdo
Giuseppe Penone discusses his new monograph, The Inner Life of Forms, with the book’s editor Carlos Basualdo, senior curator of contemporary art at the Philadelphia Museum of Art, at the Greene Space, New York. Hosted by art critic Deborah Solomon.
Rain of Light
One year after the opening of the Louvre Abu Dhabi, Jean Nouvel and Giuseppe Penone sat down with Alain Fleischer, Pepi Marchetti Franchi, and Hala Wardé to reflect on how the museum and Penone’s commissioned artworks for the space came to be.
Visions of the Self: Jenny Saville on Rembrandt
Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.
Gagosian Quarterly Winter 2018
The Winter 2018 issue of Gagosian Quarterly is now available. Our cover this issue comes from High Times, a new body of work by Richard Prince.
Behind the Art
Ideas of Stone
In the small skiing village of Gstaad, among the towering mountains of the Swiss Alps, lies a surprising and ambitious exhibition of sculpture by Giuseppe Penone. Susan Ellicott tells the story of how this installation came to be.
Gagosian Quarterly Spring 2018
The Spring 2018 Gagosian Quarterly with a cover by Ed Ruscha is now available for order.
The Inner Life of Forms
Giuseppe Penone speaks with Carlos Basualdo and Pepi Marchetti Franchi about his upcoming monograph.
Giuseppe Penone: Ephemeris
In Giuseppe Penone: ephemeris we get a glimpse of his process as he explores some of the ideas behind Equivalenze.
Gagosian Quarterly Fall 2019
The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.
The Art of Perception: Richard Serra’s Films
For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.
Losing Nothing: Arakawa and Madeline Gins
Mary Ann Caws reflects on the centrality of perception and imagination in Arakawa’s art, from his early diagrammatic paintings to his later architectural investigations with Madeline Gins.
Gagosian Quarterly, Summer 2017
The Summer 2017 Gagosian Quarterly featuring a cover selected by Urs Fischer is now available.
Le Jardin Décomposé
Choreographer Benjamin Pech’s danseur étoile, an original ballet composed for the group exhibition Le Jardin Décomposé.