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Gagosian Quarterly

January 22, 2018

Katharina Grosseat Carriageworks

Katharina Grosse’s much-anticipated installation The Horse Trotted Another Couple of Metres, Then It Stopped recently opened the Sydney Festival at Carriageworks, the cutting-edge center for the performing and contemporary arts in Australia.

This vast and exciting painting—more than 8,250 square meters of folded and draped fabric, suspended from the ceiling, into which the public can freely enter and move around—marks a bold direction in Grosse’s in situ practice. Working directly on-site in Sydney with a team that included local theater technicians as well as members of her own Berlin studio, she has created an immersive installation of unprecedented opulence in terms of its sheer range of color, elaborate contouring, and charged atmosphere.

Carriageworks has created a series of video-interviews with Grosse, including the one here, in which she tells the mythical tale of a knight, his horse, and the search for the meaning of life. Drawn from her childhood memories of the stories her father told her, this anecdote sheds intriguing new light on Grosse’s typically enigmatic titles. To learn more, visit www.carriageworks.com.

Katharina Grosse film courtesy of Carriageworks, Australia. The Horse Trotted Another Couple of Metres, Then It Stopped is on view at Carriageworks, Sydney, Australia through Sunday, April 8, 2018

Katharina Grosse: Mumbling Mud

Katharina Grosse: Mumbling Mud

We take a visual tour through Katharina Grosse’s Mumbling Mud and the installation process behind it as the artist discusses the effects of the work’s merging of built and painted space.

Trouvé and Grosse: Villa Medici

Trouvé and Grosse: Villa Medici

Tatiana Trouvé and Katharina Grosse discuss their exhibition Le numerose irregolarità, at the French Academy in Rome, Villa Medici, with curator Chiara Parisi.

Gagosian Quarterly Spring 2018

Gagosian Quarterly Spring 2018

The Spring 2018 Gagosian Quarterly with a cover by Ed Ruscha is now available for order.

C.T.S.T.

C.T.S.T.

Katharina Grosse reflects on the work of Cy Twombly.

Katharina Grosse

Katharina Grosse

An interview between Katharina Grosse and Louise Neri. The two discuss Grosse’s process and examine the countless perceptual possibilities of her medium.

Baselitz

Baselitz

Morgan Falconer visits the artist’s studio outside Munich to learn more about his newest paintings, a series entitled Devotion.

Before and After the Fall

Before and After the Fall

Richard Calvocoressi examines the trajectory of pre- and postwar German and Austrian art from the 1930s through the mid-1950s, revealing how the events leading up to and following World War II affected this generation of artists.

Gagosian Quarterly Spring 2017

Gagosian Quarterly Spring 2017

The Spring 2017 Gagosian Quarterly featuring a cover by Rudolf Stingel is now available.

Video still of Sarah Sze speaking at a TED conference, Vancouver, BC, April 2019.

Sarah Sze: Art That Explores Time and Memory

Join Sarah Sze as she talks about the questions that drive her work. She describes creating immersive experiences that blur the lines between time, memory, and space—and between art and life.

Helen Frankenthaler in her studio in Provincetown. Black and white image.

Abstract Climates: Helen Frankenthaler in Provincetown

Lise Motherwell, a stepdaughter of Helen Frankenthaler and vice president of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director of the Foundation, recently cocurated an exhibition of the artist’s work entitled Abstract Climates: Helen Frankenthaler in Provincetown. Here they discuss the origin of the exhibition, the relationship between the artist’s work and her summers spent in Provincetown, and the presentations at the Provincetown Art Association and Museum, in 2018, and the Parrish Art Museum, Water Mill, New York, in 2019.

Nathaniel Mary Quinn and Troy Carter

In Conversation
Nathaniel Mary Quinn and Troy Carter

On the eve of the opening of his first exhibition with Gagosian, in Beverly Hills, Nathaniel Mary Quinn joined Troy Carter for a conversation at LA’s Hammer Museum. They spoke about deliverance, Quinn’s new work, and what drives him to make art.

Michael Craig-Martin at his London studio, 2019

Behind the Art
Michael Craig-Martin: Ordinariness

Join Michael Craig-Martin at his London studio as he speaks about his working methods, his interest in the ordinary, and his abiding concern for the sculptural.