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Gagosian Quarterly

Summer 2020

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Black and white image of the interior of Cy Twombly’s apartment in Rome

Cy Twombly: Making Past Present

In 2020, the Museum of Fine Arts, Boston, announced their plan for a survey of Cy Twombly’s artwork alongside selections from their permanent ancient Greek and Roman collection. The survey was postponed due to the lockdowns necessitated by the coronavirus pandemic, but was revived in 2022 with a presentation at the J. Paul Getty Museum in Los Angeles from August 2 through October 30. In 2023, the exhibition will arrive at the Museum of Fine Arts, Boston. The curator for the exhibition, Christine Kondoleon, and Kate Nesin, author of Cy Twombly’s Things (2014) and advisor for the show, speak with Gagosian director Mark Francis about the origin of the exhibition and the aesthetic and poetic resonances that give the show its title: Making Past Present.

Installation view, Simon Hantaï, CAPC Musée d’Art Contemporain de Bordeaux, May 15–August 29, 1981

Simon Hantaï

Anne Baldassari reflects on the time she spent working with Simon Hantaï on an ultimately unrealized stained-glass commission for the Cathédrale Saint-Cyr-et-Sainte-Julitte, Nevers, and explains how this endeavor served as the catalyst for an exhibition of Hantaï’s paintings that she curated at Gagosian, Le Bourget, in 2019.

From left to right: Joanne Heyler, Kristin Sakoda, and Bettina Korek

Leaders in the Arts: Los Angeles Edition

We invited Joanne Heyler, founding director of The Broad, Los Angeles, to select two outstanding arts professionals to join her in a conversation about their career trajectories and goals, the cultural landscape of LA, and more.

Black and red graphic title page

The Iconoclasts: Part 2

The second installment of a four-part story cycle by Anne Boyer.

The cover of Richard Prince: Cowboy, edited by Robert M. Rubin and published by Fulton Ryder and DelMonico Books | Prestel, New York, in 2020.

Richard Prince: Cowboy

On the occasion of the publication of Richard Prince: Cowboy, a major monograph on the artist’s preoccupation with the mythic American West, Lucy Sante tracks the archetype through mass media, advertising, and the art of Richard Prince to illuminate the cowboy’s enduring appeal.

Robert De Niro in Martin Scorsese’s The Irishman (2019). Photo: courtesy Netflix

The Last Gangster Show

Carlos Valladares explores the gangster film genre, tracing the conventions and evolutions in the form from the exuberance of Raoul Walsh’s The Roaring Twenties (1939) to the heavy silence of Martin Scorsese’s The Irishman (2019).

Pontus Hultén, 1983. Photo: Sueddeutsche Zeitung Photo/Alamy Photo

Game Changer
Pontus Hultén

Wyatt Allgeier explores the enduring legacy of the museum director, curator, educator, and collector Pontus Hultén (1924–2006).

Brice Marden: Sketchbook (Gagosian, 2019); Lee Lozano: Notebooks 1967–70 (Primary Information, 2010); Stanley Whitney: Sketchbook (Lisson Gallery, 2018); Kara Walker: MCMXCIX (ROMA, 2017); Louis Fratino,Sept ’18–Jan. ’19 (Sikkema Jenkins & Co., 2019); Jean-Michel Basquiat: The Notebooks (Princeton University Press, 2015); Keith Haring Journals (Penguin Classics Deluxe Edition, 2010).

Book Corner
Private Pages Made Public

Megan N. Liberty explores artists’ engagement with notebooks and diaries, thinking through the various meanings that arise when these private ledgers become public.

Shorter Than the Day

Shorter Than the Day

Sarah Sze writes on a recent collage.