Works Exhibited

About

Alberto Di Fabio's paintings and works on paper merge the worlds of art and science, depicting natural forms and biological structures in vivid color and imaginative detail. Throughout his abstract images, the artist has developed and expanded his interest in the natural world, with early works dealing with the structures of flora and fauna, as well as eco and astral systems. Di Fabio's more recent paintings have focused on genetics and DNA, the synaptic receptors of the brain, moving his work into the realm of pharmaceutical and medical research.

Alberto Di Fabio was born in 1966 in Avezzano, Italy. From 1980 to 1984 he attended Liceo Artistico, Rome, in 1985 he attended Academia Incisione di Urbino, Italy, and from 1984 to 1988 he attended Academia delle Belle Arti, Rome. Solo exhibitions include “Erde, Ordnung und Chaos in der Nature—Environment,” Magazin 4, Kunstverein, Austria (1997); Palazzo Collicola Arti Visive, Italy (2011); “Realta’ Parallele,” Galleria Nazionale D’Arte Moderna, Rome (2012); “Une Installation,” Mairie du 4 arrondissement, Paris (2013); “Dialogues,” Estorick Collection of Modern Italian Art, London (2013); “Paesaggi Della Mente,” Palazzo Clemente, Castel Basso, Italy (2014); “Galassie sul Castello,” Castel Sant’Elmo, Naples (2014); “Parallel Visions,” CERN, Geneva (2014); “GeograficaMente,” MART Rovereto, Italy (2015); MACRO Testaccio, Rome (2015); and “Cosmic Gate,” Gate Porta, Italy (2016).

In 2010, at the 61st Fondazione Michetti edition of the “Dante Ruffini anda Maddalena Rettirosso” Prize, founded by the astrophysicist Professor Remo Ruffini, the prize was assigned by the jury to Alberto Di Fabio for his acrylic work on canvas, “Sinapsi e galassie,” (2008). Di Fabio has had six solo exhibitions with Gagosian Gallery, including Heddon Street, London (2002); Beverly Hills, California (2004); Brittania Street, London (2007); Madison Avenue, New York (2010); Athens, Greece (2011); and Geneva, Switzerland (2014).

Di Fabio currently lives and works in Rome and New York.

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Gagosian Quarterly Summer 2026

Now available
Gagosian Quarterly Summer 2026

The Summer 2026 issue of Gagosian Quarterly is now available, featuring Ellen Gallagher’s Fast-Fish and Loose-Fish (2026) on the cover.

Jenny Saville a Ca’ Pesaro

Jenny Saville a Ca’ Pesaro

In this video, Jenny Saville sits down inside her first major exhibition in Venice to discuss how the great Venetian artists of the past and the city’s heritage influence her work. The show brings together more than thirty canvases and works on paper from the 1990s to the present, tracing the development of her practice, which is deeply rooted in the history of painting.

Francis Bacon: Reinventing Realism

Francis Bacon: Reinventing Realism

Francis Bacon lived and worked in Paris for a decade starting in the mid-1970s. The city and the art he encountered there provided a profound backdrop for his austere late style, which often brings together smooth, colorful backgrounds, spare architectural signifiers, and sculptural human forms. Here, three striking paintings from that period are considered by Sebastian Smee.

James Turrell: Lifting the Veil

James Turrell: Lifting the Veil

An exhibition at Gagosian, Hong Kong, brings together three of James Turrell’s Glasswork pieces along with site plans, photographs, and models of his Skyspaces and Roden Crater. Here, Alice Godwin explores the history of the Glassworks and their relationship to the artist’s wider practice.

Divine Emanations: Nymphs, Poets, and the Painter’s Palette

Divine Emanations: Nymphs, Poets, and the Painter’s Palette

Janne Sirén considers Anselm Kiefer’s new paintings, the subject of an exhibition at Gagosian, New York, entitled Seal My Ears Shut and I Shall Hear You Still.

Derrick Adams: View Master

Derrick Adams: View Master

On April 16, the Institute of Contemporary Art, Boston, opened the first midcareer survey of Derrick Adams’s multidisciplinary practice. Covering over twenty years of work, the exhibition, titled View Master, brings together the artist’s painting, sculpture, collage, performance, and video, as well as a vibrant new commission created for the museum’s façade. Ahead of the opening, Adams met with Tessa Bachi Haas, cocurator of the survey, to discuss his formative experiences with television, the impact of his work in arts education on his practice, and the importance of taking a more complex, more joyful, and more expansive approach to Black American life and culture.

Giuseppe Penone: The Reflection of Bronze

Giuseppe Penone: The Reflection of Bronze

Adam D. Weinberg has been working with Giuseppe Penone on an exhibition of the artist’s new sculptures, The Reflection of Bronze, that opens at Gagosian, New York, on April 22. The works explore the character and possibilities of bronze. Here, Weinberg considers Penone’s enduring engagement with the alloy and addresses the conceptual underpinnings of the exhibition’s three-room structure.

Engaging with the Past: An Interview with Jenny Saville

Engaging with the Past: An Interview with Jenny Saville

On March 28, a major exhibition of Jenny Saville’s work opened at Ca’ Pesaro–Galleria Internazionale d’Arte Moderna in Venice, bringing together nearly thirty paintings from the 1990s to the present. The exhibition is curated by Elisabetta Barisoni, head of the museums division at Venice’s Ca’ Pesaro, Museo Fortuny, and head of MUVE in Mestre. Saville’s monumental canvases are set in dialogue with the great Venetian artists of the past, creating a unique encounter between contemporary painting and the city’s artistic heritage. Here, the artist speaks with Stefania Ventra, professor with Ca’ Foscari University of Venice, about her early trips to Venice, the radicality of Titian’s painting, and depicting emotional truth.

A Tremendous Generosity: Jeff Koons on Marcel Duchamp

A Tremendous Generosity: Jeff Koons on Marcel Duchamp

Jeff Koons tells Alison McDonald about his appreciation for the pioneering artist and thinker Marcel Duchamp.

Donald Judd: Patiently Constructed

Donald Judd: Patiently Constructed

From their respective fields, three international cultural figures—artist and designer Ronan Bouroullec, fashion visionary Michèle Lamy, and chef and restaurateur Enrique Olvera—reflect on Donald Judd’s work in furniture, the subject of recent exhibitions in South Korea and Japan.

Henry Moore: Monumental Nature

Henry Moore: Monumental Nature

Laura Bruni writes about a major exhibition celebrating the work of the British sculptor Henry Moore at the Royal Botanic Gardens, Kew, London.

Picture Books: Mary Gaitskill & Jill Mulleady

Picture Books: Mary Gaitskill & Jill Mulleady

The most recent edition of Picture Books, an imprint organized by Emma Cline and Gagosian, pairs Mary Gaitskill’s novella STAUF: A Tragedy with Jill Mulleady’s painting The Shift. In celebration of this forthcoming publication, Gaitskill and Mulleady discuss the myth of Faust, good and evil in the digital age, and the channeling of raw matter into art.