Works Exhibited

About

A leading photo-based artist of her generation, Deana Lawson is renowned for images that explore how communities and individuals hold space within shifting terrains of social, capital, and ecological orders. Lawson projects her own contemporary Black experience onto an expanded view of human history and cosmologies. Her gaze is both local and global, focusing on Brooklyn, the Americas, and countries connected to the African diaspora.

Lawson’s striking large-scale prints emphasize themes of the corporeal, with the body as a site of social, cultural, and cosmological inscriptions. Taking inspiration from traditions including the vernacular snapshot, social documentary, and studio portraiture, she considers the visual language of the camera and the power of representation, beauty, and defiance.

Lawson was born in 1979 in Rochester, New York. Her mother was an administrative assistant at Kodak, and her father worked at Xerox; he was also an avid family photographer, informing her early interest in the medium and the family album. She studied photography at Pennsylvania State University, graduating with a BFA in 2001, and continued her studies at the Rhode Island School of Design, earning her MFA in 2004. In 2012, Lawson joined the faculty of Princeton University, where she was named the inaugural Dorothy Krauklis ’78 Professor of Visual Arts in 2021. In 2013, she received a Guggenheim Foundation grant, facilitating her travel to the Democratic Republic of the Congo, Ethiopia, Haiti, and Jamaica.

Lawson was the recipient of the 2020 Hugo Boss Prize—the first artist working in photography to receive the award—which led to Centropy, an exhibition at Solomon R. Guggenheim Museum featuring her photographs and a visual essay in the form of an eponymous film. Her first comprehensive museum survey was curated by Peter Eleey and Eva Respini, debuting at Institute of Contemporary Art, Boston, in 2021, and traveling to MoMA PS1, New York (2022) and the High Museum of Art, Atlanta (2022–23). In 2022, she was awarded the prestigious Deutsche Börse Photography Foundation Prize.

Gagosian Quarterly Fall 2024

Now available
Gagosian Quarterly Fall 2024

The Fall 2024 issue of Gagosian Quarterly is now available, featuring Andy Warhol’s Mao (1972) on the cover.

The Building Blocks: Amanda Williams & Alteronce Gumby

The Building Blocks: Amanda Williams & Alteronce Gumby

Jordan Carter, curator at Dia Art Foundation, sits down with artists Alteronce Gumby and Amanda Williams to discuss the profound significance of color in their work, as well as the intersections between art and architecture.

The Art of Biography: Christopher Isherwood

The Art of Biography: Christopher Isherwood

Katherine Bucknell, previously the editor of a four-volume edition of Christopher Isherwood’s diaries, has now published Christopher Isherwood Inside Out, an intimate and rigorous biography of the celebrated writer and gay cultural icon. Here she meets with Josh Zajdman to discuss the challenges and revelations of the book.

Kyle Abraham

Kyle Abraham

In this interview, we delve into the realm of dance with choreographer Kyle Abraham, who put on a special performance inside the exhibition Social Abstraction in Beverly Hills this past July. Ahead of that event, Cameron Thompkins met with Abraham at New York’s Park Avenue Armory to discuss the relationships between dance, visual art, and abstraction.

Fashion and Art: Grace Coddington

Fashion and Art: Grace Coddington

Grace Coddington, fashion editor and former creative-director-at-large for American Vogue, meets with the Quarterly’s Derek C. Blasberg to reminisce on some of her most iconic collaborations with photographers and artists.

The Bold Stroke: Spencer Sweeney & Lizzi Bougatsos

The Bold Stroke: Spencer Sweeney & Lizzi Bougatsos

Old friends chat about their love of music, nightclub paintings, life lessons from aikido, and Spencer Sweeney’s upcoming exhibition The Painted Bride, at Gagosian, New York.

Devin B. Johnson

Devin B. Johnson

Artist Devin B. Johnson meets with Diallo Simon-Ponte to reflect on the evolution of his practice, the impact of place on the temporal dimensions of his work, and the reemergence of ceramics in his exploration of abstraction and figuration.

The Gospel According to Beauty Supply

The Gospel According to Beauty Supply

Ryuan Johnson, sculptor and creative director, focuses on the works of Allana Clarke and Lauren Halsey to examine the key place of hair in Black culture. Through image and poetry, Johnson reveals the cultural and historical significance of hair as a medium to discuss identity, community, and the politics of representation.

“I Can’t Accept to Act Like a Zombie”: Enzo Mari and Design’s Utopian Impulse

“I Can’t Accept to Act Like a Zombie”: Enzo Mari and Design’s Utopian Impulse

The exhibition Enzo Mari, curated by Hans Ulrich Obrist with Francesca Giacomelli at the Design Museum, London, runs through September 8. Taking a cue from this major retrospective, Bartolomeo Sala delves into Mari’s practice and convictions.

Remembering Brice Marden

Remembering Brice Marden

In conjunction with the memorial service for Brice Marden held at the Museum of Modern Art, New York, Mirabelle and Melia Marden produced a short film directed by Chiara Clemente to honor the late artist. Featuring interviews, archival photographs, and family videos, this film captures Marden’s vibrant life and enduring cultural impact.

Kahlil Robert Irving & Cameron Welch

Kahlil Robert Irving & Cameron Welch

Kahlil Robert Irving and Cameron Welch discuss their approaches to materiality and longevity.

Rick Lowe & Kevin Beasley

Rick Lowe & Kevin Beasley

Rick Lowe and artist Kevin Beasley discuss their engagement with material and place, as well as the social potentials of abstraction.

Cover of the book Deana Lawson: An Aperture Monograph

Deana Lawson: An Aperture Monograph

$85
Cover of the Winter 2020 issue of Gagosian Quarterly magazine, featuring artwork by Jenny Saville

Gagosian Quarterly: Winter 2020 Issue

$20

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Deana Lawson