About

Jean Pigozzi picked up a Leica camera as an adolescent and began formulating a diaristic style that revolved around his observations of upper–class life. While attending Harvard University, he made regular sojourns to New York City where he mingled with artists and tastemakers, taking photographs in close proximity. His “sophisticated snapshots,” significantly influenced by Robert Frank and Helmut Newton, are candid and intimate: friends including Andy Warhol, Anjelica Huston, and Diane von Furstenberg, among others, are captured in scenes of social revelry or voluptuous leisure. Pigozzi often appears in his own photographs, affirming the role of the camera as a tool for his keen engagement with the world.

Jean “Johnny” Pigozzi was born in 1952 in Paris, France. He received his B.A. in 1974 from Harvard University, Massachusetts. Pigozzi’s work has been exhibited in several solo exhibitions including Musée d’Art Moderne, Paris (1974); Les Rencontres D’Arles Photographie, France (2010); “Johnny Stop!,” The Moscow House of Photography, Moscow (2011); and “My World, Jean Pigozzi,” Ullens Center for Contemporary Art, Beijing (2014). Recent group exhibitions include “Pigozzi and the Paparazzi,” Helmut Newton Foundation, Berlin (2008); and “An Ear for Music, An Eye for Art: The Ahmet Ertegun Collection,” The Baker Museum, Florida (2013). Pigozzi’s most recent body of work entitled, “Johnny’s Pool,” will be on view at Gagosian Gallery, New York, from April 12th to May 28th 2016.

Pigozzi is also an avid contemporary art collector: he founded the largest collection of contemporary African art in 1989, known as the Contemporary African Art Collection (CAAC—The Pigozzi Collection), and spearheaded the Japigozzi Collection of contemporary Japanese art in 2006. Works from Pigozzi's collections have been exhibited at institutions including The Museum of Fine Arts, Houston (2005); National Museum of African Art, Washington, D.C. (2005–06); The Guggenheim Bilbao, Spain (2006–07); Garage Center for Contemporary Culture, Moscow (2011); CNAC–Le Magasin, Grenoble, France (2011); and Foundation Cartier, Paris (2015–16), among others.

Pigozzi currently lives and works between New York, London, Paris, and Antibes, France.

The Art of the Olympics: An Interview with Yasmin Meichtry

The Art of the Olympics: An Interview with Yasmin Meichtry

The Olympic and Paralympic Games arrive in Paris on July 26. Ahead of this momentous occasion, Yasmin Meichtry, associate director at the Olympic Foundation for Culture and Heritage, Lausanne, Switzerland, meets with Gagosian senior director Serena Cattaneo Adorno to discuss the Olympic Games’ long engagement with artists and culture, including the Olympic Museum, commissions, and the collaborative two-part exhibition, The Art of the Olympics, being staged this summer at Gagosian, Paris.

Gagosian Quarterly Summer 2024

Now available
Gagosian Quarterly Summer 2024

The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.

Brooke Holmes, Katarina Jerinic, and Lissa McClure on Francesca Woodman

In Conversation
Brooke Holmes, Katarina Jerinic, and Lissa McClure on Francesca Woodman

Join Brooke Holmes, professor of Classics at Princeton University, and Lissa McClure and Katarina Jerinic, executive director and collections curator, respectively, at the Woodman Family Foundation, as they discuss Francesca Woodman’s preoccupation with classical themes and archetypes, her exploration of the body as sculpture, and her engagement with allegory and metaphor in photography.

David Cronenberg: The Shrouds

David Cronenberg: The Shrouds

David Cronenberg’s film The Shrouds made its debut at the 77th edition of the Cannes Film Festival in France. Film writer Miriam Bale reports on the motifs and questions that make up this latest addition to the auteur’s singular body of work.

Christo: Wrapped 1961 Volkswagen Beetle Saloon (1963–2014)

Christo: Wrapped 1961 Volkswagen Beetle Saloon (1963–2014)

Join Vladimir Yavachev, director of operations for the Christo and Jeanne-Claude Foundation, as he discusses the genesis of the artist’s work Wrapped 1961 Volkswagen Beetle Saloon (1963–2014), which Gagosian presented at Art Basel Unlimited 2024.

Oscar Murillo and Alessandro Rabottini

In Conversation
Oscar Murillo and Alessandro Rabottini

In conjunction with Marks and Whispers, at Gagosian, Rome, Oscar Murillo and Alessandro Rabottini sit down to discuss the artist’s paintings and works on paper in the exhibition, as well as how the show emphasizes the formal, political, and social dimensions of the color red in Murillo’s work of the last decade.

BRONX BODEGA Basel

BRONX BODEGA Basel

On the occasion of Art Basel 2024, creative agency Villa Nomad joins forces with Ghetto Gastro, the Bronx-born culinary collective by Jon Gray, Pierre Serrao, and Lester Walker, to stage the interdisciplinary pop-up BRONX BODEGA Basel. The initiative brings together food, art, design, and a series of live events at the Novartis Campus, Basel, during the course of the fair. Here, Jon Gray from Ghetto Gastro and Sarah Quan from Villa Nomad tell the Quarterly’s Wyatt Allgeier about the project.

Donald Judd: Untitled: 1970

Donald Judd: Untitled: 1970

In this video, Flavin Judd, the artist’s son and artistic director of Judd Foundation, discusses a historic large-scale work by his father from 1970, ahead of its presentation at Art Basel Unlimited 2024.

A-POC ABLE ISSEY MIYAKE: An interview with Yoshiyuki Miyamae

A-POC ABLE ISSEY MIYAKE: An interview with Yoshiyuki Miyamae

Founded in 1998 by Issey Miyake, A-POC (“A Piece of Cloth”) set out to bring the development and production of fabric and garments into the future. Over the subsequent decades, A-POC has worked at the forefront of technology to realize its goals, and under the leadership of Yoshiyuki Miyamae—who has been with Miyake Design Studio since 2001—A-POC ABLE has engaged in a dynamic series of collaborations with artists, architects, craftspeople, and new technologies to rethink how clothing is designed and made. On the occasion of the line being made available in the United States for the first time, the Quarterly’s Wyatt Allgeier visited the brand’s flagship in New York to speak with Yoshiyuki about the A-POC process, as well as the latest collaboration with the artist Sohei Nishino.

Jordan Wolfson and Johanna Burton

In Conversation
Jordan Wolfson and Johanna Burton

In this video, Gagosian presents a conversation between Jordan Wolfson and Johanna Burton, Maurice Marciano Director of the Museum of Contemporary Art, Los Angeles. The pair discuss Wolfson’s animatronic work of art Body Sculpture (2023).

Jane Fonda: On Art for a Safe and Healthy California

Jane Fonda: On Art for a Safe and Healthy California

Art for a Safe and Healthy California is a benefit exhibition and auction jointly presented by Jane Fonda, Gagosian, and Christie’s to support the Campaign for a Safe and Healthy California. Here, Fonda speaks with Gagosian Quarterly’s Gillian Jakab about bridging culture and activism, the stakes and goals of the campaign, and the artworks featured in the exhibition.

Laguna~B

Laguna~B

An interview with Marcantonio Brandolini d’Adda, artist, designer, and CEO and art director of the Venice-based glassware company Laguna~B.

Cover of the Summer 2021 issue of Gagosian Quarterly magazine, featuring artwork by Carrie Mae Weems

Gagosian Quarterly: Summer 2021 Issue

$20
Jean Pigozzi × £UV: Saint Barthélemy t-shirt

Jean Pigozzi × £UV: Saint Barthélemy T-shirt

$50
Leica CL “URBAN JUNGLE by JEAN PIGOZZI” Camera with neck strap

Leica CL “URBAN JUNGLE by JEAN PIGOZZI” Camera

$3,950
Jean Pigozzi × £UV: Charles Ray Sculpture t-shirt

Jean Pigozzi × £UV: Charles Ray Sculpture T-shirt

$50
Cover of the book Jean Pigozzi: The 213 Most Important Men

Jean Pigozzi: The 213 Most Important Men in My Life

$90