Online Viewing Room
Art Basel 2018
June 11–20, 2018
On the occasion of Art Basel 2018, Gagosian is pleased to present the gallery’s first-ever Online Viewing Room. From June 11 through June 20, a selection of contemporary artworks by Joe Bradley, Jeff Elrod, Katharina Grosse, Takashi Murakami, Albert Oehlen, Jenny Saville, Rudolf Stingel, Andy Warhol, Tom Wesselmann, and Christopher Wool will be available to collectors anywhere in the world exclusively at gagosianviewingroom.com. Each work will be presented with full details, pricing, and an informational text.
The Online Viewing Room will open at 12:00am on June 11 in Hong Kong, and close at 11:59pm on June 20 in Los Angeles and San Francisco (see below for dates and times in cities where Gagosian has gallery locations). Gagosian sales staff will be available to assist collectors online twenty-four hours a day.
Online Viewing Room opens:
12:00am HKT on June 11 (Hong Kong)
7:00pm EEST on June 10 (Athens)
6:00pm CEST on June 10 (Geneva, Paris, Rome)
5:00pm BST on June 10 (London)
12:00pm EDT on June 10 (New York)
9:00am PDT on June 10 (Los Angeles, San Francisco)
Online Viewing Room closes:
2:59pm HKT on June 21 (Hong Kong)
9:59am EEST on June 21 (Athens)
8:59am CEST on June 21 (Geneva, Paris, Rome)
7:59am BST on June 21 (London)
2:59am EDT on June 21 (New York)
11:59pm PDT on June 20 (Los Angeles, San Francisco)
For more information about the Art Basel 2018 Online Viewing Room or the works that will be included, please contact firstname.lastname@example.org.
Katharina Grosse, Untitled, 2016 © Katharina Grosse and VG Bild-Kunst Bonn, 2018
December 6–10, 2017
Moore Building, Miami
On the occasion of Art Basel Miami Beach 2017, Gagosian and Jeffrey Deitch are pleased to present Abstract/Not Abstract, their third collaboration at the Moore Building in the Miami Design District. One of the great innovations of modernism, abstract painting continues to inspire and challenge artists. To make a fresh abstraction today following all the remarkable achievements of the School of Paris and the New York School is a daunting proposition. Yet through the use of innovative approaches, techniques, and technologies, this generation of artists is creating complex and astonishing new work that revitalizes the abstract tradition. Abstract/Not Abstract will include work by contemporary artists who redefine abstraction for our time.
Steven Parrino, Untitled, 1988 © Steven Parrino