Works Exhibited
About
Gagosian Gallery is pleased to announce Beneath the Underdog*, a group exhibition curated by New York- based artists Nate Lowman and Adam McEwen.
Beneath the Underdog addresses the individual's relationship to the towering vertical landscape of late capitalism, particularly within urban environments where the exaggerated scale of skyscrapers, luxury apartments and housing projects signify economic realities. Many of the works exhibited were made in the wake of Robert Moses, master builder of New York's highways, bridges and tunnels, who presided over and politically navigated a period that would forever come to symbolize the struggle between urban expansion and the increasingly uncertain place of the individual.
The introduction of more "horizontal" approaches to art making within the past 60 years may in fact be viewed as a response to a growing sense of alienation and marginalization, marked by a renewed interest in the body. The shift to the horizontal initiated by Jackson Pollock's move from the easel to the floor was literalized in Andy Warhol's Oxidation (piss) paintings, whose abject surfaces reflect the growing importance of bodily impulses. Expanding on this theme to include more recent approaches, Lowman and McEwen have selected the work of nearly 50 international artists engaged in questioning the traditional values implied by the "upright", often by investigating the physical space of the horizontal. Dysfunction and dislocation govern the uncanny groupings throughout the space, including Michael Joaquin Grey's Rodin-inspired sculpture of Balzac, overlooking Barry Le Va's entropic landscape of shattered glass, which in turn is gazed upon by a young girl painted by Gwen John (herself a student and lover of Rodin). Throughout the exhibition, the installation sequences emphasize the tension between these two orientations within the space of the gallery using painting, sculpture, and photography.
Expanding on the roles of power and tradition, Mafia (Or One Unopened Packet of Cigarettes), curated by Eivind Furnesvik, will be presented within Beneath the Underdog. This exhibition first opened at the STANDARD (OSLO) in 2006. The artists, many being shown for the first time in New York, explore the psychological space defined by an organization inseparable from violence both explicit and implied – yet which also promises protection.
Share
Artists
Joe Bradley
Cecily Brown
Dan Colen
Jeff Elrod
Yayoi Kusama
Sherrie Levine
Richard Prince
Franz West
Aaron Young
Download
Visions of the Self: Jenny Saville on Rembrandt
Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.
Richard Prince
Text by Richard Hell.
Dan Colen: Carry On Cowboy
Gagosian Quarterly presents Dan Colen’s Carry On Cowboy. This performance first took place during the exhibition Dan Colen: High Noon at Gagosian, Beverly Hills.
Dan Colen: At Least They Died Together
Gagosian Quarterly presents Dan Colen’s At Least They Died Together. This performance first took place during the exhibition Dan Colen: High Noon at Gagosian, Beverly Hills.
Gagosian Quarterly Talks
Dan Colen, Dimitri Chamblas, and Douglas Fogle
Douglas Fogle moderates a conversation between Dan Colen and Dimitri Chamblas following the premiere of Colen’s two performance pieces At Least They Died Together and Carry On Cowboy.
Gagosian Quarterly Winter 2018
The Winter 2018 issue of Gagosian Quarterly is now available. Our cover this issue comes from High Times, a new body of work by Richard Prince.
Related Exhibitions
Brice Marden
It reminds me of something, and I don’t know what it is.
November 9–December 21, 2019
980 Madison Avenue, New York
Richard Serra
Triptychs and Diptychs
September 16–November 2, 2019
980 Madison Avenue, New York
Extended through June 29, 2019
Picasso’s Women: Fernande to Jacqueline
A tribute to John Richardson
May 3–June 29, 2019
980 Madison Avenue, New York
Harmony Korine
Young Twitchy
March 14–April 20, 2019
980 Madison Avenue, New York