Gagosian Gallery is pleased to announce Beneath the Underdog*, a group exhibition curated by New York- based artists Nate Lowman and Adam McEwen.
Beneath the Underdog addresses the individual's relationship to the towering vertical landscape of late capitalism, particularly within urban environments where the exaggerated scale of skyscrapers, luxury apartments and housing projects signify economic realities. Many of the works exhibited were made in the wake of Robert Moses, master builder of New York's highways, bridges and tunnels, who presided over and politically navigated a period that would forever come to symbolize the struggle between urban expansion and the increasingly uncertain place of the individual.
The introduction of more "horizontal" approaches to art making within the past 60 years may in fact be viewed as a response to a growing sense of alienation and marginalization, marked by a renewed interest in the body. The shift to the horizontal initiated by Jackson Pollock's move from the easel to the floor was literalized in Andy Warhol's Oxidation (piss) paintings, whose abject surfaces reflect the growing importance of bodily impulses. Expanding on this theme to include more recent approaches, Lowman and McEwen have selected the work of nearly 50 international artists engaged in questioning the traditional values implied by the "upright", often by investigating the physical space of the horizontal. Dysfunction and dislocation govern the uncanny groupings throughout the space, including Michael Joaquin Grey's Rodin-inspired sculpture of Balzac, overlooking Barry Le Va's entropic landscape of shattered glass, which in turn is gazed upon by a young girl painted by Gwen John (herself a student and lover of Rodin). Throughout the exhibition, the installation sequences emphasize the tension between these two orientations within the space of the gallery using painting, sculpture, and photography.
Expanding on the roles of power and tradition, Mafia (Or One Unopened Packet of Cigarettes), curated by Eivind Furnesvik, will be presented within Beneath the Underdog. This exhibition first opened at the STANDARD (OSLO) in 2006. The artists, many being shown for the first time in New York, explore the psychological space defined by an organization inseparable from violence both explicit and implied – yet which also promises protection.
Bas Jan Ader
Gardar Eide Einarsson
Peter Fischli + David Weiss
Michael Joaquin Grey
Barry Le Va
Hanna and Klara Liden
Allan McCollum + Louise Lawler
J. St. Bernard
*the title of this exhibition is taken from Charles Mingus' autobiography.
Ed. Nel King, Beneath the Underdog. New York: Knopf, 1971.
Gagosian Quarterly Spring 2023
The Spring 2023 issue of Gagosian Quarterly is now available, featuring Roe Ethridge’s Two Kittens with Yarn Ball (2017–22) on its cover.
Sky High Farm Symposium at Judd Foundation: The Art Panel
In this video, Deana Haggag, program officer, Arts and Culture at Mellon Foundation; Dan Colen, artist and founder of Sky High Farm; Linda Goode Bryant, artist and founder of Project EATS; and Diya Vij, curator at Creative Time sit down together to explore the roles of artist and audience, place and accessibility, legacy, capital influence, and individual vs. collective agency as they relate to artmaking today.
Sky High Farm Symposium at Judd Foundation: The Community Panel
In this video, Thelma Golden, chief curator and director of the Studio Museum in Harlem; Tremaine Emory, founder of Denim Tears and creative director of Supreme; Father Mike Lopez, founder of the Hungry Monk Rescue Truck; and artist Anicka Yi sit down to explore how the concept of community has shaped their work, and the power in seeing the places we live, our histories, and even our bodies as porous, interdependent, and alive.
Sky High Farm Symposium at Judd Foundation: The Land Panel
In this video, Veronica Davidov, visual and environmental anthropologist; Karen Washington, activist, farmer and co-founder of Black Urban Growers (BUGS) and co-owner of Rise & Root Farm; Candice Hopkins, curator, writer and executive director of Forge Project; and Haley Mellin, artist, conservationist and founder of Art to Acres sit down to explore the tensions and overlaps between different efforts to define, use, and protect land.
Picture Books: Percival Everett and Brandon Taylor
The second installment of Picture Books, an imprint organized by Emma Cline and Gagosian, presents author Percival Everett’s novella Grand Canyon, Inc. alongside Untitled (Original Cowboy), a photograph by Richard Prince. In celebration of the publication, Everett met with author Brandon Taylor to discuss the novella, the role of history in the writing process, and the similarity in methodologies for science and literature.
Gagosian Quarterly Summer 2021
The Summer 2021 issue of Gagosian Quarterly is now available, featuring Carrie Mae Weems’s The Louvre (2006) on its cover.
what could possibly go wrong, if we tell it like it is
March 16–April 22, 2023
980 Madison Avenue, New York
Baby, It Ain’t Over Till It’s Over
November 3–December 23, 2022
980 Madison Avenue, New York