Positing cerebral concepts from psychology, philosophy, and art theory against kitschy craft mediums, awkward adolescent scenarios, and rudimentary renderings, Mike Kelley’s oeuvre works against art’s hierarchical history as it expands its breadth. His 2005 project, “Day Is Done,” is a massive, amorphous collection of works in diverse media that reconstruct purported “repressed memories” of generic high–school activities as recorded in anonymous yearbook photographs. He scrutinizes moments of ritual and tradition by restaging scenes common in American adolescence, such as school dances and Halloween activities, investigating the moral and experiential subtexts of these events in the process.
Mike Kelley was born in 1954 in Detroit, Michigan, and died in 2012 in Los Angeles, California. He received his B.A. in 1976 from the University of Michigan, Ann Arbor, and his M.F.A. in 1978 from California Institute of the Arts, Valencia. Recent solo exhibitions include “Categorical Imperative and Morgue,” Van Abbemuseum, Stedelijk, The Netherlands (2000); “Sod and Sodie Sock (w/Paul McCarthy),” Biennale d’art contemporain de Lyon, Institut d’art contemporain, France (2003); “Mike Kelley–The Uncanny,” The Tate Liverpool, England (2004, traveled to MUMOK, Museum of Modern Art, Vienna); “Profounders vertes,” Musée du Louvre, Paris (2006); “Day is Done Judson Church Dance,” Judson Memorial Church, New York (2009); “Themes and Variations from 35 Years,” The Stedelijk Museum, Amsterdam (2012); “Mobile Homestead,” Museum of Contemporary Art Detroit, Michigan (2013); Centre Pompidou, Paris (2013); “An Homage to Mike Kelley,” MoMA PS1, New York (2013); and Museum of Contemporary Art, Los Angeles (2014).
Kandor 10/Extracurricular Activity Projective Reconstruction #34 | Kandor 12/Extracurricular Activity Projective Reconstruction #35
January 11–February 17, 2011
Mike Kelley and Franz West
To Be Read Aloud (À haute voix)
October 13, October 20, and November 21, 2018, 9pm
Centre Pompidou, Paris
To Be Read Aloud (À haute voix) (1999) is an experimental theater piece by artists Mike Kelley and Franz West. On the occasion of West’s retrospective at Centre Pompidou, director Fanny de Chaillé presents a reenactment of this work—a dialogue in which the artists reflect on the development of their practices within the avant-garde scenes of Los Angeles and Vienna since the 1970s—within West’s installation Auditorium (1992). The event is free with museum admission.
Mike Kelley and Franz West’s poster design for performance of To Be Read Aloud (À haute voix) (1999). Artwork © Mike Kelley Foundation for the Arts. All rights reserved/Licensed by VAGA at Artists Rights Society (ARS), New York; and © Archiv Franz West
Seattle Art Fair 2018
August 2–5, 2018, booth A09
CenturyLink Field Event Center, Seattle
Gagosian is pleased to present Out of This World: Artists Explore Space, a booth curated by Larry Gagosian for the 2018 Seattle Art Fair. The presentation gathers works that reveal artistic and scientific explorations of the cosmos. Featured artists include Richard Avedon, Andisheh Avini, Chris Burden, Alexander Calder, Vija Celmins, Ellen Gallagher, Andreas Gursky, Damien Hirst, Neil Jenney, Mike Kelley, Yves Klein, Vera Lutter, Brice Marden, Marc Newson, Nam June Paik, Thomas Ruff, Ed Ruscha, Tom Sachs, Taryn Simon, Yves Tanguy, and Andy Warhol, among others.
Ed Ruscha, Even Though He’s Light Years Away, His Heart Belongs to Me, 1963 © Ed Ruscha
FOG Design+Art 2018
January 11–14, 2018, booth 209
Fort Mason Festival Pavilion, San Francisco
Gagosian is pleased to participate in FOG Design+Art Fair 2018, presenting a selection of works by Davide Balula, Alexander Calder, Helen Frankenthaler, Piero Golia, Mark Grotjahn, Andreas Gursky, Thomas Houseago, Mike Kelley, Giuseppe Penone, Sterling Ruby, Ed Ruscha, Taryn Simon, Jeff Wall, and others.
Mark Grotjahn, Untitled (African II, Gated Front and Back Mask M44.e), 2015 © Mark Grotjahn. Photo: Douglas M. Parker Studio
Civilisation, Photography, Now
Through October 18, 2020
Auckland Art Gallery Toi o Tāmaki, New Zealand
Civilisation, Photography, Now features more than two hundred works from one hundred international photographers. The exhibition considers patterns of mass behavior and the complexities of life in twenty-first-century urban environments. This show originated at the National Museum of Modern and Contemporary Art, Seoul, as Civilization: The Way We Live Now. Work by Mike Kelley, Vera Lutter, and Taryn Simon is included.
Taryn Simon, Oxalis tuberosa, Peru (7CFR) (prohibited), 2010, from the series Contraband, 2010 © Taryn Simon
Through December 13, 2020
Punta della Dogana, Venice
Conceived and curated by Thomas Houseago, Muna El Fituri, and Caroline Bourgeois, Untitled, 2020 places into dialogue works in a broad range of media by more than sixty artists held by the Pinault Collection, international museums, and private collections. The exhibition centers around a re-creation of Houseago’s studio in Tadao Ando’s cube room, in the heart of Punta della Dogana. Work by Ellen Gallagher, Duane Hanson, Mike Kelley, Henry Moore, and Nam June Paik is included.
Installation view, Untitled, 2020, Punta della Dogana, Venice, March 22–December 13, 2020. Artwork © Thomas Houseago. Photo: Marco Cappelletti/DSL Studio
Craft in Art, 1950–2019
Through February 22, 2021
Whitney Museum of American Art, New York
Making Knowing: Craft in Art, 1950–2019 foregrounds how visual artists have explored the materials, methods, and strategies of craft over the past seven decades. Some expand techniques with long histories, such as weaving, sewing, or pottery, while others experiment with clay, beads, and glass, among other mediums. Work by Richard Artschwager, Mike Kelley, Shio Kusaka, and Sterling Ruby is included.
Shio Kusaka, (line 5), 2010 © Shio Kusaka
Works from the Brant Foundation
November 13, 2019–September 3, 2020
Brant Foundation, New York
Bringing together more than twenty artists integral to the Brant Foundation’s collection, this exhibition offers a glimpse into the multifaceted practices of artists whose work Peter M. Brant has collected over the past fifty years. Work by Jean-Michel Basquiat, Urs Fischer, Mike Kelley, Adam McEwen, Richard Prince, Andy Warhol, and Franz West is included.
Installation view, Third Dimension: Works from the Brant Foundation, Brant Foundation, New York, November 13, 2019–September 3, 2020. Artwork, front to back: © Urs Fischer, © Dan Flavin