Works Exhibited

About

Seydou Keïta is perhaps the most celebrated African photographer. Born in 1921 in Bamako, French Sudan (now Mali), he was self-taught in photography and opened a studio in his home in 1948. He was quickly sought after by eager patrons from all classes and walks of life, who came to have their photo taken—an event considered of high personal importance. In the sittings, Keïta asked his subjects to show themselves just as they liked, as they wanted to be memorialized. Favorite costumes, valued possessions, and wonderfully self-styled postures and expressions show the subjects taking charge of their own image. Keïta closed his studio in 1963, when he was appointed to be the official Government photographer in Mali. He held his post until 1977, when he retired. His legacy was an amazing record of life in Bamako during the 1950s and 1960s. Mr. Keïta ta still lives in Mali today.

Among the major exhibitions devoted to Keïta's work are those mounted by the Fondation Cartier pour l'Art Contemporain, Paris (1995), the Smithsonian Institution, Washington, D.C. (1996), the Guggenheim Museum (1996) and the San Francisco Museum of Modern Art (1997). A large monograph on his work has just been published by Scalo Publishers, Zurich, and is now available in bookstores in the United States.

Each image in the Gagosian exhibition was printed under the personal supervision of Seydou Keïta and bears his signature, monogram, and the date of the image and the of the print. The photographic sheet sizes are 24 x 20 inches, and 74 x 50 inches.

Gagosian Quarterly Summer 2026

Now available
Gagosian Quarterly Summer 2026

The Summer 2026 issue of Gagosian Quarterly is now available, featuring Ellen Gallagher’s Fast-Fish and Loose-Fish (2026) on the cover.

Jenny Saville a Ca’ Pesaro

Jenny Saville a Ca’ Pesaro

In this video, Jenny Saville sits down inside her first major exhibition in Venice to discuss how the great Venetian artists of the past and the city’s heritage influence her work. The show brings together more than thirty canvases and works on paper from the 1990s to the present, tracing the development of her practice, which is deeply rooted in the history of painting.

The Reflection of Bronze: Giuseppe Penone and Adam D. Weinberg

The Reflection of Bronze: Giuseppe Penone and Adam D. Weinberg

On the occasion of his exhibition The Reflection of Bronze at Gagosian, New York, Giuseppe Penone and curator Adam D. Weinberg sit down to discuss the genesis of, and their collaboration on, the show.

Alex Israel: Upside Down

Alex Israel: Upside Down

Ahead of Alex Israel’s exhibition of four new Fin sculptures at Gagosian, London, the artist spoke with Susan Casey, author of The Wave: In Pursuit of the Rogues, Freaks, and Giants of the Ocean (2010), about the ocean, surfing, and Los Angeles.

Simon Hantaï: The Paradox of the “last studio”

Simon Hantaï: The Paradox of the “last studio”

On July 9, Simon Hantaï: the last studio opens at Gagosian, Gstaad. Curated by Anne Baldassari, the show comprises sixteen of the artist’s dernier atelier (last studio) paintings of 1982–85. The exhibition is accompanied by an illustrated catalogue, copublished by Gagosian and Skira, which features an essay by Baldassari and an extensive portfolio of previously unpublished photographs by Édouard Boubat. Here, we share the introductory chapter from the publication.

James Turrell: Lifting the Veil

James Turrell: Lifting the Veil

An exhibition at Gagosian, Hong Kong, brings together three of James Turrell’s Glasswork pieces along with site plans, photographs, and models of his Skyspaces and Roden Crater. Here, Alice Godwin explores the history of the Glassworks and their relationship to the artist’s wider practice.

Derrick Adams: View Master

Derrick Adams: View Master

On April 16, the Institute of Contemporary Art, Boston, opened the first midcareer survey of Derrick Adams’s multidisciplinary practice. Covering over twenty years of work, the exhibition, titled View Master, brings together the artist’s painting, sculpture, collage, performance, and video, as well as a vibrant new commission created for the museum’s façade. Ahead of the opening, Adams met with Tessa Bachi Haas, cocurator of the survey, to discuss his formative experiences with television, the impact of his work in arts education on his practice, and the importance of taking a more complex, more joyful, and more expansive approach to Black American life and culture.

Giuseppe Penone: The Reflection of Bronze

Giuseppe Penone: The Reflection of Bronze

Adam D. Weinberg has been working with Giuseppe Penone on an exhibition of the artist’s new sculptures, The Reflection of Bronze, that opens at Gagosian, New York, on April 22. The works explore the character and possibilities of bronze. Here, Weinberg considers Penone’s enduring engagement with the alloy and addresses the conceptual underpinnings of the exhibition’s three-room structure.

A Tremendous Generosity: Jeff Koons on Marcel Duchamp

A Tremendous Generosity: Jeff Koons on Marcel Duchamp

Jeff Koons tells Alison McDonald about his appreciation for the pioneering artist and thinker Marcel Duchamp.

On Walter De Maria: Donna De Salvo and Lucy Raven

On Walter De Maria: Donna De Salvo and Lucy Raven

The Singular Experience at Gagosian’s Le Bourget gallery is the largest exhibition of Walter De Maria’s work in France in several decades. Organized by Donna De Salvo, senior adjunct curator at Dia Art Foundation, the exhibition marks the first time De Maria’s final sculpture, Truck Trilogy (2011–17), is being shown outside of the United States. Here, De Salvo speaks with artist Lucy Raven about her evolving kinship with De Maria and more.

Henry Moore: Monumental Nature

Henry Moore: Monumental Nature

Laura Bruni writes about a major exhibition celebrating the work of the British sculptor Henry Moore at the Royal Botanic Gardens, Kew, London.

A Revolution in Jewels: Pomellato at Palais de Tokyo

A Revolution in Jewels: Pomellato at Palais de Tokyo

The exhibition Pomellato, Le Joaillier Révolutionnaire opened at Palais de Tokyo, Paris, on June 24. The Italian jewelry house’s trailblazing advertising campaigns—created by some of the most consequential names in photography—act as the narrative arc of the exhibition, curated by Alba Cappellieri. Here, Sarah Godfrey tracks Pomellato’s history, speaks with Cappellieri about what drew her to this project, and examines some of the key photographs from the show.