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Gagosian Gallery is pleased to announce the exhibition of a selection of important works by Jean-Michel Basquiat. Born in 1960, Basquiat moved from his father's home to a life on the street at the age of eighteen. His early works, moving from public graffiti to oil on canvas, include painterly gestures with symbols such as automobiles, policemen, children's sidewalk games and buildings—all images reflective of his street environment. He also expressed an obsession with death by consistently depicting skeletal figures and mask-like faces. Along with the famed crowns and lettering, all of these symbols appear throughout his brief but highly productive career. Upon reflection, the work reveals an artistic statement that is cohesive and strong in expressing issues surrounding his tragically short life.
Basquiat first exhibited in Los Angeles at the Gagosian Gallery in 1982. He liked Los Angeles and was given a friendly reception by local collectors, prompting him to set up a studio in Venice Beach in 1983. His second L.A. show in 1984, and what would be his last exhibition on the West Coast, in 1986, were both at Gagosian Gallery as well. This 1998 showing marks the ten year anniversary of his death.
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Book Corner
Private Pages Made Public
Megan N. Liberty explores artists’ engagement with notebooks and diaries, thinking through the various meanings that arise when these private ledgers become public.
Visions of the Self: Jenny Saville on Rembrandt
Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.

Now available
Gagosian Quarterly Spring 2019
The Spring 2019 issue of Gagosian Quarterly is now available, featuring Red Pot with Lute Player #2 by Jonas Wood on its cover.

Spotlight
Jean-Michel in Black and White
Fred Hoffman looks back on the creation of Jean-Michel Basquiat’s Tuxedo (1983), examining the work’s significance in relation to identity and the hip-hop culture of the 1980s.

Spotlight
Basquiat
Jean-Michel Basquiat’s Untitled (L.A. Painting) (1982) was a game changer. Text by Derek Blasberg.