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Jean-Michel Basquiat

Jean-Michel Basquiat, Self Portrait, 1984 Acrylic and oilstick on paper mounted on canvas, 38 ⅞ × 28 inches (98.7 × 71.1 cm)

Jean-Michel Basquiat, Self Portrait, 1984

Acrylic and oilstick on paper mounted on canvas, 38 ⅞ × 28 inches (98.7 × 71.1 cm)

Jean-Michel Basquiat, Untitled (Macho Camacho), 1982 Acrylic and oil stick on poster, 23 × 29 inches (58.4 × 73.7 cm)

Jean-Michel Basquiat, Untitled (Macho Camacho), 1982

Acrylic and oil stick on poster, 23 × 29 inches (58.4 × 73.7 cm)

Jean-Michel Basquiat, Untitled, 1981 Acrylic, oil stick and pencil on canvas, 72 × 60 inches (182.9 × 152.4 cm)© The Estate of Jean-Michel Basquiat/ADAGP, Paris, ARS, New York 2013

Jean-Michel Basquiat, Untitled, 1981

Acrylic, oil stick and pencil on canvas, 72 × 60 inches (182.9 × 152.4 cm)
© The Estate of Jean-Michel Basquiat/ADAGP, Paris, ARS, New York 2013

About

Jean-Michel Basquiat was born in 1960 in New York City, where he died in 1988. Born to a Haitian father and a Puerto-Rican mother, Basquiat left his family home in Brooklyn, New York at the age of fifteen and took to the streets. A voracious autodidact, he quickly became a denizen of the explosive and decadent New York underground scene—a noise musician who loved jazz, and a street poet who scrawled his sophisticated aphorisms in Magic Marker across the walls of downtown Manhattan, copyrighting them under the name SAMO. In 1981, he killed off this alter ego and began painting and drawing, first on salvaged materials then later on canvas and paper, and making bricolage with materials scavenged from the urban environment. From the outset he worked compulsively; his passion for words and music, his intense yet fluid energy, and the heterogeneous materials that he employed so freely imbued his work with urgency and excitement. He sold his first painting in 1981, and by 1982, spurred by the Neo-Expressionist art boom, his work was in great demand. In 1985, he was featured on the cover of The New York Times Magazine in connection with an article on the newly exuberant international art market. In that photograph, Basquiat is a vision of cool, sprawled in a chair in an elegant three-piece suit and tie, with bunched dreadlocks and bare feet, in front of a large, bold painting—a supernova in the making.

Charismatic image aside, Basquiat was a prodigious young talent, fusing drawing and painting with history and poetry to produce an unprecedented artistic language and content that bridged cultures and enunciated alternative histories. Combining materials and techniques with uninhibited yet knowing and precise intent, his paintings maintain a powerful tension between opposing aesthetic forces—expression and knowledge, control and spontaneity, savagery and wit, urbanity and primitivism—while providing acerbic commentary on the harsh realities of race, culture, and society.

Basquiat is represented in several prominent museum collections all over the world. Major solo exhibitions include “Jean-Michel Basquiat: Paintings 1981–1984,” Fruitmarket Gallery, Edinburgh (1984; traveled to the Institute of Contemporary Arts, London; and the Museum Boijmans Van Beuningen, Rotterdam, through 1985); Whitney Museum of American Art, New York (1992; traveled to the Menil Collection, Houston; the Des Moines Art Center, Iowa; and the Montgomery Museum of Fine Art, Alabama, through 1994); “Basquiat,” Brooklyn Museum of Art, New York (2005; traveled to the Museum of Contemporary Art, Los Angeles; and the Museum of Fine Arts, Houston, through 2006); Fondation Beyeler, Basel, Switzerland (2010; traveled to Musée d’art Moderne de la Ville de Paris); and “Basquiat: The Unknown Notebooks,” Brooklyn Museum, New York (2015). Basquiat starred in “Downtown 81,” a verité movie that was written by Glenn O’Brien, shot by Edo Bertoglio, and produced by Maripol in 1981, but not released until 2000.

Website

basquiat.com

Fairs, Events & Announcements

Zeng Fanzhi, 8, 2018 © Zeng Fanzhi 2018

Art Fair

Art Basel Hong Kong

March 29–31, 2018, booth ICI8
Hong Kong Convention and Exhibition Center
www.artbasel.com

Gagosian is pleased to participate in Art Basel Hong Kong. To view highlights from the booth in advance of the fair visit www.artsy.com. Our presentation will include works by Georg Baselitz, Jean-Michel Basquiat, Joe Bradley, Cecily Brown, Glenn Brown, Alexander Calder, John Currin, Willem de Kooning, Edmund De Waal, Jean Dubuffet, Urs Fischer, Lucio Fontana, Walton Ford, Katharina Grosse, Mark Grotjahn, Andreas Gursky, Damien Hirst, Jia Aili, Anish Kapoor, Yves Klein, Karen Kneffel, Jeff Koons, Harmony Korine, Roy Lichtenstein, Takashi Murakami, Takashi Murakami & Virgil Abloh, Albert Oehlen, Nam June Paik, Francis Picabia, Pablo Picasso, Sterling Ruby, Ed Ruscha, Jenny Saville, Richard Serra, Rudolf Stingel, Mark Tansey, Cy Twombly, Andy Warhol, Jonas Wood, Christopher Wool, and Zeng Fanzhi. Tickets are available at www.artbasel.com.

Zeng Fanzhi, 8, 2018 © Zeng Fanzhi 2018

Tom Wesselmann, Smoker #11, 1973 © The Estate of Tom Wesselmann/Licensed by VAGA, New York

Art Fair

Art Basel Miami Beach

December 7–10, 2017, booth D7
Miami Beach Convention Center
www.artbasel.com

Gagosian is pleased to participate in Art Basel Miami Beach 2017, presenting a selection of works by modern and contemporary artists including:

Richard Artschwager, Jean-Michel Basquiat, Cecily Brown, Glenn Brown, John Chamberlain, Dan Colen, John Currin, Urs Fischer, Sam Francis, Helen Frankenthaler, Katharina Grosse, Mark Grotjahn, Andreas Gursky, Damien Hirst, Alex Israel, Neil Jenney, Jasper Johns, Jeff Koons, Harmony Korine, Roy Lichtenstein, Brice Marden, Adam McEwen, Takashi Murakami, Albert Oehlen, Pablo Picasso, Richard Prince, Sterling Ruby, Ed Ruscha, Jenny Saville, Frank Stella, Rudolf Stingel, Mark Tansey, Robert Therrien, Cy Twombly, Andy Warhol, Mary Weatherford, Tom Wesselmann, and Christopher Wool.

Tickets are available at www.artbasel.com.

Tom Wesselmann, Smoker #11, 1973 © The Estate of Tom Wesselmann/Licensed by VAGA, New York

Museum Exhibitions

Jean-Michel Basquiat, Fallen Angel, 1981, Fondation Carmignac, Paris © The Estate of Jean-Michel Basquiat/ADAGP, Paris 2018

On View

Sea of Desire

Through November 4, 2018
Fondation Carmignac, Porquerolles, France
www.fondationcarmignac.com

The phrase “Sea of Desire” on a large-scale painting by Ed Ruscha will welcome visitors to this exhibition, which channels a spirit of rebellion and change. Sea of Desire will confront the viewer with compelling artworks that imply revolution, freedom, and a quest for beauty. Work by Jean-Michel Basquiat, Jeff Koons, Roy Lichtenstein, Ed Ruscha, and Andy Warhol will be included.

Jean-Michel Basquiat, Fallen Angel, 1981, Fondation Carmignac, Paris © The Estate of Jean-Michel Basquiat/ADAGP, Paris 2018

Jean-Michel Basquiat, Untitled, 1982, Museum Boijmans Van Beuningen, Rotterdam © VG Bild-Kunst Bonn, 2018 and the Estate of Jean-Michel Basquiat, Licensed by Artestar, New York. Photo: Studio Tromp, Rotterdam

Closed

Basquiat
Boom for Real

February 16–May 27, 2018
Schirn Kunsthalle Frankfurt
www.schirn.de

Drawing from international museums and private collections, this exhibition brings together more than one hundred works, many never before seen in Germany, including a partial reconstruction of the first body of work that Basquiat exhibited at Diego Cortez’s watershed group show New York/New Wave at PS1 in New York in 1981. This exhibition has traveled from the Barbican Center in London.

Jean-Michel Basquiat, Untitled, 1982, Museum Boijmans Van Beuningen, Rotterdam © VG Bild-Kunst Bonn, 2018 and the Estate of Jean-Michel Basquiat, Licensed by Artestar, New York. Photo: Studio Tromp, Rotterdam

Jean-Michel Basquiat, Self Portrait, 1984 © The Estate of Jean-Michel Basquiat, Licensed by Artestar, New York

Closed

Basquiat
Boom for Real

September 21, 2017–January 28, 2018
Barbican, London
www.barbican.org.uk

Drawing from international museums and private collections, this exhibition brings together more than one hundred works, many never before seen in England, including a partial reconstruction of the first body of work that Basquiat exhibited at Diego Cortez’s watershed group show New York/New Wave at PS1 in New York in 1981.

Jean-Michel Basquiat, Self Portrait, 1984 © The Estate of Jean-Michel Basquiat, Licensed by Artestar, New York

Joe Bradley, Pigpen (#2), 2010

Closed

Animal Farm

May 14–October 1, 2017
Brant Foundation Art Study Center, Greenwich, Connecticut
brantfoundation.org

Animal Farm is a group exhibition curated by artist and musician Sadie Laska. A selection of works sketch a story that slides from figurative iconography to totemic abstraction, charting a world in churn; in print, in space, and on canvas. The show includes work by Jean-Michel Basquiat and Joe Bradley.

Joe Bradley, Pigpen (#2), 2010

See all Museum Exhibitions for Jean-Michel Basquiat