Works Exhibited

About

Opening Reception Thursday, February 3, 6 – 8 PM

Gagosian Gallery is pleased to announce an exhibition of The Rudimentary Pictures by Gilbert and George. Remarkably, The Rudimentary Pictures, a group of thirty-three works, will be the first solo exhibition by the internationally renowned duo on the West Coast.

Since they galvanized the international art world in the late 1960's with their presentations of Living Sculptures, Gilbert and George have created a body of work based primarily on the concept that their lives and experiences form the content of their art. Since the beginning, the artists have been inspired by the essence of life on the streets in the East End of London: the graffiti, the refuse, the street boys and the local people. Recently, they have incorporated the structures created from microscopic enlargements of essential body fluids, such as blood, tears, sweat, urine and semen. Many pictures in this exhibition, Money City, Gum City, Crying City and Blood City employ street maps as a background or surface. In Sex City, Kink, Naked Cemetery, and Love Spunk, detailed areas of the street map are precisely selected and encircled so that street names and locations reveal an urban system of verbal double meanings.

"They (the pictures) deal with the thoughts and feelings that lie within us all and with the issues that confront us daily. Our cities, your tears, their money, the rain, our sexuality, your sweat, their views are all in "The Rudimentary Pictures"*

Gagosian Quarterly Fall 2024

Now available
Gagosian Quarterly Fall 2024

The Fall 2024 issue of Gagosian Quarterly is now available, featuring Andy Warhol’s Mao (1972) on the cover.

Fashion and Art: Grace Coddington

Fashion and Art: Grace Coddington

Grace Coddington, fashion editor and former creative-director-at-large for American Vogue, meets with the Quarterly’s Derek C. Blasberg to reminisce on some of her most iconic collaborations with photographers and artists.

Jayden Ali: Beyond the Building

Jayden Ali: Beyond the Building

Architect and designer Jayden Ali joins Gagosian associate director Péjú Oshin for a conversation about false notions of failure, four-day workweeks, and the connective power of building together.

The Bold Stroke: Spencer Sweeney & Lizzi Bougatsos

The Bold Stroke: Spencer Sweeney & Lizzi Bougatsos

Old friends chat about their love of music, nightclub paintings, life lessons from aikido, and Sweeney’s upcoming exhibition The Painted Bride, at Gagosian, New York.

“I Can’t Accept to Act Like a Zombie”: Enzo Mari and Design’s Utopian Impulse

“I Can’t Accept to Act Like a Zombie”: Enzo Mari and Design’s Utopian Impulse

The exhibition Enzo Mari, curated by Hans Ulrich Obrist with Francesca Giacomelli at the Design Museum, London, runs through September 8. Taking a cue from this major retrospective, Bartolomeo Sala delves into Mari’s practice and convictions.

Honoring Aegean Memories: Ekaterina Juskowski and Salomé Gómez-Upegui

Honoring Aegean Memories: Ekaterina Juskowski and Salomé Gómez-Upegui

The Warp of Time celebrates a hundred years of shared history between the Old Carpet Factory, a historical mansion located on the Greek island of Hydra, and Soutzoglou Carpets. Here, Salomé Gómez-Upegui interviews curator Ekaterina Juskowski about Helen Marden’s woven works within the context of the exhibition, touching upon themes of history, memory, and creative expression.

Picture by Picture: Revisiting Frankenthaler

Picture by Picture: Revisiting Frankenthaler

John Elderfield and Lauren Mahony of Gagosian speak with the National Gallery of Art’s Harry Cooper about the new and expanded version of Elderfield’s 1989 monograph on Helen Frankenthaler that Gagosian, in collaboration with the Helen Frankenthaler Foundation, will publish this summer. The conversation traces Elderfield’s long interest in Frankenthaler’s work—from his time as a young curator at the Museum of Modern Art, New York, to the present—and reveals some of the new perspectives and discoveries awaiting readers.

Remembering Brice Marden

Remembering Brice Marden

In conjunction with the memorial service for Brice Marden held at the Museum of Modern Art, New York, Mirabelle and Melia Marden produced a short film directed by Chiara Clemente to honor the late artist. Featuring interviews, archival photographs, and family videos, this film captures Marden’s vibrant life and enduring cultural impact.

Artist, Audience, Accomplice

Artist, Audience, Accomplice

Sydney Stutterheim has published Artist, Audience, Accomplice: Ethics and Authorship in Art of the 1970s and 1980s (Duke University Press, 2024), a survey of performance art and related practices that involve, in various manners, the figure of the accomplice. To celebrate the publication, the Quarterly is publishing an excerpt that examines Chris Burden’s Deadman (1972).

Roy

Roy

Michael Ovitz, cofounder of Creative Artists Agency (CAA), looks back to 1989, the year he and the architect I. M. Pei commissioned Roy Lichtenstein to create the Bauhaus Stairway Mural for the then new CAA Building in Los Angeles. Through the experience of working with Lichtenstein, Ovitz formed a meaningful friendship with the artist.

Sophia Heriveaux and Roger Guenveur Smith on Jean-Michel Basquiat

In Conversation
Sophia Heriveaux and Roger Guenveur Smith on Jean-Michel Basquiat

Join Gagosian for a conversation between director, producer, and writer Sophia Heriveaux and actor, director, and writer Roger Guenveur Smith inside the exhibition Jean-Michel Basquiat: Made on Market Street, at Gagosian, Beverly Hills. Heriveaux and Guenveur Smith both share a personal connection to Basquiat: Heriveaux is the artist’s niece and Guenveur Smith was one of his friends and collaborators. The pair discuss Basquiat’s work and legacy, as well as his lasting impact on contemporary art and culture.

On Anselm Kiefer’s Photography

On Anselm Kiefer’s Photography

Sébastien Delot is director of conservation and collections at the Musée national Picasso–Paris and the organizer of the first retrospective to focus on Anselm Kiefer’s use of photography, which was held at Lille Métropole Musée d’art moderne, d’art contemporain et d’art brut (Musée LaM) in Villeneuve-d’Ascq, France. He recently sat down with Gagosian director of photography Joshua Chuang to discuss the exhibition Anselm Kiefer: Punctum at Gagosian, New York. Their conversation touched on Kiefer’s exploration of photography’s materials, processes, and expressive potentials, and on the alchemy of his art.