
Now available
Gagosian Quarterly Summer 2026
The Summer 2026 issue of Gagosian Quarterly is now available, featuring Ellen Gallagher’s Fast-Fish and Loose-Fish (2026) on the cover.
Gagosian Gallery is pleased to present Roger Ballen's inaugural exhibition in the United States featuring many of his photographs from the award-winning book, Outland (Phaidon Press, 2001). Ballen, a New York native, has been living in Johannesburg, South Africa since 1974. Trained as a geologist, Ballen has been photographing for over 25 years, mostly in remote areas outside of Johannesburg. Working among a population so clearly overlooked and invisible, they face Ballen's camera with both the freshness of children and the faces of hard experience. This will be the gallery's first exclusively photographic exhibition in the penthouse galleries at 980 Madison Avenue.
A wiry, older man with a pixie haircut bends over a bed, imitating a spider. A scrap collector stands on a disintegrating foam mattress, contemplating a globe –an Atlas of the junkyard with a sleeping Doberman at his feet. A short and stern security guard poses in David Hockney glasses, his nightstick upright as his girlfriend, her eyes and face broadened by even thicker lenses, sits complacently on the edge of their bed. In Roger Ballen's photographs, the sitters are fundamentally linked to their environment, gods born from the walls, floors and furniture. Ballen's photographs convey sitters whose unique disposition in life seems to have sculpted their bodies. However, they also rely upon an exquisitely rigorous formal approach, mixing a draftsman's eye for line and detail with the documentary photographer's obsession for veracity with universal appeal. Included will be portraits, interiors and still-lifes executed between the mid-1980s and today, many of which have never before been exhibited or published.
Ballen has been short-listed for the prestigious Citigroup Private Bank Photography Prize, to be awarded in London in February 2002. Outland recently won The Best Photographic Book of the Year award at PhotoEspana 2001. Ballen's photographs are the subjects of four previous volumes including Platteland, Images of a Rural South Africa and Cette Afrique là. His work is in the collections of the Museum of Modern Art, New York; Los Angeles County Museum of Art; Brooklyn Museum of Art; Kunsthaus, Zürich; Museum Folkwang, Essen; Maison Européenne de la Photographie, Paris and others.

The Summer 2026 issue of Gagosian Quarterly is now available, featuring Ellen Gallagher’s Fast-Fish and Loose-Fish (2026) on the cover.
In this video, Jenny Saville sits down inside her first major exhibition in Venice to discuss how the great Venetian artists of the past and the city’s heritage influence her work. The show brings together more than thirty canvases and works on paper from the 1990s to the present, tracing the development of her practice, which is deeply rooted in the history of painting.
On the occasion of his exhibition The Reflection of Bronze at Gagosian, New York, Giuseppe Penone and curator Adam D. Weinberg sit down to discuss the genesis of, and their collaboration on, the show.

Ahead of Alex Israel’s exhibition of four new Fin sculptures at Gagosian, London, the artist spoke with Susan Casey, author of The Wave: In Pursuit of the Rogues, Freaks, and Giants of the Ocean (2010), about the ocean, surfing, and Los Angeles.
Marcel Duchamp is the inaugural exhibition of the gallery’s new ground-floor space in the historic building at 980 Madison Avenue. In this video, the Quarterly’s Alison McDonald discusses the artist’s most iconic readymades and their connection to New York City.

On July 9, Simon Hantaï: the last studio opens at Gagosian, Gstaad. Curated by Anne Baldassari, the show comprises sixteen of the artist’s dernier atelier (last studio) paintings of 1982–85. The exhibition is accompanied by an illustrated catalogue, copublished by Gagosian and Skira, which features an essay by Baldassari and an extensive portfolio of previously unpublished photographs by Édouard Boubat. Here, we share the introductory chapter from the publication.

An exhibition at Gagosian, Hong Kong, brings together three of James Turrell’s Glasswork pieces along with site plans, photographs, and models of his Skyspaces and Roden Crater. Here, Alice Godwin explores the history of the Glassworks and their relationship to the artist’s wider practice.

On April 16, the Institute of Contemporary Art, Boston, opened the first midcareer survey of Derrick Adams’s multidisciplinary practice. Covering over twenty years of work, the exhibition, titled View Master, brings together the artist’s painting, sculpture, collage, performance, and video, as well as a vibrant new commission created for the museum’s façade. Ahead of the opening, Adams met with Tessa Bachi Haas, cocurator of the survey, to discuss his formative experiences with television, the impact of his work in arts education on his practice, and the importance of taking a more complex, more joyful, and more expansive approach to Black American life and culture.

Adam D. Weinberg has been working with Giuseppe Penone on an exhibition of the artist’s new sculptures, The Reflection of Bronze, that opens at Gagosian, New York, on April 22. The works explore the character and possibilities of bronze. Here, Weinberg considers Penone’s enduring engagement with the alloy and addresses the conceptual underpinnings of the exhibition’s three-room structure.

Jeff Koons tells Alison McDonald about his appreciation for the pioneering artist and thinker Marcel Duchamp.

The Singular Experience at Gagosian’s Le Bourget gallery is the largest exhibition of Walter De Maria’s work in France in several decades. Organized by Donna De Salvo, senior adjunct curator at Dia Art Foundation, the exhibition marks the first time De Maria’s final sculpture, Truck Trilogy (2011–17), is being shown outside of the United States. Here, De Salvo speaks with artist Lucy Raven about her evolving kinship with De Maria and more.

Laura Bruni writes about a major exhibition celebrating the work of the British sculptor Henry Moore at the Royal Botanic Gardens, Kew, London.