Howard Hodgkin: Paintings, Beverly Hills, January 10–February 17, 2004

Works Exhibited

Howard Hodgkin, Little Venice, 2003. Oil on wood, 10 ½ × 13 inches (26.7 × 33 cm) — Howard Hodgkin
*Little Venice*, 2003
Oil on wood, 10 ½ × 13 inches (26.7 × 33 cm)

Howard Hodgkin, Grief, 1999–2002. Oil on wood, 35 × 45 ¼ inches (88.9 × 115 cm) — Howard Hodgkin
*Grief*, 1999–2002
Oil on wood, 35 × 45 ¼ inches (88.9 × 115 cm)

Howard Hodgkin, La Vie en Rose, 1999–2002. Oil on wood, 12 ½ × 17 ½ inches (31.8 × 44.4 cm) — Howard Hodgkin
*La Vie en Rose*, 1999–2002
Oil on wood, 12 ½ × 17 ½ inches (31.8 × 44.4 cm)

Howard Hodgkin, Afterwards, 2000. Oil on wood, 30 × 36 ½ inches (76.2 × 92.7 cm) — Howard Hodgkin
*Afterwards*, 2000
Oil on wood, 30 × 36 ½ inches (76.2 × 92.7 cm)

Howard Hodgkin, Undergrowth, 1998–2003. Oil on wood, 78 ¾ × 95 ⅝ inches (200 × 242.9 cm) — Howard Hodgkin
*Undergrowth*, 1998–2003
Oil on wood, 78 ¾ × 95 ⅝ inches (200 × 242.9 cm)

Howard Hodgkin, Autumn in the House, 1995–96. Oil on wood, 23 × 25 ⅞ inches (58.4 × 65.7 cm) © Howard Hodgkin Estate — Howard Hodgkin
*Autumn in the House*, 1995–96
Oil on wood, 23 × 25 ⅞ inches (58.4 × 65.7 cm)
© Howard Hodgkin Estate

Thumbnail - Howard Hodgkin, Little Venice, 2003. Oil on wood, 10 ½ × 13 inches (26.7 × 33 cm)

Thumbnail - Howard Hodgkin, Grief, 1999–2002. Oil on wood, 35 × 45 ¼ inches (88.9 × 115 cm)

Thumbnail - Howard Hodgkin, La Vie en Rose, 1999–2002. Oil on wood, 12 ½ × 17 ½ inches (31.8 × 44.4 cm)

Thumbnail - Howard Hodgkin, Afterwards, 2000. Oil on wood, 30 × 36 ½ inches (76.2 × 92.7 cm)

Thumbnail - Howard Hodgkin, Undergrowth, 1998–2003. Oil on wood, 78 ¾ × 95 ⅝ inches (200 × 242.9 cm)

Thumbnail - Howard Hodgkin, Autumn in the House, 1995–96. Oil on wood, 23 × 25 ⅞ inches (58.4 × 65.7 cm) © Howard Hodgkin Estate

About

Gagosian Beverly Hills is pleased to present an exhibition of new paintings by Howard Hodgkin. This will be the artist’s first solo exhibition in Los Angeles since 1985.

Completed within the last three years, these oil paintings reflect a shift in both scale and tone from Hodgkin’s earlier work. Among this grouping are the most monumental paintings created by the artist during his five-decade career. Hodgkin’s evocative art may be understood as a distillation of memories and emotions. In this recent body of work, he has introduced a more somber palette to suggest times past and lost friends. The details of the natural world, which function as objective correlatives of tender feelings, are recorded through an abstraction of visual language.

Artist

Howard Hodgkin

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Press release (pdf)

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From the Quarterly

Visions of the Self: Jenny Saville on Rembrandt

Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.

Layla and Majnun

A celebrated collaboration between Sir Howard Hodgkin and choreographer Mark Morris. Nancy Dalva takes us behind the scenes.

Howard Hodgkin: Absent Friends

In this video interview, National Portrait Gallery senior curator Paul Moorhouse explains how Hodgkin increasingly abstracted what people meant to him, representing people in his pictures through memories, evocations, and feelings.