Gagosian is pleased to present an exhibition of new work by Cy Twombly. The exhibition is comprised of eight monumental paintings and one sculpture, all completed in 2005.
Fleshy grounds are violently activated with large, dripping loops of red oil paint. These compositions immediately recall the gestural force of Twombly’s Blackboard paintings from the mid-1960s and continue his ongoing search for universal truths locked away in the annals of myth and history.
The full title of the exhibition, Bacchus: Psilax and Mainomenos, refers to the opposing natures that constitute the character of the God of wine, pleasure, and festivities. On the one hand, Bacchus is Psilax (“psila” being Doric for wings), suggesting that he can uplift men and women, lightening their spirits. On the other hand, Bacchus can be Mainomenos: the crazed, violent God of Dionysian fury.
Rainer Maria Rilke: Duino Elegies
Bobbie Sheng explores the symbiotic relationship between the poet and visual artists of his time and tracks the enduring influence of his poetry on artists working today.
Gagosian Quarterly Summer 2020
The Summer 2020 issue of Gagosian Quarterly is now available, featuring Joan Jonas’s Mirror Piece 1 (1969) on its cover.
The River Café Cookbook
London’s River Café, a culinary mecca perched on a bend in the River Thames, celebrated its thirtieth anniversary in 2018. To celebrate this milestone and the publication of her cookbook River Café London, cofounder Ruth Rogers sat down with Derek Blasberg to discuss the famed restaurant’s allure.
Sally Mann and Jenny Saville
The two artists discuss being drawn to difficult subjects, the effects of motherhood on their practice, embracing chance, and their shared adoration of Cy Twombly.
Gagosian Quarterly Fall 2019
The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.
Intimate Grandeur: Glenstone Museum
Paul Goldberger tracks the evolution of Mitchell and Emily Rales’s Glenstone Museum in Potomac, Maryland. Set amid 230 acres of pristine landscape and housing a world-class collection of modern and contemporary art, this graceful complex of pavilions, designed by architects Thomas Phifer and Partners, opened to the public in the fall of 2018.
In Beauty it is finished: Drawings 1951–2008
March 8–April 25, 2018
West 21st Street, New York