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Cy Twombly

Cy Twombly, Min-Oe, 1951 Bitumen and oil-based house paint on canvas, 34 ¼ × 40 inches (87 × 101.6 cm)© Cy Twombly Foundation

Cy Twombly, Min-Oe, 1951

Bitumen and oil-based house paint on canvas, 34 ¼ × 40 inches (87 × 101.6 cm)
© Cy Twombly Foundation

Cy Twombly, Untitled, 1953 House paint and wax on fabric and wood with twine, wire, and nails, 15 ¼ × 9 ⅞ × 4 inches (38.7 × 25 × 10.2 cm)© Cy Twombly Foundation

Cy Twombly, Untitled, 1953

House paint and wax on fabric and wood with twine, wire, and nails, 15 ¼ × 9 ⅞ × 4 inches (38.7 × 25 × 10.2 cm)
© Cy Twombly Foundation

Cy Twombly, Untitled, 1954 Wax crayon, gouache, and colored pencil on paper, 19 × 25 inches (48.2 × 63.5 cm), Museum of Modern Art, New York© Cy Twombly Foundation

Cy Twombly, Untitled, 1954

Wax crayon, gouache, and colored pencil on paper, 19 × 25 inches (48.2 × 63.5 cm), Museum of Modern Art, New York
© Cy Twombly Foundation

Cy Twombly, Sperlonga Drawing, 1959 Pencil, oil-based house paint, and wax crayon on paper, 27 ½ × 39 ¼ inches (69.9 × 99.7 cm)© Cy Twombly Foundation

Cy Twombly, Sperlonga Drawing, 1959

Pencil, oil-based house paint, and wax crayon on paper, 27 ½ × 39 ¼ inches (69.9 × 99.7 cm)
© Cy Twombly Foundation

Cy Twombly, Untitled (New York City), 1968 Oil-based house paint and wax crayon on canvas, 68 × 85 inches (172.7 × 215.9 cm)© Cy Twombly Foundation

Cy Twombly, Untitled (New York City), 1968

Oil-based house paint and wax crayon on canvas, 68 × 85 inches (172.7 × 215.9 cm)
© Cy Twombly Foundation

Cy Twombly, Veil of Orpheus, 1968 House paint, crayon, and graphite pencil on primed canvas, 90 × 192 inches (228.6 × 487.7 cm)© Cy Twombly Foundation

Cy Twombly, Veil of Orpheus, 1968

House paint, crayon, and graphite pencil on primed canvas, 90 × 192 inches (228.6 × 487.7 cm)
© Cy Twombly Foundation

Cy Twombly, Untitled (Bolsena), 1969 Oil, crayon, and pencil on canvas© Cy Twombly Foundation

Cy Twombly, Untitled (Bolsena), 1969

Oil, crayon, and pencil on canvas
© Cy Twombly Foundation

Cy Twombly, Untitled, 1969 Oil and crayon on canvas, 79 × 103 ⅜ inches (200.7 × 262.6 cm), Whitney Museum of American Art, New York© Cy Twombly Foundation

Cy Twombly, Untitled, 1969

Oil and crayon on canvas, 79 × 103 ⅜ inches (200.7 × 262.6 cm), Whitney Museum of American Art, New York
© Cy Twombly Foundation

Cy Twombly, Mars and the Artist, 1975 Oil, wax crayon, charcoal, and pencil with drawing paper, cardboard, and staples on paper, 55 ⅞ × 50 ¼ inches (142 × 127.5 cm)© Cy Twombly Foundation

Cy Twombly, Mars and the Artist, 1975

Oil, wax crayon, charcoal, and pencil with drawing paper, cardboard, and staples on paper, 55 ⅞ × 50 ¼ inches (142 × 127.5 cm)
© Cy Twombly Foundation

Cy Twombly, Malevich in Pointe-à-Pitre, 1980 Tempera, pencil, and staples on handmade rag paper, 30 ⅛ × 22 ¼ inches (76.4 × 56.4 cm)© Cy Twombly Foundation

Cy Twombly, Malevich in Pointe-à-Pitre, 1980

Tempera, pencil, and staples on handmade rag paper, 30 ⅛ × 22 ¼ inches (76.4 × 56.4 cm)
© Cy Twombly Foundation

Cy Twombly, Untitled, 1989 Acrylic and pencil on paper, 30 × 22 ¼ inches (76 × 56.5 cm), Cy Twombly Foundation© Cy Twombly Foundation

Cy Twombly, Untitled, 1989

Acrylic and pencil on paper, 30 × 22 ¼ inches (76 × 56.5 cm), Cy Twombly Foundation
© Cy Twombly Foundation

Cy Twombly, Untitled, 1990 Acrylic, wax crayon, and pencil on handmade paper, 30 ⅝ × 21 ⅝ inches (77.8 × 54.8 cm), Cy Twombly Foundation© Cy Twombly Foundation

Cy Twombly, Untitled, 1990

Acrylic, wax crayon, and pencil on handmade paper, 30 ⅝ × 21 ⅝ inches (77.8 × 54.8 cm), Cy Twombly Foundation
© Cy Twombly Foundation

Cy Twombly, Untitled, 2001 Acrylic, wax crayon, and cut-and-pasted paper on paper, 48 ⅞ × 39 inches (124 × 99 cm)© Cy Twombly Foundation. Photo: Rob McKeever

Cy Twombly, Untitled, 2001

Acrylic, wax crayon, and cut-and-pasted paper on paper, 48 ⅞ × 39 inches (124 × 99 cm)
© Cy Twombly Foundation. Photo: Rob McKeever

Cy Twombly, Untitled, 2003 Acrylic on canvas, 84 × 106 inches (213.4 × 269.2 cm)© Cy Twombly Foundation

Cy Twombly, Untitled, 2003

Acrylic on canvas, 84 × 106 inches (213.4 × 269.2 cm)
© Cy Twombly Foundation

Cy Twombly, Brushes (Lexington), 2005 Color dry-print, 17 × 11 inches (43.2 × 27.9 cm), edition of 6© Nicola Del Roscio Foundation

Cy Twombly, Brushes (Lexington), 2005

Color dry-print, 17 × 11 inches (43.2 × 27.9 cm), edition of 6
© Nicola Del Roscio Foundation

Cy Twombly, Note III, 2005–07 Acrylic on wood panel, 96 × 144 inches (243.8 × 365.8 cm)© Cy Twombly Foundation

Cy Twombly, Note III, 2005–07

Acrylic on wood panel, 96 × 144 inches (243.8 × 365.8 cm)
© Cy Twombly Foundation

Cy Twombly, Bacchus, 2006–08 Acrylic on canvas, 124 ⅞ × 159 ⅛ inches (317 × 404.2 cm), Cy Twombly Foundation© Cy Twombly Foundation

Cy Twombly, Bacchus, 2006–08

Acrylic on canvas, 124 ⅞ × 159 ⅛ inches (317 × 404.2 cm), Cy Twombly Foundation
© Cy Twombly Foundation

Cy Twombly, The Rose (IV), 2008 Acrylic on wood panel, 99 ¼ × 291 ⅜ inches (252 × 740 cm)© Cy Twombly Foundation

Cy Twombly, The Rose (IV), 2008

Acrylic on wood panel, 99 ¼ × 291 ⅜ inches (252 × 740 cm)
© Cy Twombly Foundation

Cy Twombly, Light Flowers V (Gaeta), 2008 Color dry-print, 17 × 11 inches (43.2 × 27.9 cm), edition of 6© Nicola Del Roscio Foundation

Cy Twombly, Light Flowers V (Gaeta), 2008

Color dry-print, 17 × 11 inches (43.2 × 27.9 cm), edition of 6
© Nicola Del Roscio Foundation

Cy Twombly, Untitled (Lexington), 2009 Wood, white paint, cardboard, yellow acrylic, and plastic strings, 21 × 12 × 9 ½ inches (53.3 × 30.5 × 24.1 cm)© Cy Twombly Foundation. Photo: Rob McKeever

Cy Twombly, Untitled (Lexington), 2009

Wood, white paint, cardboard, yellow acrylic, and plastic strings, 21 × 12 × 9 ½ inches (53.3 × 30.5 × 24.1 cm)
© Cy Twombly Foundation. Photo: Rob McKeever

Cy Twombly, Camino Real II, 2010 Acrylic on plywood, 99 ⅜ × 72 ⅞ inches (252.4 × 185.1 cm)© Cy Twombly Foundation

Cy Twombly, Camino Real II, 2010

Acrylic on plywood, 99 ⅜ × 72 ⅞ inches (252.4 × 185.1 cm)
© Cy Twombly Foundation

About

To my mind, one does not put oneself in place of the past; one only adds a new link.
—Cy Twombly

Cy Twombly (1928–2011) developed a gestural vocabulary in which each line and color is infused with energy, spirituality, and meaning. Emerging as a prominent figure in the mid-1950s following extensive travels throughout Europe and North Africa, he produced works that are simultaneously personal and mythological, allowing narrative, language, and inner visions to erupt from his intimate, abstract notations.

Twombly was born in 1928 in Lexington, Virginia, and studied art in Boston and New York, then at Black Mountain College in North Carolina in the early 1950s. Although he was a contemporary of Robert Rauschenberg and Jasper Johns, his work soon digressed from the aims of American postwar abstraction. While prevailing tendencies of the period, such as Pop art, sought to abandon historical narratives altogether, Twombly directed his focus toward ancient, classical, and modern poetic traditions. In the late 1950s he moved to Italy, where he produced colorful, diagrammatic works, such as Ode to Psyche (1960), that feature erotic allusions and sly jokes while maintaining an abstract charge. Shortly thereafter the sebaceous, bright colors of these works gave way to the more austere grays and blues of the “blackboard” paintings, in which terse, white scrawls and loops recall the powdery effects of chalk on a blackboard. As Twombly continued to work in various locations over the following decades—including Rome, Lexington, and his final residence, in Gaeta, Italy—places, landscapes, and natural forms came to figure prominently in his drawings, collages, photographs, and watercolors.

For Twombly, the poetic and the rational were not mutually exclusive. Collage, which engaged him briefly in 1959, then began to appear more regularly in 1971, allies Twombly to the Dadaists and their descendants, such as Rauschenberg and Johns. Visual information from everyday life—travel postcards, reproductions of paintings, scientific illustrations, personal drawings, and more—entered his work as a way to explore the potential of both structure and meaning.

From his student days on, Twombly also captured his daily life in photographs. He recorded the verdant landscapes of Virginia and the coasts of Italy; close-up details of ancient buildings and sculptures; studio interiors; and still lifes of objects and flowers. Beginning in the early 1990s, he used specialized copiers to enlarge his Polaroid images on matte paper, resulting in subtle distortions that approximate the timeless qualities of his paintings and sculptures.

In 1995 the Cy Twombly Gallery opened across the street from the Menil Collection in Houston. A collaboration between the Menil, Dia Foundation, and Twombly himself, the gallery serves as a permanent home for a number of important works made between 1953 and 2004. Included is the series of paintings Analysis of the Rose as Sentimental Despair (1985), which features floral forms in deep reds, pinks, and purples, with quotations from Rainer Maria Rilke, Rumi, and Giacomo Leopardi. In 2010 Twombly was selected to install a permanent work at the Louvre: a painted ceiling for the Salle des Bronzes. The Ceiling spans 3,750 square feet and pays homage to the greatest Hellenic sculptors, from Phidias to Praxiteles, each of their names inscribed over an immense blue sky populated by floating, cosmic orbs.

Cy Twombly

Photo: Michael Stravato/The New York Times/Redux

Website

cytwombly.org

From the Quarterly

Fairs, Events & Announcements

William Forsythe, Lectures from Improvisation Technologies, 2011, performed by William Forsythe © William Forsythe

Book Fair

NY Art Book Fair
William Forsythe

September 21–23, 2018, project space room, booth S202
MoMA PS1, New York
www.nyartbookfair.com

Gagosian is participating in the NY Art Book Fair 2018 with a special project space conceived in collaboration with choreographer William Forsythe, exploring visual and notational approaches to dance and movement. Forsythe is a radical innovator in choreography and dance who has redefined the very syntax and praxis of his field. In the course of his singular career spanning five decades, he has developed an extensive repertoire of groundbreaking ballet choreographies and experimental, non-proscenium-based dance-theater works, as well as an open-access digital platform for dance analysis, notation, and improvisation.

At the NYABF, printed materials and videos by Forsythe are featured alongside selected Gagosian publications, as well as additional books and ephemera that reveal Forsythe’s wide-ranging influences and interests including Chris Burden, Katharina Grosse, Richard Serra, Cy Twombly, and Rachel Whiteread.

William Forsythe, Lectures from Improvisation Technologies, 2011, performed by William Forsythe © William Forsythe

Georg Baselitz, Frau am Strand (Woman on the Beach), 1981 © Georg Baselitz 2018

Art Fair

Art Basel

June 14–17, 2018
Messe Basel, booth B11
www.artbasel.com

Gagosian is pleased to participate in Art Basel 2018, presenting works by modern and contemporary artists including Georg Baselitz, John Chamberlain, Dan Colen, John Currin, Willem de Kooning, Urs Fischer, Helen Frankenthaler, Ellen Gallagher, Jennifer Guidi, Andreas Gursky, Neil Jenney, Jeff Koons, Roy Lichtenstein, Henri Matisse, Takashi Murakami, Giuseppe Penone, Pablo Picasso, Richard Prince, Sterling Ruby, Richard Serra, Rudolf Stingel, Mark Tansey, Cy Twombly, Andy Warhol, Mary Weatherford, and Tom Wesselmann. To receive a PDF with detailed information on the works, please contact the gallery at inquire@gagosian.com. To preview our booth go to www.artsy.net. To purchase tickets to attend the fair go to www.artbasel.com.

Georg Baselitz, Frau am Strand (Woman on the Beach), 1981 © Georg Baselitz 2018

Zeng Fanzhi, 8, 2018 © Zeng Fanzhi 2018

Art Fair

Art Basel Hong Kong

March 29–31, 2018, booth ICI8
Hong Kong Convention and Exhibition Center
www.artbasel.com

Gagosian is pleased to participate in Art Basel Hong Kong. To view highlights from the booth in advance of the fair visit www.artsy.com. Our presentation will include works by Georg Baselitz, Jean-Michel Basquiat, Joe Bradley, Cecily Brown, Glenn Brown, Alexander Calder, John Currin, Willem de Kooning, Edmund De Waal, Jean Dubuffet, Urs Fischer, Lucio Fontana, Walton Ford, Katharina Grosse, Mark Grotjahn, Andreas Gursky, Damien Hirst, Jia Aili, Anish Kapoor, Yves Klein, Karen Kneffel, Jeff Koons, Harmony Korine, Roy Lichtenstein, Takashi Murakami, Takashi Murakami & Virgil Abloh, Albert Oehlen, Nam June Paik, Francis Picabia, Pablo Picasso, Sterling Ruby, Ed Ruscha, Jenny Saville, Richard Serra, Rudolf Stingel, Mark Tansey, Cy Twombly, Andy Warhol, Jonas Wood, Christopher Wool, and Zeng Fanzhi. Tickets are available at www.artbasel.com.

Zeng Fanzhi, 8, 2018 © Zeng Fanzhi 2018

See all News for Cy Twombly

Museum Exhibitions

Cy Twombly, Untitled, 2002 © Nicola Del Roscio Foundation

On View

Cy Twombly
Photographs

Through October 31, 2018
Château La Coste, Le Puy-Sainte-Réparade, France
chateau-la-coste.com

Cy Twombly: Photographs is comprised of thirty photographs, taken between 1985 and 2008, variously depicting intimate spaces, landscapes, and natural subjects. This exhibition has traveled from the Sursock Museum in Beirut.

Cy Twombly, Untitled, 2002 © Nicola Del Roscio Foundation

Cy Twombly, Venus, 1975 © Cy Twombly Foundation

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Divine Dialogues
Cy Twombly and Greek Antiquity

May 25–September 3, 2017
Museum of Cycladic Art, Athens
www.cycladic.gr

Works by Cy Twombly, inspired by Greece and Greek mythology, come together with ancient artworks in this exhibition, curated by Professor Nikolaos Stampolidis, director of the Museum of Cycladic Art, and Jonas Storsve, curator at the Centre Georges Pompidou in Paris and of the recent major Cy Twombly retrospective exhibition.

Cy Twombly, Venus, 1975 © Cy Twombly Foundation

Ed Ruscha, Made in California, 1971 © Ed Ruscha

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The American Dream
Pop to the Present

March 9–June 18, 2017
British Museum, London
americandreamexhibition.org

This exhibition traces the past six decades of American history through prints of unprecedented scale and ambition. Starting with the explosion of Pop art in the 1960s, the show includes works by many of America’s most celebrated artists. Works by Helen Frankenthaler, Roy Lichtenstein, Bruce Nauman, Ed Ruscha, Richard Serra, Cy Twombly, Andy Warhol, and Tom Wesselmann are on view.

Ed Ruscha, Made in California, 1971 © Ed Ruscha

Brice Marden, Untitled, 1988–91 © Brice Marden/Artist Rights Society (ARS), New York

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The Beginning of Everything
Drawings from the Janie C. Lee, Louisa Stude Sarofim, and David Whitney Collections

February 24–June 18, 2017
The Menil Collection, Houston
www.menil.org

In anticipation of the October 2017 opening of the Menil Drawing Institute, the museum is exhibiting a selection of drawings spanning the mid-nineteenth to the late twentieth century. The show highlights promised gifts from the collections of Janie C. Lee and Louisa Stude Sarofim, as well as works from David Whitney’s 2005 bequest, which include those by Balthus, Georg Baselitz, Helen Frankenthaler, Alberto Giacometti, Anselm Kiefer, Brice Marden, Bruce Nauman, Richard Serra, Cy Twombly, and Rachel Whiteread.

Brice Marden, Untitled, 1988–91 © Brice Marden/Artist Rights Society (ARS), New York

See all Museum Exhibitions for Cy Twombly