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Warhol from the Sonnabend Collection

January 20–February 28, 2009
980 Madison Avenue, New York

WARHOL FROM THE SONNABEND COLLECTION Installation view

WARHOL FROM THE SONNABEND COLLECTION

Installation view

WARHOL FROM THE SONNABEND COLLECTION Installation view

WARHOL FROM THE SONNABEND COLLECTION

Installation view

WARHOL FROM THE SONNABEND COLLECTION Installation view

WARHOL FROM THE SONNABEND COLLECTION

Installation view

WARHOL FROM THE SONNABEND COLLECTION Installation view

WARHOL FROM THE SONNABEND COLLECTION

Installation view

WARHOL FROM THE SONNABEND COLLECTION Installation view

WARHOL FROM THE SONNABEND COLLECTION

Installation view

WARHOL FROM THE SONNABEND COLLECTION Installation view

WARHOL FROM THE SONNABEND COLLECTION

Installation view

WARHOL FROM THE SONNABEND COLLECTION Installation view

WARHOL FROM THE SONNABEND COLLECTION

Installation view

WARHOL FROM THE SONNABEND COLLECTION Installation view

WARHOL FROM THE SONNABEND COLLECTION

Installation view

WARHOL FROM THE SONNABEND COLLECTION Installation view

WARHOL FROM THE SONNABEND COLLECTION

Installation view

WARHOL FROM THE SONNABEND COLLECTION Installation view

WARHOL FROM THE SONNABEND COLLECTION

Installation view

WARHOL FROM THE SONNABEND COLLECTION Installation view

WARHOL FROM THE SONNABEND COLLECTION

Installation view

WARHOL FROM THE SONNABEND COLLECTION Installation view

WARHOL FROM THE SONNABEND COLLECTION

Installation view

WARHOL FROM THE SONNABEND COLLECTION Installation view

WARHOL FROM THE SONNABEND COLLECTION

Installation view

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About

Paul Taylor: I saw Ileana [Sonnabend] today and asked her what I should ask you, and she said “I don’t know. For Andy everything is equal.”

Andy Warhol: She’s right.

Paul Taylor: How do you describe that point of view?

Andy Warhol: I don’t know. If she said it she’s right.
—“The Last Interview,” 1987

Gagosian is pleased to announce an exhibition of paintings, sculpture, and works on paper by Andy Warhol from the collection of the late Ileana Sonnabend. Individual works from the Sonnabend collection have been lent to various museum exhibitions before, but this will be the first exhibition and catalogue exclusively devoted to this outstanding body of work by Warhol.

A renowned gallerist and dedicated art collector, Sonnabend was an early and fervent supporter of Warhol and presented three important exhibitions of his work at her Paris gallery, where she showed the series Death and Disasters (1964), Flowers (1965), and Thirteen Most Wanted Men (1967). During this time she assembled a private collection of seminal works, acquired directly from Warhol's studio at the time of their making. All but three of the works in the Gagosian Gallery exhibition date from the critical years 1962 to 1965.

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Christopher Makos, Andy Warhol at Paris Apartment Window, 1981

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Christopher Makos and Jessica Beck

Andy Warhol’s Insiders at the Gagosian Shop in London’s historic Burlington Arcade is a group exhibition and shop takeover that feature works by Warhol and portraits of the artist by friends and collaborators including photographers Ronnie Cutrone, Michael Halsband, Christopher Makos, and Billy Name. To celebrate the occasion, Makos met with Gagosian director Jessica Beck to speak about his friendship with Warhol and the joy of the unexpected.

Jessica Beck

Andy Warhol: Silver Screen

In this video, Jessica Beck, director at Gagosian, Beverly Hills, sits down to discuss the three early paintings by Andy Warhol from 1963 featured in the exhibition Andy Warhol: Silver Screen, at Gagosian in Paris.

Alexander Calder poster for McGovern, 1972, lithograph

The Art History of Presidential Campaign Posters

Against the backdrop of the 2020 US presidential election, historian Hal Wert takes us through the artistic and political evolution of American campaign posters, from their origin in 1844 to the present. In an interview with Quarterly editor Gillian Jakab, Wert highlights an array of landmark posters and the artists who made them.

Allen Midgette in front of the Chelsea Hotel, New York, 2000. Photo: Rita Barros

I’ll Be Your Mirror: Allen Midgette

Raymond Foye speaks with the actor who impersonated Andy Warhol during the great Warhol lecture hoax in the late 1960s. The two also discuss Midgette’s earlier film career in Italy and the difficulty of performing in a Warhol film.

Andy Warhol, Self-Portrait with Skull, 1977, Polaroid Polacolor Type 108, 4 ¼ × 3 ⅜ inches (10.8 × 8.6 cm). The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc.

Andy Warhol: From the Polaroid and Back Again

Jessica Beck, the Milton Fine Curator of Art at the Andy Warhol Museum, Pittsburgh, considers the artist’s career-spanning use of Polaroid photography as part of his more expansive practice.

Andy Warhol catalogue. Philadelphia: Institute of Contemporary Art, 1965.

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