Gagosian New York is pleased to announce an exhibition of recent work by Tatiana Trouvé closely related to and concurrent with her major Public Art Fund commission Desire Lines, which opens to the public on March 3 at Doris C. Freedman Plaza, Central Park. Notes, drawings, tracings, sculptural fragments, and a detailed model of the large-scale sculpture provide a fascinating insight into the artist at work.
Desire Lines speaks not only to Frederick Law Olmsted’s vision of planned wilderness for Central Park and its evolution—the term itself is used in urban design to describe the incidental tracks and alternative routes that emerge over time in relation to designated paths in a landscape—but also to the imagination of the thousands of people who enjoy the park daily.
Desire Lines is a physical inventory of 212 walkable routes in Central Park, which Trouvé mapped and measured. Consistent with her enigma-producing strategy of exposing only to conceal again—already evident in the Bureau of Implicit Activities (1997–present)—she transferred the measurements into a multitude of colored cords, wound on wooden spools and installed on huge metal racks to form an imposing sculptural environment.
As so many of the paths are unnamed, Trouvé then decided to invent an imaginative “atlas” of the history and culture of walking. And so began a second phase of research on the vast historical narrative to which Desire Lines is now dedicated: the social, political and cultural evolution of the march, from the mass activism of Mohandas Gandhi, Martin Luther King, and the suffragette movement to the diverse artistic gestures of Richard Long, Janet Cardiff/George Bures Miller, Francis Alÿs, Frank Zappa, and Charles Baudelaire. Visitors to Desire Lines can choose a path by name then undertake the walk it describes, tracing the march of history in collective memory while discovering Central Park anew.
At 821 Park Avenue, Trouvé will present sculptures, drawings, and preparatory studies for Desire Lines. In addition to vellum tracings and cast part-objects, a magnificent maquette of the large-scale sculpture at Doris C. Freedman Plaza will be on view, as well as a suite of detailed graphite drawings inlaid with copper. Vertical maps of Central Park in raw canvas with paths hand-stitched in colored silks are perhaps a subtle nod to Alighiero Boetti's taxonomic embroideries for The 1000 Longest Rivers.
This unique presentation, which has been specially conceived by Trouvé for the 821 Park Avenue gallery, affords rare insight into her studio and creative process, resonating with the concurrent exhibitions “Henry Moore: Wunderkammer—Origin of Forms” at Gagosian London; and “In the Studio” at Gagosian Madison Avenue and Gagosian West 21st Street, curated by John Elderfield and Peter Galassi.
Desire Lines remains at Doris C. Freedman Plaza until August 30, 2015. A book documenting the entire project is planned.
Tatiana Trouvé was born in 1968 in Cosenza, Italy. She has participated in major international group exhibitions such as the Biennale di Venezia (2003 and 2007); the 29th São Paulo Biennale (2010); Punta della Dogana, François Pinault Foundation, Venice (2011); and Hayward Gallery, London (2010). Recent solo exhibitions include “Double Bind,” Palais de Tokyo, Paris (2007); “4 Between 3 and 2,” Centre Georges Pompidou, Paris (2008); “A Stay Between Enclosure and Space,” Migros Museum, Zurich (2009); “Tatiana Trouvé,” South London Gallery (2010); “Il grande ritratto,” a site-specific exhibition at Kunsthaus Graz (2010) inspired by Dino Buzzati's science fiction novel; and “I tempi doppi,” Kunstmuseum Bonn (2014, traveling to Museion Bolzano-Bozen and Kunsthalle Nürnberg). Also in 2014, MAMCO, Geneva presented Trouvé’s first retrospective exhibition “The Longest Echo/ L’écho le plus long.” Trouvé lives and works in Paris.
Tatiana Trouvé: In Time
In upstate New York, Jenny Jaskey discovers Tatiana Trouvé’s Between sky and earth. Begun in 2012, this multifaceted installation exists as a crucial nexus in the artist’s career, both a result of her ongoing practice and a generative source for continuing investigations.
Before the Smoke Has Cleared
Angela Brown provides a glimpse into the charged ecologies of recent drawings and sculptures by Tatiana Trouvé. These works will be included in On the Eve of Never Leaving, Trouvé’s first solo exhibition in Los Angeles, opening in November 2019.
Gagosian Quarterly Fall 2019
The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.
Trouvé and Grosse: Villa Medici
Tatiana Trouvé and Katharina Grosse discuss their exhibition Le numerose irregolarità, at the French Academy in Rome, Villa Medici, with curator Chiara Parisi.
Gagosian Quarterly Spring 2018
The Spring 2018 Gagosian Quarterly with a cover by Ed Ruscha is now available for order.
On the Eve of Never Leaving
November 1, 2019–January 11, 2020
Katharina Grosse | Tatiana Trouvé
September 13–November 30, 2019
Extended through September 25, 2018
June 1–September 25, 2018
June 13–July 31, 2014