Installation Views

Works Exhibited

About

I explored the town. It was like some place in the South of France with its palm-bordered streets and low stucco dwellings. Somewhat more prim, less rambling, but the same radiant sunshine. More cars, of course, yet they seemed to whiz past apologetically so as not to obstruct the scene. And I seemed to be the only one on foot, sauntering along leisurely, avoiding the more populated districts. One might retire here, I thought, live and work quietly—why go any farther?
—Man Ray

Gagosian is pleased to present an exhibition of works by Man Ray, made between 1940 and 1951.

During his storied career, Man Ray’s work spanned a variety of media, including painting, photography, sculpture, printmaking, film, poetry, and prose. His work aligned variously with Cubism, Futurism, Dada, and Surrealism, yet retains its own distinct style. Early in his career, from 1920 to 1940, Man Ray worked primarily as a fashion photographer, in Paris, shooting for Vanity Fair, Vogue, and Harper’s Bazaar, as well as designers such as Vionnet, Lanvin, Chanel, and Schiaparelli. When World War II came to Paris, in 1940, he escaped to the United States, settling in Los Angeles, where he deliberately moved away from commercial photography to focus on making fine art.

This exhibition explores the collection of original silver gelatin photographs from Man Ray’s “Hollywood” period. Throughout his vast body of work, Man Ray alluded to relationships between the real and the fictive, with a deft mastery over the liminal territory between the abstract and the figurative form. However, these black-and-white, high-contrast, carefully composed works eschew the abstract qualities of his innovative rayographs. Instead, they are striking portraits that document his life, social circle, and surroundings, as well as the landscapes and streetscapes of his wartime sanctuary city. These images not only find their own niche within Man Ray’s work, but also give context to his life in California: Many of the portraits are of famous figures with whom he spent his California years, including Ruth Ford, Ava Gardner, Jennifer Jones, Tilly Losch, Jean Renoir, and Igor Stravinsky.

Exiles in Paradise

Gagosian Quarterly Talks
Exiles in Paradise

Lawrence Weschler profiles the European exiles in Los Angeles during the 1930s and ’40s, examining how cultural visionaries, from Man Ray to Arnold Schoenberg, navigated the dramatic change in setting.

Man Ray’s LA

Man Ray’s LA

Timothy Baum explores this period of transition in response to an exhibition of Man Ray’s vintage gelatin silver photographs from his “Hollywood” period.

A Flat on Rue Victor-Considerant

A Flat on Rue Victor-Considerant

Lee Miller and Tanja Ramm’s friendship took them from New York to Paris and back, in front of and behind many cameras, and into the Surrealist avant-garde. Here, Gagosian director Richard Calvocoressi speaks with Ramm’s daughter, art historian Margit Rowell, about discovering her mother’s early life, her memories of Miller, and the collaborative work of photographers and models.

For Sale: Baby Shoes. Never Worn.

For Sale: Baby Shoes. Never Worn.

Sydney Stutterheim meditates on the power and possibilities of small-format artworks throughout time.

Gagosian Quarterly Spring 2020

Now available
Gagosian Quarterly Spring 2020

The Spring 2020 issue of Gagosian Quarterly is now available, featuring Cindy Sherman’s Untitled #412 (2003) on its cover.

The Films of Man Ray: Mysterious Encounters of Realities and Dreams

The Films of Man Ray: Mysterious Encounters of Realities and Dreams

Timothy Baum muses on Man Ray’s foray into filmmaking in the 1920s, the subject of the exhibition Man Ray: The Mysteries of Château du Dé at Gagosian, San Francisco. 

Gagosian Quarterly Winter 2019

Now available
Gagosian Quarterly Winter 2019

The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.

Man Ray: Visual Poet and Wit

Man Ray: Visual Poet and Wit

At the 2018 Frieze Masters fair in London, Gagosian’s stand presented more than ninety works by Man Ray: objects and assemblages, collages, oils, prints, drawings, and photographs. Richard Calvocoressi traces the development of the artist’s wide-ranging work and looks at his legendary three-year collaboration with Lee Miller.

Gagosian Quarterly Spring 2018

Gagosian Quarterly Spring 2018

The Spring 2018 Gagosian Quarterly with a cover by Ed Ruscha is now available for order.

Art and Food

Art and Food

Mary Ann Caws and Charles Stuckey discuss the presence of food and the dining table in the history of modern art.

Man Ray

Man Ray

In the early 1980s, Ira Nowinski visited a studio frozen in time.

Sprayed: An Interview with Peter Stevens

Sprayed: An Interview with Peter Stevens

Harnessing the gestural, unpredictable, projectile qualities of spray paint, artists have repurposed it as an alternative to the brush, to create hazy textures, drips, puddles, and graffiti-like text. Peter Stevens discusses this history of spray paint as an artistic medium with Alison McDonald.

Man Ray: Image a Deux Faces print

Man Ray: Image a Deux Faces

$10,000
Print "A l’heure de l’observatoire, les Amoureux" by Man Ray

Man Ray: A l’heure de l’observatoire, les Amoureux

$0
Front cover of Man Ray: La photographie n’est pas l’art rare book

Man Ray: La photographie n’est pas l’art

$6,000
Front cover of Man Ray: Objects of My Affection rare brochure

Man Ray: Objects of My Affection

$3,750
Seeing Is Believing: Lee Miller and Friends poster featuring Man Ray photograph of Lee Miller

Seeing Is Believing: Lee Miller and Friends

$15
Front of Venyx × Man Ray: Glass Tears Necklace

Venyx × Man Ray: Glass Tears Necklace

$14,635
Front view of Venyx × Man Ray: Glass Tears Torque

Venyx × Man Ray: Glass Tears Torque

$67,785
Front view of Venyx × Man Ray: Glass Tears Ring

Venyx × Man Ray: Glass Tears Ring

$22,000
Side view of Venyx × Man Ray: Observatory Time “Toi et Moi” Ring

Venyx × Man Ray: Observatory Time “Toi et Moi” Ring

$12,820