Installation Views

Works Exhibited

About

Sculpture spills from its edge into the world in this very complex way that isn’t bound by the frame. In painting, the world spills into the frame, and sometimes we confuse that frame with the world.
—Sarah Sze

Gagosian is pleased to present new works by Sarah Sze. This is her first solo exhibition in Paris since her presentation at the Fondation Cartier pour l’art contemporain more than two decades ago.

A peerless bricoleur, Sze gleans objects and images from worlds both physical and digital, assembling them into complex multimedia installations that prompt microscopic observation while evoking a macroscopic perspective on the infinite. In recent years she has returned to painting—the medium in which she first trained—producing works that translate her processes of sculptural accumulation into the making of collaged paintings that are detailed, dynamic, and highly textural.

Sarah Sze: Anything Times Zero Is Zero

Sarah Sze: Anything Times Zero Is Zero

Hear Sarah Sze speak about her most recent work, including the panel painting Picture Perfect (Times Zero) and the multimedia installation Plein Air (Times Zero) (both 2020). Discussing the relationship between painting and sculpture in her practice, she explains how she creates structure and its inverse, instability, in her layering of images, putting the viewer in the position of active discovery.

Sarah Sze: Timelapse

Sarah Sze: Timelapse

Francine Prose ruminates on temporality, fragility, and strength following a visit to Sarah Sze’s exhibition Timelapse at the Solomon R. Guggenheim Museum, New York.

Sarah Sze: Timelapse

Sarah Sze: Timelapse

In this video, Sarah Sze elaborates on the creation of her solo exhibition Timelapse, on view through September 10, 2023. The show features a series of site-specific installations throughout the Solomon R. Guggenheim Museum, New York, that explore her ongoing reflection on how our experience of time and place is continuously reshaped in relationship to the constant stream of objects, images, and information in today’s digitally and materially saturated world. In Sze’s reimagination of the Guggenheim’s iconic architecture, designed in the 1940s by Frank Lloyd Wright, the building becomes a public timekeeper reminding us that timelines are built through shared experience and memory.

Artist to Artist: Pat Steir and Sarah Sze

Artist to Artist: Pat Steir and Sarah Sze

On the occasion of her exhibition of recent paintings, presented at Gagosian in Rome, Pat Steir met with fellow artist Sarah Sze for a wide-ranging discussion—from shared inspirations and influences to the role of chance, contingency, place, and time in painting.

Shorter Than the Day

Shorter Than the Day

Sarah Sze writes on a recent collage.

Gagosian Quarterly Summer 2020

Now available
Gagosian Quarterly Summer 2020

The Summer 2020 issue of Gagosian Quarterly is now available, featuring Joan Jonas’s Mirror Piece 1 (1969) on its cover.

Five Films: Sarah Sze

Shortlist
Five Films: Sarah Sze

Sarah Sze writes about five films that live as richly evocative images in her visual memory.

Sarah Sze: Infinite Generation

Sarah Sze: Infinite Generation

Louise Neri talks with Sarah Sze about the new primacy of the image in her explorations between and across mediums. They spoke on the occasion of an exhibition of Sze’s work at Gagosian, Rome, comprising collaged panel paintings, a large-scale video installation, and an outdoor sculpture fashioned from a natural boulder.

Sarah Sze: Art That Explores Time and Memory

Sarah Sze: Art That Explores Time and Memory

Join Sarah Sze as she talks about the questions that drive her work. She describes creating immersive experiences that blur the lines between time, memory, and space—and between art and life.

Frieze Sculpture New York: An Interview with Brett Littman

Frieze Sculpture New York: An Interview with Brett Littman

The inaugural presentation of Frieze Sculpture New York at Rockefeller Center opened on April 25, 2019. Before the opening, Brett Littman, the director of the Isamu Noguchi Foundation and Garden Museum and the curator of this exhibition, told Wyatt Allgeier about his vision for the project and detailed the artworks included.

Sarah Sze: In the Studio

Work in Progress
Sarah Sze: In the Studio

Join Sarah Sze in her studio as she prepares for an exhibition of new work in Rome.

Cover of the book Sarah Sze: De nuit en jour / Night into Day

Sarah Sze: De nuit en jour / Night into Day

$52
Cover of the book Coloring with Sarah Sze

Coloring with Sarah Sze

$12
Cover of the Summer 2022 issue of Gagosian Quarterly magazine, featuring artwork by Takashi Murakami

Gagosian Quarterly: Summer 2022 Issue

$20
Cover of the Summer 2020 issue of Gagosian Quarterly magazine, featuring artwork by Joan Jonas

Gagosian Quarterly: Summer 2020 Issue

$20
Cover of the Winter 2018 issue of Gagosian Quarterly magazine, featuring artwork by Richard Prince

Gagosian Quarterly: Winter 2018 Issue

$20
Cover of the Gagosian Quarterly: Winter 2023 Issue featuring artwork by Pablo Picasso

Gagosian Quarterly: Winter 2023 Issue

$20
Cover of the book Great Women Painters with dust jacket

Great Women Painters

$70
Sarah Sze: Acrobat Print

Sarah Sze: Acrobat

$6,000