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Paris

A photograph of the outside of the Gagosian location Paris

4 rue de Ponthieu
75008 Paris

+33 1 75 00 05 92
paris@gagosian.com

Hours: Tuesday–Saturday 10:30–6:30

Schedule Appointment

Note to Visitors

In order to provide a safe environment for our staff and the public, visitors will be asked to comply with the following protocols as well as to respect instructions given by gallery staff.

– A limited number of visitors will be permitted within the exhibition spaces.
– Advance appointments are available.
– Visitors must wear masks for the duration of their visit.
– Visitors must maintain at least 2 meter distance from others.
– Hand sanitizer and masks will be provided for use.

Please contact paris@gagosian.com or +33 1 75 00 05 92 with any questions about these guidelines, or to schedule your visit.

Thank you for your understanding and cooperation.

À l’attention des visiteurs

Afin de fournir un environnement sûr à notre personnel et au public, les visiteurs seront invités à se conformer aux protocoles suivants ainsi qu’à respecter les instructions données par le personnel de la galerie.

– Un nombre limité de visiteurs est autorisé dans les espaces d’exposition.
– Des rendez-vous à l’avance sont disponibles.
– Les visiteurs doivent porter des masques pendant toute la durée de leur visite.
– Les visiteurs doivent se tenir à au moins 2 mètres de distance les uns des autres.
– Du désinfectant pour les mains et des masques seront fournis.

Veuillez contacter paris@gagosian.com ou appeler le +33 1 75 00 05 92 pour toutes questions sur ces consignes, ou pour planifier votre visite.

Merci de votre compréhension et de votre coopération.

Rick Lowe, Black Wall Street Journey #5, 2021, Acrylic and paper collage on canvas, 108 × 192 inches (274.3 × 487.7 cm)© Rick Lowe Studio. Photo: Thomas Dubrock

Notes on Social Works

Antwaun Sargent presents a collection of thoughts and images, gathered from conversations with artists, curators, architects, and educators, as well as essays, social media, and the news, that inform the exhibition Social Works. The essay serves as an introduction to the corresponding supplement guest edited by Sargent for the Summer 2021 issue of the Quarterly.

Carrie Mae Weems’s The Louvre (2006), on the cover of Gagosian Quarterly, Summer 2021

Now available
Gagosian Quarterly Summer 2021

The Summer 2021 issue of Gagosian Quarterly is now available, featuring Carrie Mae Weems’s The Louvre (2006) on its cover.

Helen Frankenthaler, Heart of London Map, steel sculpture

Helen Frankenthaler: A Painter’s Sculptures

On the occasion of four exhibitions in London exploring different aspects of Helen Frankenthaler’s work, Lauren Mahony introduces texts by the sculptor Anthony Caro and by the artist herself on her relatively unfamiliar first body of sculpture, made in the summer of 1972 in Caro’s London studio.

Black-and-white photograph of Marie-Laure de Noailles in 1936 by Man Ray.

Game Changer
Vicomtesse Marie-Laure de Noailles

Ariella Wolens explores the patron’s role in fostering the legendary art world of early twentieth-century France.

Rene Ricard, So Who Left Who, 2007 © Estate of Rene Ricard

Building a Legacy
Famously Unknown: Legacy Building in the Art World

In this video, Raymond Foye and Rani Singh discuss the general principles and methodologies of archiving, editing, and presenting the work of overlooked artists and writers. They share firsthand accounts and learning experiences from working with artists and poets such as Jordan Belson, Gregory Corso, Rene Ricard, and Harry Smith.

Jia Aili working in his studio, Beijing

Work in Progress
Jia Aili: In the Studio

This video presents a behind-the-scenes look at Jia Aili’s studio in Beijing. He elaborates on his in-progress works, the complexity of his compositions, as well as his philosophies of and motivations for painting.

Installation view, Adriana Varejão: Talavera, Gagosian, West 21st Street, New York, May 3–June 26, 2021. Photo: Rob McKeever

Adriana Varejão: For a Poetics of Difference

Curator Luisa Duarte considers the artist’s oeuvre, writing on Varejão’s active engagement with theories of difference, as well as the cultural specters of the past.

Dr. David Driskell, 2002, head resting on hand in a blue shirt with art in the background.

Game Changer
Dr. David Driskell

Taylor Aldridge reflects on the enduring legacy of the artist, educator, curator, and scholar.

Louise Bonnet, Resting Sphinx Black Background, 2021, colored pencil on paper, 24 x 19 inches (61 x 48.3 cm)

Louise Bonnet: Sphinxes

Ali Subotnick investigates the artist’s surreal new series of drawings.

Jack McCollough and Lazaro Hernandez in their New York studio, 2019.

Fashion and Art: Proenza Schouler

Derek Blasberg speaks with Lazaro Hernandez and Jack McCollough, the designers behind the New York fashion brand Proenza Schouler, about their influences and collaborations, from Mark Rothko to Harmony Korine.

Frank Gehry, drawing for mixed-use urban redevelopment proposal, Central Business District, Kalamazoo, Michigan, 1981. Image: courtesy Gehry Partners, LLP

Frank Gehry: Fish Lamps

Paul Goldberger traces the history of the fish form throughout Frank Gehry’s career.

Thomas McEvilley, Ulay (hiding behind a slab of wood), Eric Orr, and James Lee Byars, c. 1995 © Ulay, courtesy ULAY Foundation/Artists Rights Society (ARS), New York

Game Changer
Thomas McEvilley

David Frankel celebrates the art-historical contributions made by the scholar, poet, and critic Thomas McEvilley.