Note to Visitors
In order to provide a safe environment for our staff and the public, visitors will be asked to comply with the following protocols as well as to respect instructions given by gallery staff.
– A limited number of visitors will be permitted within the exhibition spaces.
– Advance appointments are available.
– Visitors must wear masks for the duration of their visit.
– Visitors must maintain at least 2 meter distance from others.
– Hand sanitizer and masks will be provided for use.
Please contact firstname.lastname@example.org or +33 1 75 00 05 92 with any questions about these guidelines, or to schedule your visit.
Thank you for your understanding and cooperation.
À l’attention des visiteurs
Afin de fournir un environnement sûr à notre personnel et au public, les visiteurs seront invités à se conformer aux protocoles suivants ainsi qu’à respecter les instructions données par le personnel de la galerie.
– Un nombre limité de visiteurs est autorisé dans les espaces d’exposition.
– Des rendez-vous à l’avance sont disponibles.
– Les visiteurs doivent porter des masques pendant toute la durée de leur visite.
– Les visiteurs doivent se tenir à au moins 2 mètres de distance les uns des autres.
– Du désinfectant pour les mains et des masques seront fournis.
Veuillez contacter email@example.com ou appeler le +33 1 75 00 05 92 pour toutes questions sur ces consignes, ou pour planifier votre visite.
Merci de votre compréhension et de votre coopération.
Notes on Social Works
Antwaun Sargent presents a collection of thoughts and images, gathered from conversations with artists, curators, architects, and educators, as well as essays, social media, and the news, that inform the exhibition Social Works. The essay serves as an introduction to the corresponding supplement guest edited by Sargent for the Summer 2021 issue of the Quarterly.
Gagosian Quarterly Summer 2021
The Summer 2021 issue of Gagosian Quarterly is now available, featuring Carrie Mae Weems’s The Louvre (2006) on its cover.
Helen Frankenthaler: A Painter’s Sculptures
On the occasion of four exhibitions in London exploring different aspects of Helen Frankenthaler’s work, Lauren Mahony introduces texts by the sculptor Anthony Caro and by the artist herself on her relatively unfamiliar first body of sculpture, made in the summer of 1972 in Caro’s London studio.
Vicomtesse Marie-Laure de Noailles
Ariella Wolens explores the patron’s role in fostering the legendary art world of early twentieth-century France.
Building a Legacy
Famously Unknown: Legacy Building in the Art World
In this video, Raymond Foye and Rani Singh discuss the general principles and methodologies of archiving, editing, and presenting the work of overlooked artists and writers. They share firsthand accounts and learning experiences from working with artists and poets such as Jordan Belson, Gregory Corso, Rene Ricard, and Harry Smith.
Work in Progress
Jia Aili: In the Studio
This video presents a behind-the-scenes look at Jia Aili’s studio in Beijing. He elaborates on his in-progress works, the complexity of his compositions, as well as his philosophies of and motivations for painting.
Adriana Varejão: For a Poetics of Difference
Curator Luisa Duarte considers the artist’s oeuvre, writing on Varejão’s active engagement with theories of difference, as well as the cultural specters of the past.
Dr. David Driskell
Taylor Aldridge reflects on the enduring legacy of the artist, educator, curator, and scholar.
Louise Bonnet: Sphinxes
Ali Subotnick investigates the artist’s surreal new series of drawings.
Fashion and Art: Proenza Schouler
Derek Blasberg speaks with Lazaro Hernandez and Jack McCollough, the designers behind the New York fashion brand Proenza Schouler, about their influences and collaborations, from Mark Rothko to Harmony Korine.
Frank Gehry: Fish Lamps
Paul Goldberger traces the history of the fish form throughout Frank Gehry’s career.
David Frankel celebrates the art-historical contributions made by the scholar, poet, and critic Thomas McEvilley.