Installation Views

Works Exhibited

About

Most of what’s passing for information right now is total fiction. I try to turn the lie back on itself.
—Richard Prince

Gagosian is pleased to announce two exhibitions by Richard Prince in London, Early Photography, 1977–87 at the Grosvenor Hill gallery and The Entertainers at the Davies Street gallery, both opening on October 5, 2023. The exhibitions feature many of Prince’s iconic cowboy, girlfriend, and advertisement photographs, some of which have not previously been exhibited in the city. The Davies Street gallery hosts the complete series The Entertainers (1982–83), a rarely seen set of manipulated photographs taken in the bars, clubs, and restaurants of New York’s Times Square that captures the location’s sleazy glamour, and the gallery at Grosvenor Hill features works from several other series.

Collecting, chronicling, and repurposing examples of discomfiting mainstream humor alongside images from a variety of mass media, Prince chronicles the intersection of America’s vernaculars and subcultures in the construction of its national identity. In 1977, he began using a process of “rephotography” to appropriate shots from advertising and lifestyle press, redefining the concepts of authorship and originality—an approach he would later extend to include social media. A conscious elision of the aims and techniques of traditional picture-making, the technique allows Prince to redirect the authority of a visual referent. “When you put an already existing image in front of a camera,” he explains, “you know what you’re going to get. You’ve taken out the decisive moment.”

#RichardPrince
Helter Skelter: Arthur Jafa and Richard Prince

Helter Skelter: Arthur Jafa and Richard Prince

Helter Skelter—an exhibition at Fondazione Prada’s Venetian venue, Ca’ Corner della Regina—marks the first creative dialogue between two visionaries of American art, Arthur Jafa and Richard Prince. The show explores the grit, grift, violence, and ingenuity of American culture through more than fifty works, including photography, video, and large-scale installations that interrogate themes of race, gender, media, and politics. In the interview below, Nancy Spector, the exhibition’s curator, speaks about the shared motifs—from apocalyptic sunsets to a fascination with “monstrosity”—that led her to pair these artists for the first time.

Rollin’ High and Mighty Traps: Richard Prince

Rollin’ High and Mighty Traps: Richard Prince

Sydney Stutterheim traces the linkages and affinities between the work of Richard Prince and that of Bob Dylan. Using Prince’s Untitled (Dylan) as a starting point, she considers the artist’s enduring interest in questions of originality and authorship, as well as his sustained relationship with the worlds of American music and counterculture.

Picture Books: Percival Everett and Brandon Taylor

Picture Books: Percival Everett and Brandon Taylor

The second installment of Picture Books, an imprint organized by Emma Cline and Gagosian, presents author Percival Everett’s novella Grand Canyon, Inc. alongside Untitled (Original Cowboy), a photograph by Richard Prince. In celebration of the publication, Everett met with author Brandon Taylor to discuss the novella, the role of history in the writing process, and the similarity in methodologies for science and literature.

Richard Prince: Cowboy

Richard Prince: Cowboy

On the occasion of the publication of Richard Prince: Cowboy, a major monograph on the artist’s preoccupation with the mythic American West, Lucy Sante tracks the archetype through mass media, advertising, and the art of Richard Prince to illuminate the cowboy’s enduring appeal.

Gagosian Quarterly Summer 2020

Now available
Gagosian Quarterly Summer 2020

The Summer 2020 issue of Gagosian Quarterly is now available, featuring Joan Jonas’s Mirror Piece 1 (1969) on its cover.

The Right Time

The Right Time

Natasha Stagg on influencers, the loss of the it-girl, and the “promotional life.”

Gagosian Quarterly Spring 2020

Now available
Gagosian Quarterly Spring 2020

The Spring 2020 issue of Gagosian Quarterly is now available, featuring Cindy Sherman’s Untitled #412 (2003) on its cover.

Cast of Characters

Cast of Characters

James Lawrence explores how contemporary artists have grappled with the subject of the library.

Visions of the Self: Jenny Saville on Rembrandt

Visions of the Self: Jenny Saville on Rembrandt

Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.

Richard Prince

Richard Prince

Text by Richard Hell.

Richard Prince: Folk Songs poster

Richard Prince: Folk Songs

$20
Front cover of Richard Prince: Folksongs book

Richard Prince: Folksongs

$50
Cover of Richard Prince: Early Photography 1977–87 book

Richard Prince: Early Photography 1977–87

$125
Richard Prince: High Times Album

Richard Prince: High Times Album

$100
Richard Prince: Early Photography, 1977–87 poster

Richard Prince: Early Photography, 1977–87

$20
Cover of the book Richard Prince: Bettie Kline

Richard Prince: Bettie Kline

$400
Cover of the book Richard Prince: Collected Writings

Richard Prince: Collected Writings

$40
Cover of the book Richard Prince: The Entertainers

Richard Prince: The Entertainers

$75
Cover of the book Grand Canyon, Inc. by Percival Everett

Grand Canyon, Inc. / Untitled (Original Cowboy)

From $40