Frieze New York Online
May 6–15, 2020
Gagosian is pleased to present a selection of new works on paper and recent sculptures by Katharina Grosse for the online edition of Frieze New York. These works will premiere simultaneously on the inaugural Frieze Viewing Room and the Frieze app.
A selection of new works on paper will be exhibited for the first time in this presentation. Spraying over a single sheet of paper in broad arcs and zigzags, Grosse creates rhythmic markings. Rough-edged yet crisp stenciled shapes are partially veiled by light speckles of sprayed pigment, revealing Grosse’s ability to alternate between exuberant force and more detailed control. These intensely textural compositions hint at sculptural form as well as at the colossal movements of nature; grounded in deep greens and teal blues, they conjure swirling, aqueous depths.
Also available are four sculptures from a series made in 2017, cast from cut polystyrene into solid aluminum forms that preserve the innate lightness of the original medium. Vibrant layers of acrylic paint are sprayed across the cast metal supports; the sweeping motions of the spray jet explore, enhance, or counteract the spatial contours of the form with clashes of warm and cool hues. The resulting polychrome sculptures exude an industrial artificiality and dynamism while maintaining a sense of the natural and organic through their resemblance to windswept rock formations or shards of bone.
In partnership with Frieze, a portion of the proceeds from the sale of selected works will be donated to Human Rights Watch.
Photo: Mitro Hood, Baltimore Museum of Art
Art Basel Hong Kong 2021
May 21–23, 2021, booth 1d30
Hong Kong Convention and Exhibition Centre
Gagosian is pleased to participate in Art Basel Hong Kong with a presentation of modern and contemporary painting and sculpture by gallery artists. New paintings by Georg Baselitz, Alex Israel, Ed Ruscha, and Sarah Sze are featured alongside exceptional works in a range of mediums by Louise Bonnet, Theaster Gates, Henry Moore, Nam June Paik, and others, uncovering formal and conceptual innovations and associations that span genres and aesthetic approaches.
Georg Baselitz, Noch ein Orangenesser, 2020 © Georg Baselitz
Friday, May 7, 2021, 1pm EDT
Join the Milwaukee Art Museum’s Contemporary Art Society for a virtual conversation between Katharina Grosse and the museum’s interim chief curator and curator of contemporary art, Margaret Andera. The pair will discuss Grosse’s Untitled (2019), which the museum recently acquired. The painting is the first work by the artist to enter the collection as well as the first by a female artist in the museum’s collection of contemporary German paintings. To attend the event, register at us02web.zoom.us.
Katharina Grosse, Untitled, 2019 © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2021
Eric N. Mack
Wednesday, December 16, 2020, 6pm EST
Using the exhibition Katharina Grosse: Is It You? at the Baltimore Museum of Art as a starting point, Grosse and fellow artist Eric N. Mack will discuss the intersections of their practices, processes, and inspirations. The talk will be moderated by critic and art historian Molly Warnock as part of the museum’s Violet Hour series. To watch the live conversation, visit BMA’s Facebook.
Installation view, Katharina Grosse: Is It You?, Baltimore Museum of Art, March 1, 2020–January 3, 2021. Artwork © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2020. Photo: Mitro Hood, courtesy Baltimore Museum of Art
Behind the Art
Tatiana Trouvé: In the Studio
Join the artist in her studio as she speaks about her new series of drawings, From March to May. Trouvé describes the genesis of the project and the essential role its creation played in keeping her connected with the outside world during the difficult months of pandemic-related lockdown.
Gagosian Quarterly Fall 2021
The Fall 2021 issue of Gagosian Quarterly is now available, featuring Damien Hirst’s Reclining Woman (2011) on its cover.
Historian Victoria Phillips speaks with the artist about his new paintings, memory and its relationship to media, and the continuing impact of the Cold War.
Bourse de Commerce
William Middleton traces the development of the new institution, examining the collaboration between the collector François Pinault and the architect Tadao Ando in revitalizing the historic space. Middleton also speaks with artists Tatiana Trouvé and Albert Oehlen about Pinault’s passion as a collector, and with the Bouroullec brothers, who created design features for the interiors and exteriors of the museum.
Jacquelynn Baas celebrates the choreographer, dancer, and teacher, tracing the profound influence she had on the worlds of dance and art.
Overtime: On Kevin Jerome Everson
Carlos Valladares writes on the filmmaker’s expansive body of work, exploring themes of identity, time, and reality.
Nancy Rubins and Eric Shiner
The pair discuss Nancy Rubins’s unique approach to sculpture, in which industrial and found objects—such as television sets, airplane parts, and carousel animals—are transformed into engineered abstractions that are at once otherworldly and familiar.
Ive by Gursky: A Meeting of Minds
By exploring the conventions of past portraits of industrial designers and architects, Maria Morris Hambourg unpacks Andreas Gursky’s ingenious recent portrait of Apple designer Jony Ive to reveal its layered meanings.
Gregory Corso: A Most Dangerous Art
On the occasion of the forthcoming publication of The Golden Dot: Last Poems by Gregory Corso, Raymond Foye reflects on the poet’s enduring engagement with the human condition and explores the unique structure of this final collection.
John Currin: Monuments to Lust
Natasha Stagg reports on a trip to John Currin’s New York studio.
Fashion and Art: Stella McCartney
The fashion designer Stella McCartney is best known for pioneering “vegan style,” a term referring to the animal-product-free designs of her luxury label. Derek Blasberg spoke to her about a childhood surrounded by artists such as Frank Stella and Willem de Kooning, and how their inspiration continues to influence her design process.
Fashion and Art: Kim Jones
Kim Jones’s day job is as a fashion designer. He’s the artistic director of Dior men’s collection and the womenswear designer at Fendi, but his longtime hobby has been collecting: paintings, fashion memorabilia, books for two libraries (one at home in London and one at home in Paris). Derek Blasberg spoke with the designer about his process and his passions.