Gagosian is pleased to announce its representation of the artwork of Arakawa on behalf of the Estate of Madeline Gins and the Reversible Destiny Foundation, a foundation established by Arakawa and Gins.
Arakawa, Waiting Voices, 1976–77 © 2016 Estate of Madeline Gins. Reproduced with permission of the Estate of Madeline Gins
Diagrams for the Imagination
Saturday, April 6, 2019, 2pm
Gagosian, 980 Madison Avenue, New York
Stephen Hepworth will lead a tour of the exhibition Arakawa: Diagrams for the Imagination at Gagosian, 980 Madison Avenue, New York. This show examines the works Arakawa made in the two decades following his 1961 arrival in New York, a period during which he worked in two dimensions, using paint, ink, graphite, and assemblage on canvas and paper. To attend the free event, RSVP to firstname.lastname@example.org.
Arakawa, And/Or in Profile No. 2, 1974 © Estate of Madeline Gins. Reproduced with permission of the Estate of Madeline Gins
Why Not (A Serenade of Eschatological Ecology)
Monday, October 16, 2017, 7pm
National Sawdust, Brooklyn, New York
Arakawa’s film Why Not (A Serenade of Eschatological Ecology) (1969) will be screened. Renowned for his paintings, drawings, prints, and visionary architectural constructions, the artist's wide range of experimentation extended into filmmaking. There will be a discussion after the film with Peter Katz, Diana Seo Hyung Lee, Jay Sanders, and Miwako Tezuka. To attend the event, purchase tickets at www.nationalsawdust.org.
Arakawa, Why Not (A Serenade of Eschatological Ecology), 1969 © 2017 Estate of Madeline Gins. Reproduced with permission of the Estate of Madeline Gins and Reversible Destiny Foundation
Brett Littman and Miwako Tezuka
on Arakawa and Isamu Noguchi
Sunday, March 17, 2019, 2pm
Christie’s New York
With their expansively imaginative works, New York–based artists of Japanese descent Arakawa and Isamu Noguchi both pushed artistic, conceptual, and ideological limits throughout their lives, probing the line between art and design as well as borders within cultural identities. Brett Littman, director of the Isamu Noguchi Foundation and Garden Museum, will be in conversation with Miwako Tezuka, consulting curator of Arakawa and Madeline Gins’s Reversible Destiny Foundation, to discuss the kinship between these artists in terms of their genre-defying interests and activities. The event is free and open to the public.
Arakawa, That in Which No. 2, 1974–75 © Estate of Madeline Gins. Reproduced with permission of the Estate of Madeline Gins
Jeff Wall and Gary Dufour
Jeff Wall speaks to Gary Dufour about his new photographs, made on the beachfront of English Bay in Vancouver, Canada, that record the endlessly varied and shifting patterns created in seaweed by the ebb and flow of the tide.
Gagosian Quarterly Winter 2020
The Winter 2020 issue of Gagosian Quarterly is now available, featuring Jenny Saville’s Prism (2020) on its cover.
Foray Forêt: Trisha Brown’s Choreographed Landscapes
On the occasion of the Trisha Brown Dance Company’s fiftieth anniversary, Hendel Teicher examines the legendary choreographer’s work through a biographical lens.
Death Valley ’89: Jeff Wall vs. Photography
Daniel Spaulding considers formal and technical developments in the photographer’s work against the background of global shifts of power and politics, specifically the fall of the Berlin Wall in 1989.
Lisa Small, senior curator of European art at the Brooklyn Museum, considers the historical precedents for Ewa Juszkiewicz’s painting practice.
Fashion and Art: Gaia Repossi
The creative director of the Parisian jewelry house Repossi speaks with the Quarterly’s Wyatt Allgeier about her enduring love of Donald Judd, her use of photography and drawing in the design process, and the innovative collaborations, with visionaries like Rem Koolhaas and Flavin Judd, behind their retail spaces.
Leaders in the Arts: Italy Edition
We invited Carolyn Christov-Bakargiev to select two outstanding arts professionals to join her in a conversation about their career trajectories, current projects, and goals for the future.
Meleko Mokgosi: Democratic Intuition
Meleko Mokgosi writes about his eight-chapter painting cycle Democratic Intuition (2013–20), an epic of southern African life and folklore, on view at Gagosian in London in his first solo exhibition in the United Kingdom and Europe. Introduction by Louise Neri.
Prouvé in Tijuana
Architect Teddy Cruz and political theorist Fonna Forman speak about a new social-housing project on the outskirts of Tijuana, and its connections to the modernist designer Jean Prouvé, with cultural historian Robert M. Rubin and critic Alastair Gordon.
Jia Aili: Before the Images Are Formed
Curator Shen Qilan speaks with the artist about his latest works.
Tom Eccles and Kiki Smith on Rachel Whiteread
On the occasion of Artist Spotlight: Rachel Whiteread, curator Tom Eccles and artist Kiki Smith speak about the work of Rachel Whiteread through the lens of their personal friendships with her. They discuss her public projects from the early 1990s to the present, the relationship between drawing and sculpture in her practice, and the way her works reveal the memories embedded in familiar everyday objects.
Gerhard Richter: Young Gerd
Richard Calvocoressi reflects on the monochrome world of Gerhard Richter’s early photo paintings.