Tuesday, February 12, 2019, 7:30pm
The Broad, Los Angeles
Jenny Saville and Jennifer Doyle, author and professor of English at the University of California, Riverside, will be in conversation as part of the Broad’s talk series The Un-Private Collection. The pair will discuss Saville’s work in the museum’s collection as well as contemporary art history, gender studies, and critical theory. To attend the event, purchase tickets at www.thebroad.org.
Jenny Saville, Red Stare Collage, 2007–09 © Jenny Saville
July 22–28, 2020
In her depictions of the human form, Jenny Saville transcends the boundaries of both classical figuration and modern abstraction. Oil paint, applied in heavy layers, becomes as visceral as flesh itself, each painted mark maintaining a supple, mobile life of its own. As Saville pushes, smears, and scrapes the pigment over her large-scale canvases, the distinctions between living, breathing bodies and their painted representations begin to collapse.
Photo: courtesy the artist
Jenny Saville: Oxyrhynchus is available for online reading from July 22 through August 21 as part of Artist Spotlight: Jenny Saville. This publication features more than a dozen works from 2006 to 2014 in which the artist references the layer upon layer of discoveries at Oxyrhynchus, a city in upper Egypt that was established in 332 bce and is considered one of the world’s most important archaeological sites. The final effect is a mysterious narrative of layered bodies and images, conveyed in a combination of oil, charcoal, and pastel. An essay by art historian John Elderfield, built around the observations of multiple past voices and the artist herself, captures the temporal culture of visual art to which the Oxyrhynchus canvases belong.
Jenny Saville: Oxyrhynchus (London: Gagosian, 2015)
Life through a Microscope
In this video produced by the National Galleries of Scotland, Jenny Saville speaks about her practice on the occasion of her major survey at the Scottish National Gallery of Modern Art, Edinburgh, in 2018. She discusses her identity as a “picture maker,” the artistic freedom that having children has given her, and the importance of Titian.
Still from “Jenny Saville: Life through a Microscope”
Mike Milken and Larry Gagosian
Mike Milken interviews Larry Gagosian about their shared histories, the important role of art in moments of crisis, and the long-term impact of creative visions.
Gagosian Quarterly Summer 2020
The Summer 2020 issue of Gagosian Quarterly is now available, featuring Joan Jonas’s Mirror Piece 1 (1969) on its cover.
Titus Kaphar: Can Beauty Open Our Hearts to Difficult Conversations?
In this TED talk, presented during the sweeping protests against racism and police violence following the killing of George Floyd, Titus Kaphar describes how the beauty of a painting can draw the viewer in and allow difficult conversations to emerge. Kaphar discusses his own work and shares the idea behind NXTHVN, a new national arts model he founded to empower artists of color through education and access.
Jenny Saville and Nicholas Cullinan
Jenny Saville speaks with Nicholas Cullinan, the director of the National Portrait Gallery, London, from her studio. They discuss portraiture, her latest work, and her art historical influences, as well as the shifting nature of perception in the age of digital communication.
Five Preoccupations: Jenny Saville
Jenny Saville shares a selection of the books, films, and more that have been her companions in the quiet of the shutdowns in recent months and as she looks ahead to a new exhibition next year.
Casa Malaparte: Furniture
Featuring interviews with Tommaso Rositani Suckert and Serena Cattaneo Adorno, this video presents a unique look at the history of Casa Malaparte in Capri and documents the fabrication of new editions of the iconic furniture pieces from the house, designed in the late 1930s by avant-garde writer Curzio Malaparte.
The Bigger Picture
Gagosian’s Sarah Hoover sat down with Allison Freedman Weisberg, founder and executive director of Recess, and Anaïs Duplan, Recess program manager, to discuss the community arts organization’s evolution, recent programs, and dreams for the future.
In the Studio: Damien Hirst’s Veil Paintings
Damien Hirst speaks about his Veil paintings with Gagosian’s Alison McDonald. “I wanted to make paintings that were a celebration,” he says, “and that revealed something and obscured something at the same time.”
Theaster Gates: Black Vessel
Join Theaster Gates in his studio as he prepares for his upcoming exhibition at Gagosian, New York, this fall. In this video, shot entirely on location in Chicago during the recent tumultuous weeks, Gates reflects on the metaphorical power of materials and process, and on the redemptive potential of art.
Rainer Maria Rilke: Duino Elegies
Bobbie Sheng explores the symbiotic relationship between the poet and visual artists of his time and tracks the enduring influence of his poetry on artists working today.
Mary Weatherford: Train Yards
Mary Weatherford speaks to Laura Hoptman about her new paintings, the Train Yard series. Begun in 2016, this body of work evokes the sights and sounds of railroads and night skies. The series will be shown for the first time in late 2020, in an exhibition at Gagosian, London.
Uncanny Delights: Sculpture by John Chamberlain, Urs Fischer, and Charles Ray
Catalyzed by the exhibition Crushed, Cast, Constructed: Sculpture by John Chamberlain, Urs Fischer, and Charles Ray, Alice Godwin examines the legacy and development of a Surrealist ethos in selected works from three contemporary sculptors.