Saturday, March 30, 2019, 3pm
Gagosian, San Francisco
Join Gagosian for a private tour and in-depth look at Robert Therrien’s first solo exhibition in San Francisco in twenty years. In this exhibition of new paintings and sculptures, the artist pares down familiar forms such as smoke signals, stacked plates, and a witch hat to the point that they become symbols and silhouettes, underscoring the simple beauty and infinite meaning inherent in common objects. The tour, led by Graham Dalik, will consider Therrien’s continual reinvention of these motifs through shifts in medium, perspective, and scale. To attend the free event, RSVP to email@example.com.
Robert Therrien, No title (witch hat), 2018 © Robert Therrien/Artists Rights Society (ARS), New York. Photo: Josh White
Frieze Los Angeles 2020
How to Shrink L.A.
February 14–16, 2020, booth C06
Paramount Picture Studios, Los Angeles
Gagosian is pleased to participate in Frieze Los Angeles 2020. Taking Los Angeles’s system of highways as a literal and figurative backdrop, the selection includes Richard Prince’s full-scale car sculpture Untitled (2008) and Chris Burden’s ominously oversize L.A.P.D. Uniform (1993). The booth also includes work by Jean-Michel Basquiat, John Chamberlain, Urs Fischer, Theaster Gates, Piero Golia, Alex Israel, Sally Mann, Adam McEwen, Cady Noland, Sterling Ruby, Ed Ruscha, Taryn Simon, Robert Therrien, Andy Warhol, Tom Wesselmann, and others.
Chris Burden, How to Shrink L.A., 1999 © 2020 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York
Seattle Art Fair 2018
August 2–5, 2018, booth A09
CenturyLink Field Event Center, Seattle
Gagosian is pleased to present Out of This World: Artists Explore Space, a booth curated by Larry Gagosian for the 2018 Seattle Art Fair. The presentation gathers works that reveal artistic and scientific explorations of the cosmos. Featured artists include Richard Avedon, Andisheh Avini, Chris Burden, Alexander Calder, Vija Celmins, Ellen Gallagher, Andreas Gursky, Damien Hirst, Neil Jenney, Mike Kelley, Yves Klein, Vera Lutter, Brice Marden, Marc Newson, Nam June Paik, Thomas Ruff, Ed Ruscha, Tom Sachs, Taryn Simon, Yves Tanguy, and Andy Warhol, among others.
Ed Ruscha, Even Though He’s Light Years Away, His Heart Belongs to Me, 1963 © Ed Ruscha
Frieze New York 2018
May 3–6, 2018, booth D14
Randall’s Island Park, New York
Gagosian is pleased to participate in Frieze New York 2018 with a solo presentation of works by Robert Therrien. In his investigations of form, perception, and subjectivity, Therrien isolates recognizable elements and objects from everyday life, imbuing the ordinary with an otherworldly air. His work demonstrates the transformative power of scale and viewpoint, from giant tables and chairs and towering stacks of oversize plates, to drawings of familiar shapes and forms, which he distills and refines to create a lexicon of symbols, both ambiguous and charged with memory. To receive a PDF with detailed information on the works, please contact the gallery at firstname.lastname@example.org.To preview our booth go to www.artsy.net. To purchase tickets to attend the fair go to www.frieze.com/fairs.
Robert Therrien, No title (folding table and chairs, green), 2008 © Robert Therrien/Artists Rights Society (ARS), New York
Gregory Crewdson: An Eclipse of Moths
Gregory Crewdson discusses his new work with actor Cate Blanchett.
Gagosian Quarterly Fall 2020
The Fall 2020 issue of Gagosian Quarterly is now available.
Mary Weatherford: Train Yards
Mary Weatherford speaks to Laura Hoptman about her new paintings, the Train Yard series. Begun in 2016, this body of work evokes the sights and sounds of railroads and night skies. The series will be shown for the first time in late 2020, in an exhibition at Gagosian, London.
Filmmaker and author Miranda July joined Louise Bonnet on a video call to discuss life during lockdown, the luminosity of oil paint, and Bonnet’s forthcoming exhibition of new work. Longtime friends—and newly neighbors—the two reflect on their shared history and shared interests in the unconscious, vagueness, and the mixture of humor and pain.
“Things Fall Apart”: Ed Ruscha’s Swiped Words
Lisa Turvey examines the range of effects conveyed by the blurred phrases in recent drawings by the artist, detailing the ways these words in motion evoke the experience of the current moment.
A short story by Emma Cline, published here on the occasion of her new collection of stories entitled Daddy.
Theaster Gates: Black Image Corporation
As a prelude to his first-ever solo exhibition in New York, Theaster Gates discusses his prescient work with the photographic archive of Chicago’s Johnson Publishing Company and his formation of Black Image Corporation as a conceptual project. In conversation with Louise Neri, he expands on his strategies as artist and social innovator in his quest to redeem and renew the sacred power of Black images and Black space.
Jacquelynn Baas profiles Isabelle Waldberg, writing on the sculptor’s many friendships and the influence of her singular creations.
Suzanne Hudson speaks with Leah Levy, executive director of the Jay DeFeo Foundation, about the artist’s life and work.
Lockdown: Henri Matisse’s Domestic Interiors
John Elderfield reexamines Matisse’s Piano Lesson (1916) and Music Lesson (1917), considering the works’ depictions of domestic space during the tumult of World War I.
Building a Legacy
The Helen Frankenthaler Foundation on COVID-19 Relief Funding
The Quarterly’s Alison McDonald speaks with Clifford Ross, Frederick J. Iseman, and Dr. Lise Motherwell, members of the board of directors of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director, about the foundation’s decision to establish a multiyear initiative dedicated to providing $5 million in covid-19 relief for artists and arts professionals.
Bebe Miller and Cynthia Oliver
The legendary choreographers discuss their history together, the evolution of Cynthia Oliver’s boom!, imposed boundaries on “Black dance,” and the choreographies of the pandemic.