Sterling Ruby and Sam Orlofsky
Frieze London 2019 Online Viewing Room
Sterling Ruby sits down in his studio with Gagosian director Sam Orlofsky to discuss the Online Viewing Room collaboration on the occasion of Frieze London 2019, as well as his influences and the history of his work. Highlighting Ruby’s multidisciplinary approach to art making, this online event features seven artworks from pivotal moments in his trajectory, alongside a range of art historical influences that have shaped his practice over time.
To subscribe for updates about Online Viewing Room presentations, visit gagosianviewingroom.com.
ACTS + TABLE
Thursday, November 7, 2019, 6:15pm
Gagosian, Britannia Street, London
Join Gagosian for a tour of Sterling Ruby: ACTS + TABLE, currently on view at Britannia Street, London, led by Serena Cattaneo Adorno, Gagosian director, and Alessandro Rabottini, director of Miart, International Fair of Modern and Contemporary Art. The works in the show lay out Ruby’s critique of the authoritarian, exclusionary ideological underpinnings of Minimalism. He begins with familiar shapes valued by the Minimalists—simple tables and rectilinear blocks—but subverts them by defacing their smooth surfaces and exposing their physical means of production. The event has reached capacity. To join the wait list, contact email@example.com.
Installation view, Sterling Ruby: ACTS + TABLE, Gagosian, Britannia Street, London, October 2–December 14, 2019. Artwork © Sterling Ruby. Photo: Lucy Dawkins
West Bund Art & Design 2019
November 8–10, 2019, booth A121
West Bund Art Center, Shanghai
Gagosian is pleased to participate in West Bund Art & Design 2019, presenting works by Georg Baselitz, Joe Bradley, Urs Fischer, Helen Frankenthaler, Mark Grotjahn, Damien Hirst, Thomas Houseago, Robert Indiana, Jeff Koons, Joan Mitchell, Nam June Paik, Richard Prince, Sterling Ruby, Ed Ruscha, Mark Tansey, Mary Weatherford, Tom Wesselmann, and Jonas Wood, among others.
To receive a PDF with detailed information on the works, please contact the gallery at firstname.lastname@example.org.
Joe Bradley, Daylight, 2019 © Joe Bradley
Online Viewing Room
Frieze London 2019
September 28–October 7, 2019
Gagosian’s latest foray into the digital marketplace is an expanded Online Viewing Room premiering during Frieze London 2019. The upcoming presentation, developed in collaboration with Sterling Ruby, will feature seven primary-market artworks from the personal archive of Ruby, including one new painting and one new sculpture made for this occasion. Ruby has selected seven works by historical artists, including Helen Frankenthaler, Katsushika Hokusai, and Mike Kelley, to be shown each in dialogue with one of his own.
The Frieze London 2019 Online Viewing Room will open at 12:00am on Saturday, September 28, in Hong Kong, and close at 11:59pm on Monday, October 7, in Los Angeles and San Francisco.
For more information about the Online Viewing Room or the work to be featured, please contact email@example.com.
Helen Frankenthaler, Sacrifice Decision, 1981
Mansplaining: Figuring Masculinity in the Age of #MeToo
In light of recent developments around the definition of masculinity in American culture, Alison M. Gingeras, the curator of John Currin: My Life as a Man at Dallas Contemporary looks closely at the artist’s depictions of male subjects.
Gagosian Quarterly Winter 2019
The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.
Reading Nam June Paik
Earlier this year, MIT Press released We Are in Open Circuits: Writings by Nam June Paik. Here Gregory Zinman, coeditor of the book along with John Hanhardt and Edith Decker-Phillips, writes about his first exposure to the artist’s archives, the discoveries made there, and the relationship between Paik’s writings and his larger practice.
Before the Smoke Has Cleared
Angela Brown provides a glimpse into the charged ecologies of recent drawings and sculptures by Tatiana Trouvé. These works will be included in On the Eve of Never Leaving, Trouvé’s first solo exhibition in Los Angeles, opening in November 2019.
Sarah Sze: Art That Explores Time and Memory
Join Sarah Sze as she talks about the questions that drive her work. She describes creating immersive experiences that blur the lines between time, memory, and space—and between art and life.
Abstract Climates: Helen Frankenthaler in Provincetown
Lise Motherwell, a stepdaughter of Helen Frankenthaler and vice president of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director of the Foundation, recently cocurated an exhibition of the artist’s work entitled Abstract Climates: Helen Frankenthaler in Provincetown. Here they discuss the origin of the exhibition, the relationship between the artist’s work and her summers spent in Provincetown, and the presentations at the Provincetown Art Association and Museum, in 2018, and the Parrish Art Museum, Water Mill, New York, in 2019.
Nathaniel Mary Quinn and Troy Carter
On the eve of the opening of his first exhibition with Gagosian, in Beverly Hills, Nathaniel Mary Quinn joined Troy Carter for a conversation at LA’s Hammer Museum. They spoke about deliverance, Quinn’s new work, and what drives him to make art.
The Art of Perception: Richard Serra’s Films
For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.
Sterling Ruby: Disjointed Monuments to Nothing
Alessandro Rabottini investigates the theoretical and formal underpinnings of Sterling Ruby’s career through the lens of the artist’s series ACTS.
Behind the Art
Michael Craig-Martin: Ordinariness
Join Michael Craig-Martin at his London studio as he speaks about his working methods, his interest in the ordinary, and his abiding concern for the sculptural.
Nathaniel Mary Quinn
Anderson Cooper spoke with the artist at his Brooklyn studio about his childhood and the visionary nature of his art.
Nina Simone, Our National Treasure
Text by Salamishah Tillet.