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In Conversation

Jay DeFeo’s Generation
Suzanne Hudson, Dana Miller, and Clifford Ross

Tuesday, November 17, 2020, 2pm EST

Join Gagosian for a conversation on Jay DeFeo with Los Angeles–based art historian and critic Suzanne HudsonSeattle-based art historian and independent curator Dana Miller, and New York–based artist Clifford Ross. The trio will discuss the unique place DeFeo occupies in art history, shaped by a diverse body of work that defies categorization, a practice situated outside of the American art centers of New York and Los Angeles, and relationships with other artists of her generation. To join, register at zoom.us.

Jay DeFeo, Lotus Eater No. 1, 1974 © 2020 The Jay DeFeo Foundation/Artists Rights Society (ARS), New York. Photo: Robert Divers Herrick

Jay DeFeo, Lotus Eater No. 1, 1974 © 2020 The Jay DeFeo Foundation/Artists Rights Society (ARS), New York. Photo: Robert Divers Herrick

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Jay DeFeo, Untitled, 1973 © 2020 The Jay DeFeo Foundation/Artists Rights Society (ARS), New York

Panel Discussion

Catching Ideas in Process
Jay DeFeo’s Photography

Wednesday, November 18, 2020, 8–9pm EST

The medium of photography enabled Jay DeFeo to further explore the themes and forms she continually returned to in her diverse practice, and to capture her own process, resulting in images that blur the line between documentation and art. Organized by the CCA Wattis Institute for Contemporary Arts in San Francisco, this panel discussion brings together Corey Keller, curator of photography at the San Francisco Museum of Modern Art, in conversation with artists Paul Mpagi Sepuya and Rayyane Tabet to discuss this lesser-known body of DeFeo’s oeuvre and the ways in which her highly experimental practice continues to resonate with photographers working today. The conversation will be moderated by Emily Markert, a curatorial fellow at the Wattis Institute. To register for the event, visit eventbrite.com.

Jay DeFeo, Untitled, 1973 © 2020 The Jay DeFeo Foundation/Artists Rights Society (ARS), New York

Jay DeFeo on Mount Tamalpais, Marin County, California, 1973. Photo: John Bogdanoff

Launch

8-bridges

Gagosian will be participating in 8-bridges, a new online initiative created to highlight artists and galleries in the San Francisco Bay Area. Launching in October 2020, 8-bridges will present monthly exhibitions by Bay Area galleries, with a particular focus on artists and conversations relevant to the region. The platform will feature eight new presentations each month, and each cycle will also spotlight a local institution, starting with the Museum of the African Diaspora in San Francisco. Gagosian is pleased to be a member of the 8-bridges founding committee. The gallery’s inaugural presentation will be devoted to the work of Jay DeFeo.

Jay DeFeo on Mount Tamalpais, Marin County, California, 1973. Photo: John Bogdanoff

Jay DeFeo, Figure V (Tripod series), 1976 © 2020 The Jay DeFeo Foundation/Artists Rights Society (ARS), New York. Photo: Robert Divers Herrick

8-bridges

Jay DeFeo

October 1–31, 2020

I’ve always got to get down there and show what is underneath everything.
—Jay DeFeo

Gagosian is pleased to present works by Jay DeFeo on 8-bridges, a newly launched online platform created to highlight artists and galleries in the San Francisco Bay Area. Honoring the rich history of the Bay Area art scene, the inaugural presentation features selected works from the exhibition Transcending Definition: Jay DeFeo in the 1970s, on view at Gagosian, San Francisco, through December 11, 2020. DeFeo spent most of her life in the San Francisco Bay Area and remains an influential figure in the region. The 8-bridges presentation focuses on the artist’s output in the decade following the completion of her pivotal work The Rose (1958–66), when she was based in Marin County, just north of San Francisco. In her paintings, photographs, and works on paper of the 1970s, DeFeo fused the representational with the abstract, permeating her images of everyday objects—a camera tripod, a jewelry fragment, a shoe tree—with a sense of mystery. The artist described her works of this period as “beings suspended in space and time” that “transcend the definition of the literal objects from which they are derived.”

Jay DeFeo, Figure V (Tripod series), 1976 © 2020 The Jay DeFeo Foundation/Artists Rights Society (ARS), New York. Photo: Robert Divers Herrick

Tatiana Trouvé in her Paris studio.

Behind the Art
Tatiana Trouvé: In the Studio

Join the artist in her studio as she speaks about her new series of drawings, From March to May. Trouvé describes the genesis of the project and the essential role its creation played in keeping her connected with the outside world during the difficult months of pandemic-related lockdown.

Damien Hirst's Reclining Woman on the cover of Gagosian Quarterly, Fall 2021

Now available
Gagosian Quarterly Fall 2021

The Fall 2021 issue of Gagosian Quarterly is now available, featuring Damien Hirst’s Reclining Woman (2011) on its cover.

Kon Trubkovich in his studio, Brooklyn, New York, 2021.

Kon Trubkovich

Historian Victoria Phillips speaks with the artist about his new paintings, memory and its relationship to media, and the continuing impact of the Cold War.

Installation view of Urs Fischer’s Untitled (2011) in the exhibition Ouverture, Bourse de Commerce – Pinault Collection, Paris, 2021. Artwork © Urs Fischer, courtesy Galerie Eva Presenhuber, Zurich; Bourse de Commerce – Pinault Collection © Tadao Ando Architect & Associates, Niney et Marca Architectes, Agence Pierre-Antoine Gatier. Photo: Stefan Altenburger

Bourse de Commerce

William Middleton traces the development of the new institution, examining the collaboration between the collector François Pinault and the architect Tadao Ando in revitalizing the historic space. Middleton also speaks with artists Tatiana Trouvé and Albert Oehlen about Pinault’s passion as a collector, and with the Bouroullec brothers, who created design features for the interiors and exteriors of the museum.

Anna Halprin in The Prophetess, 1955.

Game Changer
Anna Halprin

Jacquelynn Baas celebrates the choreographer, dancer, and teacher, tracing the profound influence she had on the worlds of dance and art.

Kevin Jerome Everson, 2019. Photo: © Erin Leland

Overtime: On Kevin Jerome Everson

Carlos Valladares writes on the filmmaker’s expansive body of work, exploring themes of identity, time, and reality.

Left: Nancy Rubins. Photo: Joel Searles. Right: Eric Shiner. Photo: Walker Olesen

In Conversation
Nancy Rubins and Eric Shiner

The pair discuss Nancy Rubins’s unique approach to sculpture, in which industrial and found objects—such as television sets, airplane parts, and carousel animals—are transformed into engineered abstractions that are at once otherworldly and familiar.

Andreas Gursky, Jonathan Ive, 2019, fine art print mounted on dibond, 64 1/2 × 50 ⅝ inches (163.7 × 128.5 cm). National Portrait Gallery, London, commissioned; made possible by the Outset Commission, supported by Scott Collins in partnership with Outset Contemporary Art Fund, 2019 © Andreas Gursky/VG BILD-KUNST, Bonn

Ive by Gursky: A Meeting of Minds

By exploring the conventions of past portraits of industrial designers and architects, Maria Morris Hambourg unpacks Andreas Gursky’s ingenious recent portrait of Apple designer Jony Ive to reveal its layered meanings.

Gregory Corso, New York, 1986. Photo: Allen Ginsberg

Gregory Corso: A Most Dangerous Art

On the occasion of the forthcoming publication of The Golden Dot: Last Poems by Gregory Corso, Raymond Foye reflects on the poet’s enduring engagement with the human condition and explores the unique structure of this final collection.

Sergio Zambon black-and-white portrait

Fashion and Art: Sergio Zambon

Designer Sergio Zambon, head of menswear at Moncler, speaks to Wyatt Allgeier about his inspirations and visions for this season’s 2 Moncler 1952 M collection, a project under the Moncler Genius initiative, and his collaboration with artists Andrea Anastasio, Prem Sahib, and Erwin Wurm on a special exhibition of unique artworks—being sold for a good cause—presented in Milan on September 25, 2021, in conjunction with the live digital show “MONDOGENIUS.”

Kahlil Robert Irving, Downtown Norfolk, Nebraska (1998), 2017, unglazed and glazed ceramic, enamel, luster, and image transfers.

Social Works II: Kahlil Robert Irving

Antwaun Sargent speaks with Kahlil Robert Irving in advance of the opening of Social Works II and presents a portfolio of Irving’s sculptures.

Jean Pigozzi:  An interview with Rachel Feinstein

Jean Pigozzi: An interview with Rachel Feinstein

Famed photographer of the famous, Jean Pigozzi speaks with artist Rachel Feinstein about the publication of his new book, The 213 Most Important Men in My Life, and provides a sneak peek at what’s coming up next.