Carsten Höller has developed a site-specific slide for the Tower at Luma Arles, France, designed by Frank Gehry. According to Höller, “a slide is a sculpture that you can travel inside” and experience a unique emotional state situated between pleasure and madness. However, the artist emphasizes that it is not necessary to use the slide to make sense of it—observing other visitors travel between levels of the building is an equally stimulating experience.
Carsten Höller, Isometric Slides, 2021 (detail), installation view, The Tower, Luma Arles, France © Carsten Höller. Photo: Mark Domage
Seven Sliding Doors Corridor (Outdoor Version)
Carsten Höller’s installation Seven Sliding Doors Corridor (Outdoor Version), recently installed at Luma Arles, France, consists of electronic sliding doors with mirrored surfaces on both sides, through which a viewer can walk in an apparently endless passage. The doors are installed inside a corridor that traverses a pond in a garden. Motion sensors cause them to slide open when someone approaches and close when the person moves away. As a result, the movements of viewers alternately break and bind the visual limits of the space, which can be entered from either end of the corridor, increasing the likelihood of unexpected encounters.
Carsten Höller, Seven Sliding Doors Corridor (Outdoor Version), 2021, installation view, Luma Arles, France © Carsten Höller. Photo: Adrian Deweerdt
Carsten Höller has developed a site-specific 40-meter slide for the Danish Architecture Center, Copenhagen. The spiral slide takes visitors from the Exhibition Forum four stories down to the ground floor. Of these playful structures Höller says, “Why are slides not used in architecture, to complement stairs, elevators, and escalators?” DAC Slide was donated by the Ny Carlsbergfondet.
Carsten Höller, DAC Slide, 2020 (detail), installation view, Danish Architecture Center, Copenhagen © Carsten Höller. Photo: courtesy the artist and Ny Carlsbergfondet
Light Wall (Outdoor Version)
March 18–April 3, 2021
Carsten Höller’s Light Wall has been installed in Riyadh as part of Noor Riyadh, a new annual citywide festival of public art installations. The theme for 2021 is Under One Sky, which alludes to the universal human impulse to gather around light, to look into the flames of a campfire, and to gaze at the stars. While the theme in its English translation is instantly relatable to an international audience, the words in Arabic literally mean “we gather under one sky”—an idea of togetherness that becomes particularly resonant in light of the global pandemic.
Carsten Höller’s Light Wall (Outdoor Version), 2021, installation view, King Abdulaziz Historical Center, Riyadh © Carsten Höller. Photo: © Riyadh Art
Social Works II: Kahlil Robert Irving
Antwaun Sargent speaks with Kahlil Robert Irving in advance of the opening of Social Works II and presents a portfolio of Irving’s sculptures.
Gagosian Quarterly Fall 2021
The Fall 2021 issue of Gagosian Quarterly is now available, featuring Damien Hirst’s Reclining Woman (2011) on its cover.
Behind the Art
Tatiana Trouvé: In the Studio
Join the artist in her studio as she speaks about her new series of drawings, From March to May. Trouvé describes the genesis of the project and the essential role its creation played in keeping her connected with the outside world during the difficult months of pandemic-related lockdown.
Fashion and Art: Sergio Zambon
Designer Sergio Zambon, head of menswear at Moncler, speaks to Wyatt Allgeier about his inspirations and visions for this season’s 2 Moncler 1952 M collection, a project under the Moncler Genius initiative, and his collaboration with artists Andrea Anastasio, Prem Sahib, and Erwin Wurm on a special exhibition of unique artworks—being sold for a good cause—presented in Milan on September 25, 2021, in conjunction with the live digital show “MONDOGENIUS.”
Historian Victoria Phillips speaks with the artist about his new paintings, memory and its relationship to media, and the continuing impact of the Cold War.
Bourse de Commerce
William Middleton traces the development of the new institution, examining the collaboration between the collector François Pinault and the architect Tadao Ando in revitalizing the historic space. Middleton also speaks with artists Tatiana Trouvé and Albert Oehlen about Pinault’s passion as a collector, and with the Bouroullec brothers, who created design features for the interiors and exteriors of the museum.
Jacquelynn Baas celebrates the choreographer, dancer, and teacher, tracing the profound influence she had on the worlds of dance and art.
Overtime: On Kevin Jerome Everson
Carlos Valladares writes on the filmmaker’s expansive body of work, exploring themes of identity, time, and reality.
Nancy Rubins and Eric Shiner
The pair discuss Nancy Rubins’s unique approach to sculpture, in which industrial and found objects—such as television sets, airplane parts, and carousel animals—are transformed into engineered abstractions that are at once otherworldly and familiar.
Ive by Gursky: A Meeting of Minds
By exploring the conventions of past portraits of industrial designers and architects, Maria Morris Hambourg unpacks Andreas Gursky’s ingenious recent portrait of Apple designer Jony Ive to reveal its layered meanings.
Gregory Corso: A Most Dangerous Art
On the occasion of the forthcoming publication of The Golden Dot: Last Poems by Gregory Corso, Raymond Foye reflects on the poet’s enduring engagement with the human condition and explores the unique structure of this final collection.
Jean Pigozzi: An interview with Rachel Feinstein
Famed photographer of the famous, Jean Pigozzi speaks with artist Rachel Feinstein about the publication of his new book, The 213 Most Important Men in My Life, and provides a sneak peek at what’s coming up next.