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Permanent Installation

Carsten Höller
Isometric Slides

Carsten Höller has developed a site-specific slide for the Tower at Luma Arles, France, designed by Frank Gehry. According to Höller, “a slide is a sculpture that you can travel inside” and experience a unique emotional state situated between pleasure and madness. However, the artist emphasizes that it is not necessary to use the slide to make sense of it—observing other visitors travel between levels of the building is an equally stimulating experience.

Carsten Höller, Isometric Slides, 2021 (detail), installation view, The Tower, Luma Arles, France © Carsten Höller. Photo: Mark Domage

Carsten Höller, Isometric Slides, 2021 (detail), installation view, The Tower, Luma Arles, France © Carsten Höller. Photo: Mark Domage

Related News

Carsten Höller, Seven Sliding Doors Corridor (Outdoor Version), 2021, installation view, Luma Arles, France © Carsten Höller. Photo: Adrian Deweerdt

Permanent Installation

Carsten Höller
Seven Sliding Doors Corridor (Outdoor Version)

Carsten Höller’s installation Seven Sliding Doors Corridor (Outdoor Version), recently installed at Luma Arles, France, consists of electronic sliding doors with mirrored surfaces on both sides, through which a viewer can walk in an apparently endless passage. The doors are installed inside a corridor that traverses a pond in a garden. Motion sensors cause them to slide open when someone approaches and close when the person moves away. As a result, the movements of viewers alternately break and bind the visual limits of the space, which can be entered from either end of the corridor, increasing the likelihood of unexpected encounters.

Carsten Höller, Seven Sliding Doors Corridor (Outdoor Version), 2021, installation view, Luma Arles, France © Carsten Höller. Photo: Adrian Deweerdt

Carsten Höller, DAC Slide, 2020 (detail), installation view, Danish Architecture Center, Copenhagen © Carsten Höller. Photo: courtesy the artist and Ny Carlsbergfondet

Permanent Installation

Carsten Höller
DAC Slide

Carsten Höller has developed a site-specific 40-meter slide for the Danish Architecture Center, Copenhagen. The spiral slide takes visitors from the Exhibition Forum four stories down to the ground floor. Of these playful structures Höller says, “Why are slides not used in architecture, to complement stairs, elevators, and escalators?” DAC Slide was donated by the Ny Carlsbergfondet.

Carsten Höller, DAC Slide, 2020 (detail), installation view, Danish Architecture Center, Copenhagen © Carsten Höller. Photo: courtesy the artist and Ny Carlsbergfondet

Carsten Höller’s Light Wall (Outdoor Version), 2021, installation view, King Abdulaziz Historical Center, Riyadh © Carsten Höller. Photo: © Riyadh Art

Installation

Carsten Höller
Light Wall (Outdoor Version)

March 18–April 3, 2021

Carsten Höller’s Light Wall has been installed in Riyadh as part of Noor Riyadh, a new annual citywide festival of public art installations. The theme for 2021 is Under One Sky, which alludes to the universal human impulse to gather around light, to look into the flames of a campfire, and to gaze at the stars. While the theme in its English translation is instantly relatable to an international audience, the words in Arabic literally mean “we gather under one sky”—an idea of togetherness that becomes particularly resonant in light of the global pandemic.

Carsten Höller’s Light Wall (Outdoor Version), 2021, installation view, King Abdulaziz Historical Center, Riyadh © Carsten Höller. Photo: © Riyadh Art

Kahlil Robert Irving, Downtown Norfolk, Nebraska (1998), 2017, unglazed and glazed ceramic, enamel, luster, and image transfers.

Social Works II: Kahlil Robert Irving

Antwaun Sargent speaks with Kahlil Robert Irving in advance of the opening of Social Works II and presents a portfolio of Irving’s sculptures.

Damien Hirst's Reclining Woman on the cover of Gagosian Quarterly, Fall 2021

Now available
Gagosian Quarterly Fall 2021

The Fall 2021 issue of Gagosian Quarterly is now available, featuring Damien Hirst’s Reclining Woman (2011) on its cover.

Tatiana Trouvé in her Paris studio.

Behind the Art
Tatiana Trouvé: In the Studio

Join the artist in her studio as she speaks about her new series of drawings, From March to May. Trouvé describes the genesis of the project and the essential role its creation played in keeping her connected with the outside world during the difficult months of pandemic-related lockdown.

Sergio Zambon black-and-white portrait

Fashion and Art: Sergio Zambon

Designer Sergio Zambon, head of menswear at Moncler, speaks to Wyatt Allgeier about his inspirations and visions for this season’s 2 Moncler 1952 M collection, a project under the Moncler Genius initiative, and his collaboration with artists Andrea Anastasio, Prem Sahib, and Erwin Wurm on a special exhibition of unique artworks—being sold for a good cause—presented in Milan on September 25, 2021, in conjunction with the live digital show “MONDOGENIUS.”

Kon Trubkovich in his studio, Brooklyn, New York, 2021.

Kon Trubkovich

Historian Victoria Phillips speaks with the artist about his new paintings, memory and its relationship to media, and the continuing impact of the Cold War.

Installation view of Urs Fischer’s Untitled (2011) in the exhibition Ouverture, Bourse de Commerce – Pinault Collection, Paris, 2021. Artwork © Urs Fischer, courtesy Galerie Eva Presenhuber, Zurich; Bourse de Commerce – Pinault Collection © Tadao Ando Architect & Associates, Niney et Marca Architectes, Agence Pierre-Antoine Gatier. Photo: Stefan Altenburger

Bourse de Commerce

William Middleton traces the development of the new institution, examining the collaboration between the collector François Pinault and the architect Tadao Ando in revitalizing the historic space. Middleton also speaks with artists Tatiana Trouvé and Albert Oehlen about Pinault’s passion as a collector, and with the Bouroullec brothers, who created design features for the interiors and exteriors of the museum.

Anna Halprin in The Prophetess, 1955.

Game Changer
Anna Halprin

Jacquelynn Baas celebrates the choreographer, dancer, and teacher, tracing the profound influence she had on the worlds of dance and art.

Kevin Jerome Everson, 2019. Photo: © Erin Leland

Overtime: On Kevin Jerome Everson

Carlos Valladares writes on the filmmaker’s expansive body of work, exploring themes of identity, time, and reality.

Left: Nancy Rubins. Photo: Joel Searles. Right: Eric Shiner. Photo: Walker Olesen

In Conversation
Nancy Rubins and Eric Shiner

The pair discuss Nancy Rubins’s unique approach to sculpture, in which industrial and found objects—such as television sets, airplane parts, and carousel animals—are transformed into engineered abstractions that are at once otherworldly and familiar.

Andreas Gursky, Jonathan Ive, 2019, fine art print mounted on dibond, 64 1/2 × 50 ⅝ inches (163.7 × 128.5 cm). National Portrait Gallery, London, commissioned; made possible by the Outset Commission, supported by Scott Collins in partnership with Outset Contemporary Art Fund, 2019 © Andreas Gursky/VG BILD-KUNST, Bonn

Ive by Gursky: A Meeting of Minds

By exploring the conventions of past portraits of industrial designers and architects, Maria Morris Hambourg unpacks Andreas Gursky’s ingenious recent portrait of Apple designer Jony Ive to reveal its layered meanings.

Gregory Corso, New York, 1986. Photo: Allen Ginsberg

Gregory Corso: A Most Dangerous Art

On the occasion of the forthcoming publication of The Golden Dot: Last Poems by Gregory Corso, Raymond Foye reflects on the poet’s enduring engagement with the human condition and explores the unique structure of this final collection.

Jean Pigozzi:  An interview with Rachel Feinstein

Jean Pigozzi: An interview with Rachel Feinstein

Famed photographer of the famous, Jean Pigozzi speaks with artist Rachel Feinstein about the publication of his new book, The 213 Most Important Men in My Life, and provides a sneak peek at what’s coming up next.