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Permanent Installation

Carsten Höller
Seven Sliding Doors Corridor (Outdoor Version)

Carsten Höller’s installation Seven Sliding Doors Corridor (Outdoor Version), recently installed at Luma Arles, France, consists of electronic sliding doors with mirrored surfaces on both sides, through which a viewer can walk in an apparently endless passage. The doors are installed inside a corridor that traverses a pond in a garden. Motion sensors cause them to slide open when someone approaches and close when the person moves away. As a result, the movements of viewers alternately break and bind the visual limits of the space, which can be entered from either end of the corridor, increasing the likelihood of unexpected encounters.

Carsten Höller, Seven Sliding Doors Corridor (Outdoor Version), 2021, installation view, Luma Arles, France © Carsten Höller. Photo: Adrian Deweerdt

Carsten Höller, Seven Sliding Doors Corridor (Outdoor Version), 2021, installation view, Luma Arles, France © Carsten Höller. Photo: Adrian Deweerdt

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Carsten Höller’s The Double Club Los Angeles, Luna Luna, Los Angeles, March 7–10, 2024. Artwork © Carsten Höller

Installation

Carsten Höller
The Double Club Los Angeles

March 7–10, 2024
Luna Luna, Los Angeles
lunaluna.com

Carsten Höller’s The Double Club Los Angeles transforms a vast warehouse in the heart of the Los Angeles Arts District, used by the Luna Luna team to unpack and reconstruct the rides on display in its restaging of the art amusement park, into a fanciful landscape. Now in its third incarnation, Höller’s installation begins with a single floor area and applies the mathematical rule of division by halving the footprint, while doubling it in height, to create nine unique spaces that deconstruct the carnival experience. The four-day event is presented by Prada Mode, in partnership with Luna Luna, and includes musical programming curated by the rapper Drake, who played a major role in bringing Luna Luna to LA, and Höller, who visited the park during its 1987 debut in Hamburg, Germany. The event is free and open to the public on March 9–10 with admission to Luna Luna.

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Carsten Höller’s The Double Club Los Angeles, Luna Luna, Los Angeles, March 7–10, 2024. Artwork © Carsten Höller

Carsten Höller, Abu Dhabi Dots, 2023 © Carsten Höller. Photo: Colin Robertson

Public Installation

Carsten Höller
Abu Dhabi Dots

November 18, 2023–January 30, 2024, 5:30pm–1am daily
Corniche, Abu Dhabi
abudhabiculture.ae

Carsten Höller’s Abu Dhabi Dots (2023) is installed on the waterfront in Abu Dhabi as part of the inaugural edition of Manar Abu Dhabi, a festival offering an immersive, multisensory experience to celebrate the natural beauty of the United Arab Emirates. The second installment of the artist’s Dots series, the public light exhibit, which begins each evening at 5:30pm, comprises twenty spotlights in four colors that follow participants’ movements and allow them to play a “reward and punishment” game with one another.

Carsten Höller, Abu Dhabi Dots, 2023 © Carsten Höller. Photo: Colin Robertson

Carsten Höller, Giant Triple Mushroom, 2023, installation view, Gagosian, rue de Ponthieu, Paris © Carsten Höller. Photo: Thomas Lannes

Installation

Carsten Höller
Giant Triple Mushroom

March 28–May 20, 2023
Gagosian, rue de Castiglione, Paris

Carsten Höller’s Giant Triple Mushroom (2023), a two-meter-high sculpture in polychrome aluminum, is on view in the vitrine at Gagosian, rue de Ponthieu, Paris, as part of the artist’s exhibition Clocks at the rue de Castiglione gallery.

The work’s form combines enlarged cross-sections of three different species of mushroom, including the red-capped fly agaric, reflecting Höller’s fascination with the idea that this notoriously toxic and hallucinogenic fungus may have played a role in the development of shamanism, and thus constitutes a link to ancient proto-religious culture. The three species also represent evolutionary time, as the different shapes, colors, and psychoactive ingredients of their fruiting bodies most certainly evolved from those of a common ancestor. Finally, Giant Triple Mushroom resonates with Höller’s continued exploration of doubling and rupture, and hence to the division and subdivision of time that is visualized in the clock works.

Carsten Höller, Giant Triple Mushroom, 2023, installation view, Gagosian, rue de Ponthieu, Paris © Carsten Höller. Photo: Thomas Lannes

Self portrait of Francesca Woodman, she stands against a wall holding pieces of ripped wallpaper in front of her face and legs

Francesca Woodman

Ahead of the first exhibition of Francesca Woodman’s photographs at Gagosian, director Putri Tan speaks with historian and curator Corey Keller about new insights into the artist’s work. The two unravel themes of the body, space, architecture, and ambiguity.

Cover of Gagosian Quarterly, Spring 2024, featuring Jean-Michel Basquiat Cover

Now available
Gagosian Quarterly Spring 2024

The Spring 2024 issue of Gagosian Quarterly is now available with a fresh cover design featuring Jean-Michel Basquiat’s Lead Plate with Hole (1984).

Installation view, with three paintings by Simon Hantaï

Simon Hantaï: Azzurro

Join curator Anne Baldassari as she discusses the exhibition Simon Hantaï:Azzurro, Gagosian, Rome, and the significance of blue in the artist’s practice. The show forms part of a triptych with Gagosian’s two previous Hantaï exhibitions, LES NOIRS DU BLANC, LES BLANCS DU NOIR at Le Bourget in 2019–20, and Les blancs de la couleur, la couleur du blanc in New York, in 2022.

Sofia Coppola: Archive

Sofia Coppola: Archive

MACK recently published Sofia Coppola: Archive 1999–2023, the first publication to chronicle Coppola’s entire body of work in cinema. Comprised of the filmmaker’s personal photographs, developmental materials, drafted and annotated scripts, collages, and unseen behind-the-scenes photography from all of her films, the monograph offers readers an intimate look into the process behind these films.

Prosperity’s Long Song #1: At Lights-Out Hour

Prosperity’s Long Song #1: At Lights-Out Hour

We present the first installment of a four-part short story by Arinze Ifeakandu. Set at the Marian Boys’ Boarding School in Nigeria, “Prosperity’s Long Song” explores the country’s political upheavals through the lens of ancient mythologies and the mystical power of poetry.

Still from The World of Apu (1959), directed by Satyajit Ray, it features a close up shot of a person crying, only half of their face is visible, the rest is hidden behind fabric

Mount Fuji in Satyajit Ray’s Woodblock Art, Part II

In the first installment of this two-part feature, published in our Winter 2023 edition, novelist and critic Amit Chaudhuri traced the global impacts of woodblock printing. Here, in the second installment, he focuses on the films of Satyajit Ray, demonstrating the enduring influence of the woodblock print on the formal composition of these works.

Two people stand on a snowy hill looking down

Adaptability

Adam Dalva looks at recent films born from short stories by the Japanese writer Haruki Murakami and asks, What makes a great adaptation? He considers how the beloved surrealist’s prose particularly lends itself to cinematic interpretation.

Chris Eitel in the Kagan Design Group workshop

Vladimir Kagan’s First Collection: An Interview with Chris Eitel

Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.

Black and white portrait of Alexey Brodovitch

Game Changer: Alexey Brodovitch

Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.

Various artworks by Jeff Perrone hang on a white gallery wall

Outsider Artist

David Frankel considers the life and work of Jeff Perrone, an artist who rejected every standard of success, and reflects on what defines an existence devoted to art.

Interior of Goetheanum, Dornach, Switzerland

Goetheanum: Rudolf Steiner and Contemporary Art

Author and artist Ross Simonini reports on a recent trip to the world center of the anthroposophical movement, the Goetheanum in Switzerland, exploring the influence of the movement’s founder and building’s designer Rudolf Steiner on twentieth-century artists.

A sculpture by the artist Duane Hanson of two human figures sitting on a bench

Duane Hanson: To Shock Ourselves

On the occasion of an exhibition at Fondation Beyeler, novelist Rachel Cusk considers the ethical and aesthetic arrangements that Duane Hanson’s sculpture initiates within the viewer.