News / Announcements


Edmund de Waal: The Hare with Amber Eyes

In November 2021, 100,000 copies of Der Hase mit den Bernsteinaugen, the German edition of Edmund de Waal’s family memoir The Hare with Amber Eyes (2010), will be given away across Vienna as part of Eine STADT. Ein BUCH (One City. One Book). The initiative, where one book is selected, printed, and distributed for free, began in 2002 and takes place in Vienna every year.

Edmund de Waal, Der Hase mit den Bernsteinaugen (Vienna: echo media buchverlag | echo medienhaus ges.m.b.h., 2021)

Edmund de Waal, Der Hase mit den Bernsteinaugen (Vienna: echo media buchverlag | echo medienhaus ges.m.b.h., 2021)

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Georg Baselitz, No, ja, 2020 © Georg Baselitz. Photo: Jochen Littkemann

Art Fair

ART021 Shanghai 2021

November 13–14, 2021, booth C02
Shanghai Exhibition Center

Gagosian is pleased to participate in ART021 Shanghai 2021. The gallery will feature works by artists including Georg BaselitzDan ColenEdmund de WaalRoe EthridgeUrs FischerKatharina GrosseSimon HantaïDamien HirstJia AiliHarmony Korine, Takashi Murakami (as an individual artist and in collaboration with Virgil Abloh), Rudolf StingelSpencer Sweeney, and Tatiana Trouvé

To receive a pdf with detailed information on the works, please contact the gallery at

Georg Baselitz, No, ja, 2020 © Georg Baselitz. Photo: Jochen Littkemann

Photo: Tom Jamieson

Artist Spotlight

Edmund de Waal

October 27–November 2, 2021

In his visual art and literary works, Edmund de Waal uses objects as vehicles for human narrative, emotion, and history. His installations of handmade porcelain vessels, often contained in minimalist structures, investigate themes of diaspora, memory, and materiality. Much of his practice is concerned with collecting and collections—how objects are brought together and dispersed—and with the application of craft and placement to the physical and conceptual transformation of interior space. Manifest across his work is a distinct aesthetic philosophy that puts the hand, touch, and thus the human above all else.

Photo: Tom Jamieson

Edmund de Waal’s studio, London, 2014. Artwork © Edmund de Waal. Photo: Hélène Binet


Edmund de Waal
In the Studio

On the occasion of his Artist Spotlight, Edmund de Waal has created a playlist of music he listens to in his studio. Ranging in genre from contemporary classical to rock, electronic, and African folk, the selection features composers and musicians such as Philip Glass, Talking Heads, LCD Soundsystem, and Michael Kiwanuka. The twenty-three tracks are synthy, expansive, rhythmically hypnotic, or just generally dreamy—sharing a meditative quality with de Waal’s visual artwork.

Listen Now

Edmund de Waal’s studio, London, 2014. Artwork © Edmund de Waal. Photo: Hélène Binet

Still from "Sally Mann: Vinculum".

Sally Mann: Vinculum

Join Sally Mann at her studio in Lexington, Virginia. Filmed at work in her darkroom and within the surrounding landscape, she discusses her exploratory approach to making and printing pictures, what draws her to the landscape of the American South, and her newest body of work, Vinculum.

Cover of Gagosian Quarterly with Jasper Johns’s Target with Four Faces (1955)

Now available
Gagosian Quarterly Winter 2021

The Winter 2021 issue of Gagosian Quarterly is now available, featuring Jasper Johns’s Target with Four Faces (1955) on its cover.

Still from video, featuring artwork by Jonas Wood

Behind the Art
Jonas Wood in Hong Kong

Join Jonas Wood on a virtual tour through the creation of his first solo exhibition in Hong Kong. Wood narrates the genesis and development of the new paintings, drawings, and wallpaper.

Ugo Mulas, Jasper Johns, 1964, vintage gelatin silver print, 9 ⅞ × 14 ½ inches (25 × 37 cm), Ugo Mulas Archive, Milan © Ugo Mulas Heirs

Jasper Johns: Mind/Mirror

Carlos Basualdo, the Keith L. and Katherine Sachs Senior Curator of Contemporary Art at the Philadelphia Museum of Art, and Scott Rothkopf, Senior Deputy Director and Nancy and Steve Crown Family Chief Curator at the Whitney Museum of American Art, New York, spoke with the Quarterly’s Alison McDonald ahead of the opening of the unprecedented collaborative retrospective Jasper Johns: Mind/Mirror to discuss the goals, revelations, and unique structure of the project.

Issy Wood, The down payment, 2021, oil on linen.

Picture Books: Ottessa Moshfegh and Issy Wood

Emma Cline introduces her new publication project, Picture Books, with a conversation between author Ottessa Moshfegh and artist Issy Wood.

Jenny Saville, Pietà I, 2019–21, charcoal and pastel on canvas

Jenny Saville: A cyclical rhythm of emergent forms

An exhibition curated by Sergio Risaliti, director of the Museo Novecento, Florence, pairs artworks by Jenny Saville with artists of the Italian Renaissance. On view across that city at the Museo Novecento, the Museo di Palazzo Vecchio, the Museo dell’Opera del Duomo, the Museo degli Innocenti, and the Museo di Casa Buonarroti through February 20, 2022, the presentation features paintings and drawings by Saville from the 1990s through to work made especially for the occasion. Here, Risaliti reflects on the resonances and reverberations brought about by these pairings.

Installation view, Semiotext(e) exhibition at the 2014 Whitney Biennial

Leaders in the Arts: Publishing Edition

Chris Kraus and Hedi El Kholti, coeditors of the legendary press Semiotext(e), speak with Kandis Williams, the founder and editor of Cassandra Press, and Lisa Pearson, the founder and editor of Siglio Press.

Tyler Mitchell, Untitled (Lunarlander), 2021

Social Works II: Tyler Mitchell | A New Landscape

Tyler Mitchell speaks with Antwaun Sargent about Black representation, the diversity of Southern landscapes, and the importance of play in his new series of photographs. The conversation forms part of “Social Works II,” a supplement guest edited by Sargent for the Winter 2021 issue of the Quarterly.

Edmund de Waal, stone for two hands and water, 2021, Hornton stone, bamboo, and water, 27 ⅜ × 56 ¾ × 23 ⅝ inches (69.5 × 144 × 60 cm), installation view, Henry Moore Studios & Gardens, Perry Green, England

The Thinking Hand

Edmund de Waal speaks with Richard Calvocoressi about touch in relation to art and our understanding of the world, and discusses the new stone sculptures he created for the exhibition This Living Hand: Edmund de Waal Presents Henry Moore, at the Henry Moore Studios & Gardens. Their conversation took place at the Fitzwilliam Museum, University of Cambridge, in the context of the exhibition The Human Touch.

Cy Twombly, Untitled (Say Goodbye, Catallus, to the Shores of Asia Minor), 1994, oil, acrylic, oil stick, crayon, and graphite on three canvases,

Say Goodbye, Catullus, to the Shores of Asia Minor

Thierry Greub tracks the literary references in Cy Twomblys epic painting of 1994.

Portrait of Sir John Richardson, New York, 2005. Photo: Janette Beckman/Getty Images

The Art of Biography: Sir John Richardson’s “The Minotaur Years”

Pepe Karmel celebrates the release of A Life of Picasso IV: The Minotaur Years, 1933–1943, the final installment of Sir John Richardson’s magisterial biography.

Lucie and Luke Meier. Photo: Peter Lindbergh

Fashion and Art: Lucie and Luke Meier

The creative directors for Jil Sander tell the Quarterly’s Wyatt Allgeier about their inspirations, the recent campaign they created in collaboration with celebrated fine-art photographer Joel Meyerowitz, and their developing engagement with pop-up retail spaces.