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Adriana Varejão Selects

October 21–30, 2022
Metrograph, New York
metrograph.com

Adriana Varejão has curated a selection of films as part of a series copresented by Gagosian and Metrograph in the theater and online. The program will feature cinema exploring themes of eroticism, excess, and science-fiction fatalism.

Varejão explains: “In the late 1980s, the cineclub Estação Botafogo in Rio de Janeiro was my classroom. Film became my artistic universe. I immersed myself in the films of the period from different countries, including my own. With these screenings, I’m taking a poetic approach, bringing together films that have opened doors in my art. Themes of eroticism, excess, and science-fiction fatalism connect to my own work. I am attracted to sci-fi because it is possible to abandon linear temporality and the political and scientific limitations of the present. The baroque aesthetic, with which I so strongly identify, connects with the idea of artificiality, of excess for pure pleasure, and the creation of other possible realities. These aspects are present in my own art in the representations of flesh, in the imagined environments, in the historical parodies. The program also includes more recent remarkable Brazilian productions that resonate with my own thinking.”

Featured films include
And the Ship Sails On
The Baby of Mâcon
Bacurau
Blue 
Caravaggio 
Divine Love
The Fly
The Holy Mountain
In the Realm of the Senses 
The State of Things

Still from Bacurau (2019), directed by Kleber Mendonça Filho

Still from Bacurau (2019), directed by Kleber Mendonça Filho

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Talk and Book Signing

Adriana Varejão
Louise Neri

Thursday, November 17, 2022, 6pm
Rizzoli Bookstore, New York
www.rizzolibookstore.com

Adriana Varejão will be in conversation with Gagosian director Louise Neri to celebrate the publication of the artist’s first English-language monograph, published by Rizzoli Electa, in association with Gagosian. Edited by Neri, the fully illustrated volume explores Varejao’s diverse body of work in depth and organizes her oeuvre into several conceptual groupings: “Cartographies,” “Antropofagia,” “Mestizaje,” “Baroque,” “Sauna and Baths,” and “Azulejo.” After the talk, Varejão will sign copies of the book, which will be available to purchase at the event.

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Adriana Varejão (New York: Rizzoli Electa, in association with Gagosian, 2022)

Left: Adriana Varejão. Photo: Vicente de Mello. Right: Luisa Duarte

In Conversation

Adriana Varejão
Luisa Duarte

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Join Gagosian for a dialogue between Adriana Varejão and Brazilian critic and curator Luisa Duarte on the occasion of Varejão’s exhibition Talavera, on view at Gagosian, New York, through June 26. The pair will discuss Varejão’s unique approach to painting in the context of Latin American history, culture, and politics. Duarte’s new essay on Varejão’s oeuvre, “For a Poetics of Difference,” appears in the Summer issue of the Gagosian Quarterly, and she curated the 2019 survey exhibition Adriana Varejão: Por uma retórica canibal, presented in both Salvador and Recife, Brazil. Organized in partnership with Fortes D’Aloia & Gabriel, the conversation will be conducted in Portuguese and streamed online with English subtitles. This is the first of two events presented in conjunction with the exhibition, hosted over the course of two consecutive days.

Left: Adriana Varejão. Photo: Vicente de Mello. Right: Luisa Duarte

Left: Adriana Varejão. Photo: Vicente de Mello. Right: Pedro Alonzo. Photo: René Castelán Foglia

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Pedro Alonzo

Friday, June 18, 2021, 1pm edt

Join Gagosian for a walkthrough of the exhibition Adriana Varejão: Talavera at Gagosian, New York, led by the artist together with Mexican curator Pedro Alonzo. In 2017, Varejão and Alonzo made a research trip to Mexico to study Talavera poblana, the richly diverse ceramic tradition that inspired the current exhibition. While guiding viewers through the exhibition, the pair will recount their experiences and the many references—from Indigenous and pre-Hispanic to colonial and modernist—for this body of work, revealing some of the potent narratives inherent in material culture, global trade, art history, and the corresponding power dynamics in Mexico and Brazil. This is the second of two events presented in conjunction with the exhibition, hosted over the course of two consecutive days.

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