Screening
Louise Bonnet Selects
May 19–June 7, 2023
Metrograph, New York
metrograph.com
Louise Bonnet has curated a selection of films around the theme of “the body” as part of a series copresented by Gagosian and Metrograph. The protagonists in these movies are ruled by their outer shells—their bodies—exploring how they are betrayed by them, changed by them, and how their lives are sometimes turned upside down because of them.
Bonnet explains, “These movies have all given me something that I remember and think about since seeing them and have also made my own body react; to some of them because of sounds, joy, horror, or all of it. These films have somehow challenged the part of my brain that judges and second guesses.”
Featured films include
A.I. Artificial Intelligence
All That Jazz
Audition
The Autopsy of Jane Doe
The Brood
Le Petit Amour
Under the Skin
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Still from A.I. Artificial Intelligence (2001), directed by Steven Spielberg
Related News
In Conversation
Louise Bonnet
Stefanie Hessler
Wednesday, November 15, 2023, 6:30pm
Gagosian, 541 West 24th Street, New York
Join Gagosian for a conversation between Louise Bonnet and Stefanie Hessler, director of Swiss Institute, New York, inside 30 Ghosts, the artist’s exhibition of new paintings at Gagosian, New York. The pair will explore the work’s recurring themes—the cycles of life, continuity and the future, and death—and discuss how the conceptual and pictorial structures Bonnet borrows from seventeenth-century Dutch still-life painting converge to form a metaphor for hard labor, basic animal urges, and the things we often try, but fail, to hide.
Left: Louise Bonnet. Right: Stefanie Hessler
Visit
Madison Avenue Spring Gallery Walk 2023
Saturday, May 20, 2023, 10am–6pm
New York
madisonavenuebid.org
Join Artnews and the Madison Avenue Business Improvement District on a springtime walk to visit over sixty galleries that line Madison Avenue from East 57th to East 86th Streets. The Gagosian Shop is featuring an installation dedicated to Jean Prouvé’s 1947 demountable wood chair CB 22, alongside Rachel Feinstein’s newly launched ring collection with Ippolita and the Jewish Museum, and the latest Gagosian publications, including Louise Bonnet: Recent Paintings. An exhibition by Donald Judd spanning the 980 and 976 Madison Avenue galleries is also on view.
Jean Prouvé’s 1947 demountable wood chair CB 22 in the Gagosian Shop, New York
Screening and Talk
Louise Bonnet
Naomi Fry
Saturday, May 20, 2023, 7pm
Metrograph, New York
metrograph.com
Join Louise Bonnet and cultural critic Naomi Fry for a conversation and screening on the occasion of Louise Bonnet Selects, a film program curated by the artist as part of a series copresented by Gagosian and Metrograph. The pair will discuss how the protagonists of the seven selected films are ruled, betrayed, changed, or unsettled by their bodies, focusing on David Cronenberg’s The Brood (1979). After the talk, this psychological body horror film, in which a man tries to uncover the unconventional therapy techniques being used on his institutionalized wife amid a series of brutal murders, will be screened.
Still from The Brood (1979), directed by David Cronenberg
Francesca Woodman
Ahead of the first exhibition of Francesca Woodman’s photographs at Gagosian, director Putri Tan speaks with historian and curator Corey Keller about new insights into the artist’s work. The two unravel themes of the body, space, architecture, and ambiguity.
Now available
Gagosian Quarterly Spring 2024
The Spring 2024 issue of Gagosian Quarterly is now available with a fresh cover design featuring Jean-Michel Basquiat’s Lead Plate with Hole (1984).
Simon Hantaï: Azzurro
Join curator Anne Baldassari as she discusses the exhibition Simon Hantaï:Azzurro, Gagosian, Rome, and the significance of blue in the artist’s practice. The show forms part of a triptych with Gagosian’s two previous Hantaï exhibitions, LES NOIRS DU BLANC, LES BLANCS DU NOIR at Le Bourget in 2019–20, and Les blancs de la couleur, la couleur du blanc in New York, in 2022.
Sofia Coppola: Archive
MACK recently published Sofia Coppola: Archive 1999–2023, the first publication to chronicle Coppola’s entire body of work in cinema. Comprised of the filmmaker’s personal photographs, developmental materials, drafted and annotated scripts, collages, and unseen behind-the-scenes photography from all of her films, the monograph offers readers an intimate look into the process behind these films.
Prosperity’s Long Song #1: At Lights-Out Hour
We present the first installment of a four-part short story by Arinze Ifeakandu. Set at the Marian Boys’ Boarding School in Nigeria, “Prosperity’s Long Song” explores the country’s political upheavals through the lens of ancient mythologies and the mystical power of poetry.
Mount Fuji in Satyajit Ray’s Woodblock Art, Part II
In the first installment of this two-part feature, published in our Winter 2023 edition, novelist and critic Amit Chaudhuri traced the global impacts of woodblock printing. Here, in the second installment, he focuses on the films of Satyajit Ray, demonstrating the enduring influence of the woodblock print on the formal composition of these works.
Adaptability
Adam Dalva looks at recent films born from short stories by the Japanese writer Haruki Murakami and asks, What makes a great adaptation? He considers how the beloved surrealist’s prose particularly lends itself to cinematic interpretation.
Vladimir Kagan’s First Collection: An Interview with Chris Eitel
Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.
Game Changer: Alexey Brodovitch
Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.
Goetheanum: Rudolf Steiner and Contemporary Art
Author and artist Ross Simonini reports on a recent trip to the world center of the anthroposophical movement, the Goetheanum in Switzerland, exploring the influence of the movement’s founder and building’s designer Rudolf Steiner on twentieth-century artists.
Hans Ulrich Obrist’s Questionnaire: Frida Escobedo
In this ongoing series, curator Hans Ulrich Obrist has devised a set of thirty-seven questions that invite artists, authors, musicians, and other visionaries to address key elements of their lives and creative practices. Respondents select from the larger questionnaire and reply in as many or as few words as they desire. For the first installment of 2024, we are honored to present the architect Frida Escobedo.
Border Crossings: Exile and American Modern Dance, 1900–1955
Dance scholars Mark Franko and Ninotchka Bennahum join the Quarterly’s Gillian Jakab in a conversation about the exhibition Border Crossings at the New York Public Library for the Performing Arts. Cocurated by Bennahum and Bruce Robertson, the show reexamines twentieth-century modern dance in the context of war, exile, and injustice. An accompanying catalogue, coedited by Bennahum and Rena Heinrich and published earlier this year, bridges the New York presentation with its West Coast counterpart at the Art, Design & Architecture Museum at the University of California, Santa Barbara.