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Rachel Whiteread
. . . And the Animals Were Sold

June 23–October 29, 2023
Galleria d’Arte Moderna e Contemporanea di Bergamo, Italy
www.gamec.it

. . . And the Animals Were Sold is a new installation by Rachel Whiteread in Bergamo’s Palazzo della Ragione that was commissioned by Galleria d’Arte Moderna e Contemporanea di Bergamo, Italy. Conceived in relation to the city, the architecture of the site, and the history of the region, it comprises sixty sculptures whose forms correspond to the empty space between the legs of two different chair models. Produced with local types of stone, the works suggest human absence and presence at once. Their arrangement evokes both the social distancing of the pandemic, which was particularly difficult for the Bergamo community, and the renewed proximity that is now possible. 

Installation view, Rachel Whiteread: . . . And the Animals Were Sold, Galleria d’Arte Moderna e Contemporanea di Bergamo, Italy, June 23–October 29, 2023. Artwork © Rachel Whiteread. Photo: Lorenzo Palmieri

Installation view, Rachel Whiteread: . . . And the Animals Were Sold, Galleria d’Arte Moderna e Contemporanea di Bergamo, Italy, June 23–October 29, 2023. Artwork © Rachel Whiteread. Photo: Lorenzo Palmieri

Detail from Roy Lichtenstein’s Bauhaus Stairway Mural (1989), on the cover of Gagosian Quarterly, Summer 2024

Now available
Gagosian Quarterly Summer 2024

The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.

portrait of Stanley Whitney

Stanley Whitney: Vibrations of the Day

Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.

Richard Armstrong; color photograph

Richard Armstrong

Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.

Touch of Evil

Touch of Evil

Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.

Self portrait of Francesca Woodman, she stands against a wall holding pieces of ripped wallpaper in front of her face and legs

Francesca Woodman

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Installation view, with three paintings by Simon Hantaï

Simon Hantaï: Azzurro

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Sofia Coppola: Archive

Sofia Coppola: Archive

MACK recently published Sofia Coppola: Archive 1999–2023, the first publication to chronicle Coppola’s entire body of work in cinema. Comprised of the filmmaker’s personal photographs, developmental materials, drafted and annotated scripts, collages, and unseen behind-the-scenes photography from all of her films, the monograph offers readers an intimate look into the process behind these films.

Chris Eitel in the Kagan Design Group workshop

Vladimir Kagan’s First Collection: An Interview with Chris Eitel

Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.

Black and white portrait of Alexey Brodovitch

Game Changer: Alexey Brodovitch

Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.

Various artworks by Jeff Perrone hang on a white gallery wall

Outsider Artist

David Frankel considers the life and work of Jeff Perrone, an artist who rejected every standard of success, and reflects on what defines an existence devoted to art.

Interior of Goetheanum, Dornach, Switzerland

Goetheanum: Rudolf Steiner and Contemporary Art

Author and artist Ross Simonini reports on a recent trip to the world center of the anthroposophical movement, the Goetheanum in Switzerland, exploring the influence of the movement’s founder and building’s designer Rudolf Steiner on twentieth-century artists.

A sculpture by the artist Duane Hanson of two human figures sitting on a bench

Duane Hanson: To Shock Ourselves

On the occasion of an exhibition at Fondation Beyeler, novelist Rachel Cusk considers the ethical and aesthetic arrangements that Duane Hanson’s sculpture initiates within the viewer.