Artwork © Giuseppe Penone
February 1, 2017
Giuseppe Penone: ephemeris
Using sculptural media and techniques, renowned artist Giuseppe Penone releases the animas of things, thus uniting the essence of nature with the sensations of direct human action. In Giuseppe Penone: ephemeris we get a glimpse of his process as he explores some of the ideas behind Equivalenze.
Rain of Light
One year after the opening of the Louvre Abu Dhabi, Jean Nouvel and Giuseppe Penone sat down with Alain Fleischer, Pepi Marchetti Franchi, and Hala Wardé to reflect on how the museum and Penone’s commissioned artworks for the space came to be.
Visions of the Self: Jenny Saville on Rembrandt
Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.
Gagosian Quarterly Talks
Giuseppe Penone and Carlos Basualdo
Giuseppe Penone discusses his new monograph, The Inner Life of Forms, with the book’s editor Carlos Basualdo, senior curator of contemporary art at the Philadelphia Museum of Art, at the Greene Space, New York. Hosted by art critic Deborah Solomon.
Gagosian Quarterly Winter 2018
The Winter 2018 issue of Gagosian Quarterly is now available. Our cover this issue comes from High Times, a new body of work by Richard Prince.
Behind the Art
Ideas of Stone
In the small skiing village of Gstaad, among the towering mountains of the Swiss Alps, lies a surprising and ambitious exhibition of sculpture by Giuseppe Penone. Susan Ellicott tells the story of how this installation came to be.
Gagosian Quarterly Spring 2018
The Spring 2018 Gagosian Quarterly with a cover by Ed Ruscha is now available for order.
The Inner Life of Forms
Giuseppe Penone speaks with Carlos Basualdo and Pepi Marchetti Franchi about his upcoming monograph.
Gagosian Quarterly, Summer 2017
The Summer 2017 Gagosian Quarterly featuring a cover selected by Urs Fischer is now available.
Le Jardin Décomposé
Choreographer Benjamin Pech’s danseur étoile, an original ballet composed for the group exhibition Le Jardin Décomposé.
Sarah Sze: Art That Explores Time and Memory
Join Sarah Sze as she talks about the questions that drive her work. She describes creating immersive experiences that blur the lines between time, memory, and space—and between art and life.
Abstract Climates: Helen Frankenthaler in Provincetown
Lise Motherwell, a stepdaughter of Helen Frankenthaler and vice president of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director of the Foundation, recently cocurated an exhibition of the artist’s work entitled Abstract Climates: Helen Frankenthaler in Provincetown. Here they discuss the origin of the exhibition, the relationship between the artist’s work and her summers spent in Provincetown, and the presentations at the Provincetown Art Association and Museum, in 2018, and the Parrish Art Museum, Water Mill, New York, in 2019.
Nathaniel Mary Quinn and Troy Carter
On the eve of the opening of his first exhibition with Gagosian, in Beverly Hills, Nathaniel Mary Quinn joined Troy Carter for a conversation at LA’s Hammer Museum. They spoke about deliverance, Quinn’s new work, and what drives him to make art.