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Gagosian Quarterly

December 14, 2021

Kon Trubkovich Selects:The Russians Love Their Children Too

Kon Trubkovich has curated a selection of films under the title The Russians Love Their Children Too, as part of a series copresented by Gagosian and Metrograph. The program, comprising ten films presented at Metrograph’s New York theater and online in December 2021, explores Russian and Eastern European cinema from various angles. From the documentaries of Sergei Loznitsa to quintessential masterpieces such as Andrei Tarkovsky’s Mirror (1975), the selected films contain elements key to Trubkovich’s life and art practice. Here, Trubkovich speaks on their importance.

Artwork © Kon Trubkovich; video: Pushpin Films

Kon Trubkovich Selects, Metrograph, New York, December 10–19, 2021

Damien Hirst's Reclining Woman on the cover of Gagosian Quarterly, Fall 2021

Now available
Gagosian Quarterly Fall 2021

The Fall 2021 issue of Gagosian Quarterly is now available, featuring Damien Hirst’s Reclining Woman (2011) on its cover.

Kon Trubkovich in his studio, Brooklyn, New York, 2021.

Kon Trubkovich

Historian Victoria Phillips speaks with the artist about his new paintings, memory and its relationship to media, and the continuing impact of the Cold War.

Marta Kuzma, Eileen Costello, and Caitlin Murray in conversation surrounded by Donald Judd paintings.

In Conversation
Eileen Costello, Marta Kuzma, and Caitlin Murray on Donald Judd: Paintings

Art historian Eileen Costello and Yale School of Art professor Marta Kuzma discuss Donald Judd’s two-dimensional work and how the lessons he learned from the innovations of Abstract Expressionist and Color Field paintings permeate his entire body of work. Their conversation is moderated by Caitlin Murray, director of archives and programs at Judd Foundation.

Peter Lindbergh photograph of four women

Peter Lindbergh: Untold Stories

The traveling retrospective gathering the work of legendary photographer Peter Lindbergh will be on view in A Coruña, Spain, from December 4, 2021, through February 28, 2022. Featuring work created over four decades of his expansive career, the exhibition was curated by Lindbergh before his death in 2019. Here, the artist’s son Benjamin Lindbergh speaks with Derek Blasberg about the project.

Logo for Black Art Library

Asmaa Walton: Black Art Library

Asmaa Walton, independent curator and founder of the Black Art Library—a mobile living archive of global Black creativity—speaks with Gagosian director Antwaun Sargent about the origins of her book-based project. Walton tells Sargent about a recent collaboration with Bottega Veneta in a former Detroit firehouse and shares her hopes for the future of this endeavor, in terms of community and curation.

Manuel Mathieu, Siblings 2, 2021, mixed media, 70 × 62 inches (117.8 × 157.5 cm)

Social Works II: Manuel Mathieu | The Delusion of Power

Artist Manuel Mathieu reflects on Haiti, Francisco Goya, and conceptualizations of power, examining their roles in his practice.

Cover page with title and author in wavy blue lettering

River Girl, Outer World

A short story by t. jahan, published here on the occasion of the Quarterly’s collaboration with PEN America.

Cover page with title and author in black and white

Out of the Darkness

A short story by Mathapelo Mofokeng, published here on the occasion of the Quarterly’s collaboration with PEN America.

Lee “Scratch” Perry, c. 1980

Game Changer
Lee “Scratch” Perry

Connor Garel celebrates the outsized impact of this legendary musician on the world of music and beyond.

Rashaun Mitchell + Silas Riener

Rashaun Mitchell + Silas Riener

Dance artists Rashaun Mitchell and Silas Riener join art and dance historian Megan Metcalf in a conversation about dancing with Gerhard Richter paintings, their evolving relationship to language, and hidden “Easter eggs” in their work.

Image of kneeling nun, still from Paul Verhoeven’s Benedetta (2021)

Cannes Film Festival 2021

Carlos Valladares shares his early look at five of this years standout films.

Hao Liang, Eight Views of Xiaoxiang—Relics, 2015–16, ink on silk, 72 ½ × 152 ⅜ inches (184 × 387 cm).

Hao Liang: To Forge the Chain of Being

Fan Jingzhong analyzes the classical concepts and references in Hao Liang’s paintings.