Works Exhibited

About

Christopher Wool is best known for his paintings of large, black, stenciled letters on white canvases, but he possesses a wide range of styles; using a combined array of painterly techniques, including spray painting, hand painting, and screen-printing, he provides tension between painting and erasing, gesture and removal, depth and flatness. By painting layer upon layer of whites and off-whites over screen-printed elements used in previous works—monochrome forms taken from reproductions, enlargements of details of photographs, screens, and Polaroids of his own paintings—he accretes the surface of his pressurized paintings while apparently voiding their very substance. Only ghosts and impediments to the field of vision remain, each fixed in its individual temporality. Through these various procedures of application and cancellation, Wool obscures the liminal traces of previous elements, putting reproduction and negation to generative use in forming a new chapter in contemporary painting. His paintings can therefore be defined as much by what they are not and what they hold back as what they are.

Wool was born in 1955 in Chicago. He studied at Sarah Lawrence College, Bronxville, New York, and the New York Studio School. Wool’s work has been exhibited extensively around the world in many solo and group exhibitions. Solo shows include the San Francisco Museum of Modern Art (1989); Museum Boymans–van Beuningen, Rotterdam, Netherlands (1991, traveled to Kunsthalle Bern, Switzerland; and Kölnischer Kunstverein, Cologne, Germany); Eli Broad Family Foundation, Los Angeles (1992); Ophiuchus Collection, The Hydra Workshop, Greece (1998); Museum of Contemporary Art, Los Angeles (1998, traveled to Carnegie Museum of Art, Pittsburgh; and Kunsthalle Basel); Centre d’Art Contemporain, Geneva (1999); Le Consortium, Dijon, France (2002, traveled to Dundee Contemporary Arts, Scotland, through 2003); Camden Arts Centre, London (2004); Instituto Valenciano de Arte Moderno, Valencia, Spain (2006); ETH (Swiss Federal Institute of Technology), Zurich (2006); Museu de Serralves, Porto, Portugal (2008, traveled to Museum Ludwig, Cologne, Germany); Musée d’Art Moderne de la Ville de Paris (2012); and Solomon R. Guggenheim Museum, New York (2013, traveled to the Art Institute of Chicago).

Wool lives and works in New York.

Mercedes Matter

Game Changer
Mercedes Matter

Lauren Mahony and Michael Tcheyan pay homage to the founder of the New York Studio School.

Christopher Wool: Part Two

Christopher Wool: Part Two

Gray turns to pink or his twenty-first century, much of it in Texas. Text by Richard Hell.

Christopher Wool: Part One

Christopher Wool: Part One

Christopher Wool and his unlikely heroes or conceptual or not? Text by Richard Hell.

Gagosian Quarterly Winter 2019

Now available
Gagosian Quarterly Winter 2019

The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.

Gagosian Quarterly Fall 2019

Now available
Gagosian Quarterly Fall 2019

The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.

Visions of the Self: Jenny Saville on Rembrandt

Visions of the Self: Jenny Saville on Rembrandt

Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.

Free Arts NYC

The Bigger Picture
Free Arts NYC

Meredith Mendelsohn discusses the impact of Free Arts NYC and its mission to foster creativity in children and teens, on the occasion of its twenty-year anniversary.

Black Book

Book Corner
Black Book

Christopher Wool’s Black Book (1989) was selected by Douglas Flamm, a rare-book specialist at Gagosian, for a special focus. Text by Anna Heyward.

Painting Paintings (David Reed) 1975

Painting Paintings (David Reed) 1975

In this video, Christopher Wool, Katy Siegel, and David Reed discuss Reed’s paintings and memories of the New York arts scene in 1975.

New York, 1975

New York, 1975

Katy Siegel and Christopher Wool discuss David Reed’s paintings and the New York art scene in 1975.

Cover of the book Christopher Wool: Roma Termini

Christopher Wool: Roma Termini

$40
Cover of the book Painting Paintings (David Reed) 1975

Painting Paintings (David Reed) 1975

$40
Cover of the book Albert Oehlen, published in 2012

Albert Oehlen

$60
Cover of the Winter 2019 issue of Gagosian Quarterly magazine, featuring artwork by Christopher Wool

Gagosian Quarterly: Winter 2019 Issue

$20
Cover of the Fall 2019 issue of Gagosian Quarterly magazine, featuring artwork by Nathaniel Mary Quinn

Gagosian Quarterly: Fall 2019 Issue

$20
Cover of the Summer 2017 issue of Gagosian Quarterly magazine, featuring artwork by Urs Fischer

Gagosian Quarterly: Summer 2017 Issue

$20
Cover of the Spring 2017 issue of Gagosian Quarterly magazine, featuring artwork by Rudolf Stingel

Gagosian Quarterly: Spring 2017 Issue

$20
Cover of the book To Bend the Ear of the Outer World

To Bend the Ear of the Outer World: Conversations on contemporary abstract painting

$125

Request more information about
Christopher Wool