Giuseppe Penone
Albero—Il suo essere fino al 49mo anno d'età in un'ora fantastica, 1972
Print from graphite frottage on paper mounted on canvas, 275 ⅝ × 8 ¼ inches (700 × 21 cm)
© Giuseppe Penone
Gagosian is pleased to announce Unique Books, curated by Matthew Zucker, a New York–based art book dealer, collector, and curator.
The exhibition brings together twenty-five rare artist’s books conceived as unique artworks, including Giuseppe Penone’s Albero—Il suo essere fino al 49mo anno d’età in un’ora fantastica (1972), one from a series of thirty scrolls in which he captured the surface of a tree through charcoal frottage; Anna Atkins’s self-published Photographs of British Algae: Cyanotype Impressions (1843), often cited as the first book of photography; and works by Tauba Auerbach, Marc Chagall, Rachel Feinstein, Harmony Korine, Dieter Roth, Ed Ruscha, Josh Smith, and Christopher Wool, among others.
Adam D. Weinberg has been working with Giuseppe Penone on an exhibition of the artist’s new sculptures, The Reflection of Bronze, that opens at Gagosian, New York, on April 22. The works explore the character and possibilities of bronze. Here, Weinberg considers Penone’s enduring engagement with the alloy and addresses the conceptual underpinnings of the exhibition’s three-room structure.
Jonathan Griffin traveled to Marfa to see the second iteration of Christopher Wool’s See Stop Run exhibition and to talk with the artist about his latest work, and about the photography series and sculptures that grew from his time in the Texas town.
Bartolomeo Sala considers the brief yet revolutionary dreams of Arte Povera. On the occasion of a retrospective at the Bourse de Commerce, Paris, he explores the historical conditions that gave rise to the radical midcentury movement and the warnings we might glean today from its legacy.
The Bass Museum of Art, Miami Beach, is presenting Rachel Feinstein: The Miami Years (through August 17, 2025), an expansive exhibition of the artist’s multidisciplinary approach to sculpture. Ahead of the opening, Feinstein met with longtime friend and fellow artist Jack Pierson to reminisce about their years spent in Miami.
The Fall 2022 issue of Gagosian Quarterly is now available, featuring Jordan Wolfson’s House with Face (2017) on its cover.
Le Couvent Sainte-Marie de La Tourette, in Éveux, France, is both an active Dominican priory and the last building designed by Le Corbusier. As a result, the priory, completed in 1961, is a center both religious and architectural, a site of spiritual significance and a magnetic draw for artists, writers, architects, and others. This fall, at the invitation of Frère Marc Chauveau, Giuseppe Penone will be exhibiting a selection of existing sculptures at La Tourette alongside new work directly inspired by the context and materials of the building. Here, Penone and Frère Chauveau discuss the power and peculiarities of the space, as well as the artwork that will be exhibited there.
Gillian Pistell writes on the loaded symbol of the American flag in the work of postwar and contemporary artists.
The artists chat about Korine’s luminous new paintings based on teddy bears, touching upon the color yellow, the fresh smell of gas, and the relationship among presidents, golf, and little stuffed animals.
Join Rachel Feinstein in her New York studio as she addresses the genesis of her exhibition Mirror in London and the enduring power of religious iconography.
Famed photographer of the famous, Jean Pigozzi speaks with artist Rachel Feinstein about the publication of his new book, The 213 Most Important Men in My Life, and provides a sneak peek at what’s coming up next.
Derek Blasberg speaks with Lazaro Hernandez and Jack McCollough, the designers behind the New York fashion brand Proenza Schouler, about their influences and collaborations, from Mark Rothko to Harmony Korine.
The Summer 2021 issue of Gagosian Quarterly is now available, featuring Carrie Mae Weems’s The Louvre (2006) on its cover.
On the occasion of Frieze New York 2021, the two artists discuss remixing conventions, the allure of Rococo, and the importance of research and history within their respective practices.
Jacoba Urist profiles the legendary collector.
As spring approaches in the Northern Hemisphere, Sydney Stutterheim reflects on the iconography and symbolism of the season in art both past and present.
Against the backdrop of the 2020 US presidential election, historian Hal Wert takes us through the artistic and political evolution of American campaign posters, from their origin in 1844 to the present. In an interview with Quarterly editor Gillian Jakab, Wert highlights an array of landmark posters and the artists who made them.
Lauren Mahony and Michael Tcheyan pay homage to the founder of the New York Studio School.
Lisa Turvey examines the range of effects conveyed by the blurred phrases in recent drawings by the artist, detailing the ways these words in motion evoke the experience of the current moment.
Gwen Allen recounts her discovery of cutting-edge artists’ magazines from the 1960s and 1970s and explores the roots and implications of these singular publications.
Elizabeth Mangini writes on Giuseppe Penone’s installation of two sculptures at San Francisco’s Fort Mason.
