In pursuit of formal rigor and the physical roots of painting, Olivier Mosset’s art is direct and self-evident, suppressing figuration, subjectivity, symbol, and metaphor in a practice that at once contains and rejects the dialectical history of painting. A member of the minimalist collective BMPT that also included Daniel Buren, Michel Parmentier, and Niele Toroni, Mosset’s exploration is dedicated to interrogating fixed ideas about creative authorship. BMPT reflected critically on the spectacular, self-conscious nature of the new avant-garde in France. They suppressed subjectivity and expressiveness in favor of practical systems, such as the utilization of neutral, repetitive patterns and an apparent eschewal of aesthetic historical grounding. The 200 or more identical oil paintings that Mosset produced between 1966 and 1974, of a small black circle at the center of a square white canvas, are seen as the acme of BMPT’s experimental approaches to painting, which sought to challenge established methods of art-making and theorize a new social and political function for art and artists. Associated with conceptual abstraction, Mosset’s works represent pure color and shape, inciting open-ended physical experiences of surface, scale, and pattern.
Olivier Mosset was born in 1944 in Bern, Switzerland. Mosset’s work has been featured in several solo and group exhibitions. Recent solo museum exhibitions include Musée de Beaux-Arts La Chaux-de-Fonds, Switzerland (1985); Centre d’Art Contemporain, France (1985); “Olivier Mosset 65–85,” Musée Sainte-Croix, France (1985); Centre d’Art Contemporain, Geneva (1986); Musée Saint Pierre Art Contemporain, Lyon (1987); “Arbeiten/travaux/works 1966–2003,” Musée Cantonal des Beaux-Arts de Lausanne, Switzerland (2003); “Windows,” Palais de Tokyo, Paris (2006); Museo d’Arte di Mendrisio, Switzerland (2009); “A step backwards,” Musée d'art contemporain de Lyon, France (2010); “Leaving the Museum,” Kunsthalle Zürich, Switzerland (2012); “Sous apparence,” Opéra national de Paris, Palais Garnier, Paris (2012); “Fakes, fêlures and walls,” Musée Régional d'Art Contemporain Languedoc-Roussilon à Sérignan, France (2013).
Mosset currently lives and works in New York and Tuscon, Arizona.
Extended through June 26, 2020
January 29–June 26, 2020
Blanc sur Blanc
January 16–March 7, 2020
May 9–31, 2017
Duane Hanson | Olivier Mosset
September 29–November 12, 2016
Armleder, Barré, Buren, Hantaï, Mosset, Parmentier, Toroni
March 21–May 25, 2013
January 30–February 2, 2020, booth B25
Gagosian is pleased to participate in artgenève 2020, with modern and contemporary works by Davide Balula, Georg Baselitz, Helen Frankenthaler, Simon Hantaï, Damien Hirst, Grant Levy-Lucero, Henri Matisse, Olivier Mosset, Giuseppe Penone, Pablo Picasso, David Reed, Sterling Ruby, Spencer Sweeney, and Tom Wesselmann, among others.
Helen Frankenthaler, Omen, 1980 © 2020 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York
January 31–February 3, 2019, booth B19
Gagosian is pleased to participate in artgenève 2019, with modern and contemporary artworks by Georg Baselitz, Chris Burden, Urs Fischer, Romuald Hazoumè, Damien Hirst, Sally Mann, Olivier Mosset, Steven Parrino, Giuseppe Penone, Richard Serra, Rudolf Stingel, Spencer Sweeney, Mark Tansey, Tatiana Trouvé, Tom Wesselmann, Franz West, and others.
To receive a PDF with detailed information on the works, please contact the gallery at email@example.com. To attend the fair, purchase tickets at artgeneve.ch. To preview our booth, go to artsy.net.
Damien Hirst, Truffle, 2016 © Damien Hirst and Science Ltd. All rights reserved, DACS 2018
February 1–4, 2018, booth B19
Gagosian is pleased to participate in artgenève 2018, presenting a selection of works by Richard Artschwager, Georg Baselitz, John Currin, Dadamaino, Edmund de Waal, Keith Haring, Damien Hirst, Peter Lindbergh, Vera Lutter, Man Ray, Sally Mann, Brice Marden, Olivier Mosset, Albert Oehlen, Steven Parrino, Giuseppe Penone, Sigmar Polke, Ed Ruscha, Blair Thurman, Tatiana Trouvé, Tom Wesselmann, Franz West, Rachel Whiteread, and others.
Giuseppe Penone, Pelle di foglie—5 foglie a terra, 2011 © Giuseppe Penone
Through December 6, 2020
Musée d’art moderne et contemporain, Geneva
Olivier Mosset’s retrospective reviews his career over almost sixty years, from the early experiments of the 1960s to his monumental recent works, via the painter’s reflections on artistic appropriation, monochrome painting, and shaped canvases. In addition to his own work, several rooms are devoted to movements and artists with whom Mosset was or remains closely associated, allowing the viewer to consider his work in a variety of different contexts.
Olivier Mosset, ABC, 1997 © Olivier Mosset