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Spring Installation

May 9–31, 2017
rue de Ponthieu, Paris

Installation view Artwork, left to right: © Richard Serra/Artists Rights Society (ARS), New York, © 2018 Fairweather & Fairweather LTD/Artists Rights Society (ARS), New York. Photo: Zarko Vijatovic

Installation view

Artwork, left to right: © Richard Serra/Artists Rights Society (ARS), New York, © 2018 Fairweather & Fairweather LTD/Artists Rights Society (ARS), New York. Photo: Zarko Vijatovic

Installation view Artwork, left to right: © Richard Serra/Artists Rights Society (ARS), New York, © 2018 Fairweather & Fairweather LTD/Artists Rights Society (ARS), New York, © Edmund de Waal. Photo: Zarko Vijatovic

Installation view

Artwork, left to right: © Richard Serra/Artists Rights Society (ARS), New York, © 2018 Fairweather & Fairweather LTD/Artists Rights Society (ARS), New York, © Edmund de Waal. Photo: Zarko Vijatovic

Installation view Artwork, left to right: © Edmund de Waal, © Sterling Ruby. Photo: Zarko Vijatovic

Installation view

Artwork, left to right: © Edmund de Waal, © Sterling Ruby. Photo: Zarko Vijatovic

Installation view Artwork, left to right: © Judd Foundation/Artists Rights Society (ARS), New York, © Tatiana Trouvé. Photo: Zarko Vijatovic

Installation view

Artwork, left to right: © Judd Foundation/Artists Rights Society (ARS), New York, © Tatiana Trouvé. Photo: Zarko Vijatovic

Installation view Artwork, left to right: © Judd Foundation/Artists Rights Society (ARS), New York, © Taryn Simon. Photo: Zarko Vijatovic

Installation view

Artwork, left to right: © Judd Foundation/Artists Rights Society (ARS), New York, © Taryn Simon. Photo: Zarko Vijatovic

Installation view Artwork, left to right: © Olivier Mosset, © Sterling Ruby, © Steven Parrino. Photo: Zarko Vijatovic

Installation view

Artwork, left to right: © Olivier Mosset, © Sterling Ruby, © Steven Parrino. Photo: Zarko Vijatovic

Installation view Artwork, left to right: © Steven Parrino, © Tatiana Trouvé. Photo: Zarko Vijatovic

Installation view

Artwork, left to right: © Steven Parrino, © Tatiana Trouvé. Photo: Zarko Vijatovic

Edmund de Waal, stone for two hands and water, 2021, Hornton stone, bamboo, and water, 27 ⅜ × 56 ¾ × 23 ⅝ inches (69.5 × 144 × 60 cm), installation view, Henry Moore Studios & Gardens, Perry Green, England

The Thinking Hand

Edmund de Waal speaks with Richard Calvocoressi about touch in relation to art and our understanding of the world, and discusses the new stone sculptures he created for the exhibition This Living Hand: Edmund de Waal Presents Henry Moore, at the Henry Moore Studios & Gardens. Their conversation took place at the Fitzwilliam Museum, University of Cambridge, in the context of the exhibition The Human Touch.

Tatiana Trouvé, The Residents, installation view, sculpture with jacket on water, Orford Ness, Suffolk, England

Tatiana Trouvé: The Residents

Tatiana Trouvé discusses her installation The Residents (2021), commissioned by Artangel for the exhibition Afterness on Orford Ness, a former military testing site in Suffolk, England

Tatiana Trouvé in her Paris studio.

Behind the Art
Tatiana Trouvé: In the Studio

Join the artist in her studio as she speaks about her new series of drawings, From March to May. Trouvé describes the genesis of the project and the essential role its creation played in keeping her connected with the outside world during the difficult months of pandemic-related lockdown.

Installation view of Urs Fischer’s Untitled (2011) in the exhibition Ouverture, Bourse de Commerce – Pinault Collection, Paris, 2021. Artwork © Urs Fischer, courtesy Galerie Eva Presenhuber, Zurich; Bourse de Commerce – Pinault Collection © Tadao Ando Architect & Associates, Niney et Marca Architectes, Agence Pierre-Antoine Gatier. Photo: Stefan Altenburger

Bourse de Commerce

William Middleton traces the development of the new institution, examining the collaboration between the collector François Pinault and the architect Tadao Ando in revitalizing the historic space. Middleton also speaks with artists Tatiana Trouvé and Albert Oehlen about Pinault’s passion as a collector, and with the Bouroullec brothers, who created design features for the interiors and exteriors of the museum.

Walter De Maria, The Lightning Field, 1977, long-term installation, western New Mexico. Artwork © Estate of Walter De Maria. Photo: John Cliett, courtesy Dia Art Foundation, New York, and © Estate of Walter De Maria

Light and Lightning: Wonder-Reactions at Walter De Maria’s The Lightning Field

In this second installment of a two-part essay, John Elderfield resumes his investigation of Walter De Maria’s The Lightning Field (1977), focusing this time on how the hope to see lightning there has led to the work’s association with the Romantic conception of the sublime.

Tatiana Trouvé, April 4th, The New York Times; April 11th, South China Morning Post, China from the series From March to May, 2020, inkjet print and pencil on paper, 16 ⅝  × 23 ¼ inches (42.1 × 59 cm)

Tatiana Trouvé: From March to May

A portfolio of the artist’s drawings made during lockdown. Text by Jesi Khadivi.