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Spring Installation

May 9–31, 2017
rue de Ponthieu, Paris

Installation view Artwork, left to right: © Richard Serra/Artists Rights Society (ARS), New York, © 2018 Fairweather & Fairweather LTD/Artists Rights Society (ARS), New York. Photo: Zarko Vijatovic

Installation view

Artwork, left to right: © Richard Serra/Artists Rights Society (ARS), New York, © 2018 Fairweather & Fairweather LTD/Artists Rights Society (ARS), New York. Photo: Zarko Vijatovic

Installation view Artwork, left to right: © Richard Serra/Artists Rights Society (ARS), New York, © 2018 Fairweather & Fairweather LTD/Artists Rights Society (ARS), New York, © Edmund de Waal. Photo: Zarko Vijatovic

Installation view

Artwork, left to right: © Richard Serra/Artists Rights Society (ARS), New York, © 2018 Fairweather & Fairweather LTD/Artists Rights Society (ARS), New York, © Edmund de Waal. Photo: Zarko Vijatovic

Installation view Artwork, left to right: © Edmund de Waal, © Sterling Ruby. Photo: Zarko Vijatovic

Installation view

Artwork, left to right: © Edmund de Waal, © Sterling Ruby. Photo: Zarko Vijatovic

Installation view Artwork, left to right: © Judd Foundation/Artists Rights Society (ARS), New York, © Tatiana Trouvé. Photo: Zarko Vijatovic

Installation view

Artwork, left to right: © Judd Foundation/Artists Rights Society (ARS), New York, © Tatiana Trouvé. Photo: Zarko Vijatovic

Installation view Artwork, left to right: © Judd Foundation/Artists Rights Society (ARS), New York, © Taryn Simon. Photo: Zarko Vijatovic

Installation view

Artwork, left to right: © Judd Foundation/Artists Rights Society (ARS), New York, © Taryn Simon. Photo: Zarko Vijatovic

Installation view Artwork, left to right: © Olivier Mosset, © Sterling Ruby, © Steven Parrino. Photo: Zarko Vijatovic

Installation view

Artwork, left to right: © Olivier Mosset, © Sterling Ruby, © Steven Parrino. Photo: Zarko Vijatovic

Installation view Artwork, left to right: © Steven Parrino, © Tatiana Trouvé. Photo: Zarko Vijatovic

Installation view

Artwork, left to right: © Steven Parrino, © Tatiana Trouvé. Photo: Zarko Vijatovic

Anna Weyant’s Two Eileens (2022) on the cover of Gagosian Quarterly, Winter 2022

Now available
Gagosian Quarterly Winter 2022

The Winter 2022 issue of Gagosian Quarterly is now available, featuring Anna Weyant’s Two Eileens (2022) on its cover.

Sterling Ruby studio

Sterling Ruby: TURBINES

Join Sterling Ruby in his Los Angeles studio as he works on new abstract paintings ahead of his exhibition TURBINES at Gagosian in New York.

Black and white image of Walter De Maria, 1961. Photo: George Maciunas

Walter De Maria: The Object, the Action, the Aesthetic Feeling

The definitive monograph on the work of Walter De Maria was published earlier this fall. To celebrate this momentous occasion, Elizabeth Childress and Michael Childress of the Walter De Maria Archive talk to Gagosian senior director Kara Vander Weg about the origins of the publication and the revelations brought to light in its creation.

Richard Serra: Johann Sebastian Bach, performed by Alina Ibragimova

Richard Serra: Johann Sebastian Bach, performed by Alina Ibragimova

Violinist Alina Ibragimova performs Bach’s Sonata for Solo Violin No. 1 in G Major: Adagio (BWV 1001, c. 1720) from within Richard Serra’s sculpture Transmitter (2020) at Gagosian, Le Bourget. Organized by Bold Tendencies, a nonprofit organization that commissions artists to produce site-specific projects and present performances, in collaboration with Gagosian, this recorded performance took place on May 8, 2022 before a live concert of Olivier Messiaen’s Quatuor pour la fin du temps (Quartet for the End of Time, 1941).

Richard Serra: Johann Sebastian Bach, performed by Mario Brunello

Richard Serra: Johann Sebastian Bach, performed by Mario Brunello

Cellist Mario Brunello performs Bach’s Cello Suite No. 1 in G Major: Prelude (BWV 1007, c. 1717–23) within Richard Serra’s sculpture Transmitter (2020) at Gagosian, Le Bourget. Organized by Bold Tendencies—a nonprofit that commissions artists to produce site-specific projects and present performances—in collaboration with Gagosian, this recorded performance took place on May 8, 2022, before a live concert of Olivier Messiaen’s Quatuor pour la fin du temps (Quartet for the End of Time, 1941).

Jordan Wolfson’s House with Face (2017) on the cover of Gagosian Quarterly, Fall 2022

Now available
Gagosian Quarterly Fall 2022

The Fall 2022 issue of Gagosian Quarterly is now available, featuring Jordan Wolfson’s House with Face (2017) on its cover.