Works Exhibited

About

Richard Hamilton was born in 1922 in London. He died in 2011.

Studied at the Royal Academy Schools and Slade School of Fine Art. Taught at King’s College, University of Durham, from 1953 to 1966. In the 1950s Hamilton devised the exhibitions Growth and Form and Man, Machine & Motion for the Institute of Contemporary Arts in London. He collaborated on This Is Tomorrow, for which he produced his seminal image Just what is it that makes today’s homes so different, so appealing? (1956). Throughout his career Hamilton has exhibited internationally. Major retrospective exhibitions have been organized by the Tate Gallery, London, 1970 and 1992; Solomon R. Guggenheim Museum, New York, 1973; Museu d’Art Contemporani de Barcelona and Museum Ludwig, Cologne, 2003.

A few of the many solo shows to have been held since his first exhibition of paintings at the Hanover Gallery, London, 1955, are: Nationalgalerie, Berlin, 1974; Stedelijk Museum, Amsterdam, 1976; Kunsthalle Bielefeld, 1978; Fruitmarket Gallery, Edinburgh, 1988; Moderna Museet, Stockholm, 1989; Kunstmuseum Winterthur, 1990 and 2002; San Francisco Museum of Modern Art, 1996; and the British Museum, London, 2002.

Some of the group exhibitions Hamilton has participated in include: Documenta 4, Kassel, 1968; São Paulo Bienal, 1989; Documenta X, Kassel 1997; and Shanghai Biennale, 2006.

Hamilton has been awarded the William and Noma Copley Foundation Award, 1960; the John Moores Contemporary Painting Prize, 1960; the Talens Prize International, 1970; the Leone d’Oro for his exhibition in the British Pavilion at the Venice Biennale, 1993; the Arnold Bode Prize at Documenta X, Kassel, 1997; and the Max Beckmann Prize for painting, 2006. He was made Companion of Honour in 1999.

Hamilton’s A Host of Angels was exhibited in the Palazzetto Tito, as a contribution of Fondazione Bevilacqua La Masa to the Venice Biennale, 2007.

An extended version Pixelated Angels in Virtual Spaces opened at the Kunsthalle Bielefeld in May 2008.

In 2010, the Serpentine Gallery presented Hamilton’s Modern Moral Matters, an exhibition focusing on his political and protest works which were shown previously in 2008 at Inverleith House, Royal Botanic Garden in Edinburgh.

A retrospective by Hamilton and Rita Donagh Civil Rights etc was on view at the Dublin City Gallery, the Hugh Lane in 2012. The exhibition included works from the 1960s to this decade that primarily relate to Ireland, but also to seminal moments of social change in recent history.

A major Richard Hamilton retrospective exhibition opened in the winter of 2014 at Tate Modern, London, and traveled to the Museo Nacional Centro de Arte Reina Sofía, Madrid.

#RichardHamilton

The Art of the Olympics: An Interview with Yasmin Meichtry

The Art of the Olympics: An Interview with Yasmin Meichtry

The Olympic and Paralympic Games arrive in Paris on July 26. Ahead of this momentous occasion, Yasmin Meichtry, associate director at the Olympic Foundation for Culture and Heritage, Lausanne, Switzerland, meets with Gagosian senior director Serena Cattaneo Adorno to discuss the Olympic Games’ long engagement with artists and culture, including the Olympic Museum, commissions, and the collaborative two-part exhibition, The Art of the Olympics, being staged this summer at Gagosian, Paris.

Gagosian Quarterly Summer 2024

Now available
Gagosian Quarterly Summer 2024

The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.

Brooke Holmes, Katarina Jerinic, and Lissa McClure on Francesca Woodman

In Conversation
Brooke Holmes, Katarina Jerinic, and Lissa McClure on Francesca Woodman

Join Brooke Holmes, professor of Classics at Princeton University, and Lissa McClure and Katarina Jerinic, executive director and collections curator, respectively, at the Woodman Family Foundation, as they discuss Francesca Woodman’s preoccupation with classical themes and archetypes, her exploration of the body as sculpture, and her engagement with allegory and metaphor in photography.

David Cronenberg: The Shrouds

David Cronenberg: The Shrouds

David Cronenberg’s film The Shrouds made its debut at the 77th edition of the Cannes Film Festival in France. Film writer Miriam Bale reports on the motifs and questions that make up this latest addition to the auteur’s singular body of work.

Christo: Wrapped 1961 Volkswagen Beetle Saloon (1963–2014)

Christo: Wrapped 1961 Volkswagen Beetle Saloon (1963–2014)

Join Vladimir Yavachev, director of operations for the Christo and Jeanne-Claude Foundation, as he discusses the genesis of the artist’s work Wrapped 1961 Volkswagen Beetle Saloon (1963–2014), which Gagosian presented at Art Basel Unlimited 2024.

Oscar Murillo and Alessandro Rabottini

In Conversation
Oscar Murillo and Alessandro Rabottini

In conjunction with Marks and Whispers, at Gagosian, Rome, Oscar Murillo and Alessandro Rabottini sit down to discuss the artist’s paintings and works on paper in the exhibition, as well as how the show emphasizes the formal, political, and social dimensions of the color red in Murillo’s work of the last decade.

BRONX BODEGA Basel

BRONX BODEGA Basel

On the occasion of Art Basel 2024, creative agency Villa Nomad joins forces with Ghetto Gastro, the Bronx-born culinary collective by Jon Gray, Pierre Serrao, and Lester Walker, to stage the interdisciplinary pop-up BRONX BODEGA Basel. The initiative brings together food, art, design, and a series of live events at the Novartis Campus, Basel, during the course of the fair. Here, Jon Gray from Ghetto Gastro and Sarah Quan from Villa Nomad tell the Quarterly’s Wyatt Allgeier about the project.

Donald Judd: Untitled: 1970

Donald Judd: Untitled: 1970

In this video, Flavin Judd, the artist’s son and artistic director of Judd Foundation, discusses a historic large-scale work by his father from 1970, ahead of its presentation at Art Basel Unlimited 2024.

A-POC ABLE ISSEY MIYAKE: An interview with Yoshiyuki Miyamae

A-POC ABLE ISSEY MIYAKE: An interview with Yoshiyuki Miyamae

Founded in 1998 by Issey Miyake, A-POC (“A Piece of Cloth”) set out to bring the development and production of fabric and garments into the future. Over the subsequent decades, A-POC has worked at the forefront of technology to realize its goals, and under the leadership of Yoshiyuki Miyamae—who has been with Miyake Design Studio since 2001—A-POC ABLE has engaged in a dynamic series of collaborations with artists, architects, craftspeople, and new technologies to rethink how clothing is designed and made. On the occasion of the line being made available in the United States for the first time, the Quarterly’s Wyatt Allgeier visited the brand’s flagship in New York to speak with Yoshiyuki about the A-POC process, as well as the latest collaboration with the artist Sohei Nishino.

Jordan Wolfson and Johanna Burton

In Conversation
Jordan Wolfson and Johanna Burton

In this video, Gagosian presents a conversation between Jordan Wolfson and Johanna Burton, Maurice Marciano Director of the Museum of Contemporary Art, Los Angeles. The pair discuss Wolfson’s animatronic work of art Body Sculpture (2023).

Jane Fonda: On Art for a Safe and Healthy California

Jane Fonda: On Art for a Safe and Healthy California

Art for a Safe and Healthy California is a benefit exhibition and auction jointly presented by Jane Fonda, Gagosian, and Christie’s to support the Campaign for a Safe and Healthy California. Here, Fonda speaks with Gagosian Quarterly’s Gillian Jakab about bridging culture and activism, the stakes and goals of the campaign, and the artworks featured in the exhibition.

Laguna~B

Laguna~B

An interview with Marcantonio Brandolini d’Adda, artist, designer, and CEO and art director of the Venice-based glassware company Laguna~B.