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Takashi Murakami

Takashi Murakami, DOB’s March, 1995 Acrylic on canvas mounted on board, 27 ⅝ × 39 ⅜ inches (70.1 × 100 cm)© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, DOB’s March, 1995

Acrylic on canvas mounted on board, 27 ⅝ × 39 ⅜ inches (70.1 × 100 cm)
© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, 727, 1996 Acrylic on canvas mounted on board, 9 feet 10 inches × 14 feet 9 inches (3 × 4.5 m), Museum of Modern Art, New York© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, 727, 1996

Acrylic on canvas mounted on board, 9 feet 10 inches × 14 feet 9 inches (3 × 4.5 m), Museum of Modern Art, New York
© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, DOB in the Strange Forest, 1999 FRP, resin, fiberglass, acrylic, and iron, 60 × 144 inches (152.4 × 365.8 cm)© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, DOB in the Strange Forest, 1999

FRP, resin, fiberglass, acrylic, and iron, 60 × 144 inches (152.4 × 365.8 cm)
© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, When robbed of four limbs, against all odds, the heart is set free., 2007 Acrylic on canvas mounted on board with silver leaf, 71 × 84 inches (180.3 × 213.4 cm)© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, When robbed of four limbs, against all odds, the heart is set free., 2007

Acrylic on canvas mounted on board with silver leaf, 71 × 84 inches (180.3 × 213.4 cm)
© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, Flower Ball (3-D), Kindergarten, 2007 Acrylic and silver gold leaf on canvas mounted on board, 39 ½ × 39 ½ inches (100.3 × 100.3 cm)© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, Flower Ball (3-D), Kindergarten, 2007

Acrylic and silver gold leaf on canvas mounted on board, 39 ½ × 39 ½ inches (100.3 × 100.3 cm)
© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, TIME – lime green – BOKAN, 2009 Acrylic on canvas mounted on aluminum frame, 71 × 71 inches (180.3 × 180.3 cm)© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, TIME – lime green – BOKAN, 2009

Acrylic on canvas mounted on aluminum frame, 71 × 71 inches (180.3 × 180.3 cm)
© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, Lots, Lots of Kaikai and Kiki, 2009 Acrylic and platinum leaf on canvas mounted on aluminum frame, in 5 parts, overall: 118 × 239 ½ inches (299.7 × 608.3 cm)© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, Lots, Lots of Kaikai and Kiki, 2009

Acrylic and platinum leaf on canvas mounted on aluminum frame, in 5 parts, overall: 118 × 239 ½ inches (299.7 × 608.3 cm)
© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, Dragon In Clouds - Indigo Blue, 2010 Acrylic on canvas mounted on board, 143 × 708 ⅝ inches (363.2 × 1800 cm)© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, Dragon In Clouds - Indigo Blue, 2010

Acrylic on canvas mounted on board, 143 × 708 ⅝ inches (363.2 × 1800 cm)
© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, Who’s Afraid of Red, Yellow, Blue and Death, 2010 Acrylic on canvas on aluminum frame, 118 × 92 ½ inches (299.7 × 235 cm)© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, Who’s Afraid of Red, Yellow, Blue and Death, 2010

Acrylic on canvas on aluminum frame, 118 × 92 ½ inches (299.7 × 235 cm)
© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, Big Box PKo2 (Sculpture based on papercraft illustration by Sanpati, design by NC Empire, full scale sculpture by Lucky-Wide Co., Ltd.), 2011 Carbon fiber and acrylic, height: 84 ⅝ inches (215 cm)© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, Big Box PKo2 (Sculpture based on papercraft illustration by Sanpati, design by NC Empire, full scale sculpture by Lucky-Wide Co., Ltd.), 2011

Carbon fiber and acrylic, height: 84 ⅝ inches (215 cm)
© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, Blue Flowers & Skulls, 2012 Acrylic on canvas mounted panel, 78 ¾ × 60 ¼ inches (200 × 153 cm)© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, Blue Flowers & Skulls, 2012

Acrylic on canvas mounted panel, 78 ¾ × 60 ¼ inches (200 × 153 cm)
© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, Self-Portrait of the Manifold Worries of a Manifoldly Distressed Artist, 2012 Acrylic on canvas mounted on board, 59 × 59 inches (150 × 150 cm)© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, Self-Portrait of the Manifold Worries of a Manifoldly Distressed Artist, 2012

Acrylic on canvas mounted on board, 59 × 59 inches (150 × 150 cm)
© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, And Then x 6 (Gold & White: The Superflat Method), 2012 Acrylic and gold leaf on canvas mounted on board, 39 ⅜ × 39 ⅜ inches (100 × 100 cm)© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, And Then x 6 (Gold & White: The Superflat Method), 2012

Acrylic and gold leaf on canvas mounted on board, 39 ⅜ × 39 ⅜ inches (100 × 100 cm)
© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, Tan Tan Bo - In Communication, 2014 Acrylic on canvas, 141 ¾ × 141 ¾ inches (360 × 360 cm)© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, Tan Tan Bo - In Communication, 2014

Acrylic on canvas, 141 ¾ × 141 ¾ inches (360 × 360 cm)
© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, Invoking the Vitality of a Universe Beyond Imagination, 2014 Mixed media, 32 ⅜ × 78 ¾ × 37 inches (82 × 200 × 94 cm)© 2014 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, Invoking the Vitality of a Universe Beyond Imagination, 2014

Mixed media, 32 ⅜ × 78 ¾ × 37 inches (82 × 200 × 94 cm)
© 2014 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, Korin: Dark Matter, 2015 Acrylic, gold leaf, and platinum leaf on canvas mounted on aluminum frame, 63 × 59 ½ inches (160 × 151.1 cm)© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, Korin: Dark Matter, 2015

Acrylic, gold leaf, and platinum leaf on canvas mounted on aluminum frame, 63 × 59 ½ inches (160 × 151.1 cm)
© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, To be titled, 2016 Acrylic and gold leaf on canvas, 15 ¾ × 15 ¾ inches (40 × 40 cm)© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, To be titled, 2016

Acrylic and gold leaf on canvas, 15 ¾ × 15 ¾ inches (40 × 40 cm)
© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, Homage to Francis Bacon (Study of Isabel Rawsthorne), 2017 Acrylic and platinum leaf on canvas mounted on aluminum frame, 47 ¼ × 47 ¼ inches (120 × 120 cm)© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, Homage to Francis Bacon (Study of Isabel Rawsthorne), 2017

Acrylic and platinum leaf on canvas mounted on aluminum frame, 47 ¼ × 47 ¼ inches (120 × 120 cm)
© Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami and Virgil Abloh, Our Spot 1, 2018 Acrylic on canvas mounted on aluminum frame, 39 ⅜ × 39 ⅜ × 2 inches (100 × 100 × 5 cm)©︎ Virgil Abloh and ©︎ Takashi Murakami

Takashi Murakami and Virgil Abloh, Our Spot 1, 2018

Acrylic on canvas mounted on aluminum frame, 39 ⅜ × 39 ⅜ × 2 inches (100 × 100 × 5 cm)
©︎ Virgil Abloh and ©︎ Takashi Murakami

About

We want to see the newest things. That is because we want to see the future, even if only momentarily. It is the moment in which, even if we don’t completely understand what we have glimpsed, we are nonetheless touched by it. This is what we have come to call art.
—Takashi Murakami

Drawing from traditional Japanese painting, sci-fi, anime, and the global art market, Takashi Murakami creates paintings, sculptures, and films populated by repeated motifs and mutating characters of his own creation. His wide-ranging work embodies an intersection of pop culture, history, and fine art.

Murakami earned a BA, MFA, and PhD from Tokyo University of the Arts, where he studied nihonga (traditional Japanese painting). In 1996 he established the Hiropon Factory, a studio/workshop that in subsequent years grew into an art production and artist management company, now known as Kaikai Kiki Co. Ltd.

Since the early 1990s Murakami has invented characters that combine aspects of popular cartoons from Japan, Europe, and the US—from his first Mr. DOB, who sometimes serves as a stand-in for the artist himself, to various anime characters and smiling flowers, bears, and lions. These figures act as icons and symbols—hosts for more complex themes of violence, technology, and fantasy.

In 2000 Murakami curated Superflat, an exhibition featuring works by artists whose techniques and mediums synthesize various aspects of Japanese visual culture, from ukiyo-e (woodblock prints of the Edo period) to anime and kawaii (a particular cuteness in cartoons, handwriting, products, and more). With this exhibition, Murakami advanced his Superflat theory of art, which highlights the “flatness” of Japanese visual culture from traditional painting to contemporary subcultures in the context of World War II and its aftermath.

Murakami’s work extends to mass-produced items such as toys, key chains, and t-shirts. In 2002 he began a multiyear collaboration with Marc Jacobs on the redesign of the Louis Vuitton monogram. Murakami then took the radical step of directly incorporating the Vuitton monograms and patterns into his paintings and sculptures. While Murakami’s imagery may appear to present unprecedented characters and forms, many contain explicit art historical references, and some are even direct contemporary updates on traditional Japanese works.

In 2009 Murakami and the esteemed art historian Nobuo Tsuji began a creative dialogue centered on a group of Japanese artists known as the Edo eccentrics. This collaboration led to an exhibition at the Museum of Fine Arts in Boston in 2017, for which Murakami and Tsuji selected Japanese works from the museum’s collection and showed them alongside works by Murakami. The latter included Dragon in Clouds—Red Mutation: The version I painted myself in annoyance after Professor Nobuo Tsuji told me, “Why don’t you paint something yourself for once?” (2010), a red monochrome version of the famous eighteenth-century painting Dragon and Clouds by Soga Shōhaku.

Following the Tōhoku earthquake of 2011 and the subsequent nuclear crisis at Fukushima, Murakami began deeply exploring the impact of historical natural disasters on Japanese art and culture. In his 2014 Gagosian exhibition at West 24th Street in New York, In the Land of the Dead, Stepping on the Tail of a Rainbow, he created an immersive installation of eclectic arhats; deliquescing clones of his fictional creature Mr. DOB; and karajishi, the mythic lions that guard Japanese Buddhist temples, that visitors entered through a replica of a sanmon (sacred gate).

Not only does Murakami merge different time periods, styles, and subject matter in his work, but his approach to art crosses the boundaries between gallery, studio, art fair, and media as well. Along with creating paintings and sculptures, he has hosted art fairs for emerging artists, curated exhibitions, and made films featuring his many characters and motifs. Combining fantasy, science, and history, he shows that none of these categories can be considered in isolation.

Fairs, Events & Announcements

Tom Wesselmann, Sunset Nude with Wesselmann Still Life, 2004 © The Estate of Tom Wesselmann/Licensed by ARS/VAGA, New York

Art Fair

Art Basel Miami Beach 2019

December 5–8, 2019, booth D7
Miami Beach Convention Center
www.artbasel.com

Gagosian is pleased to participate in Art Basel Miami Beach 2019 with modern and contemporary artworks by Richard Avedon, Georg Baselitz, Jean-Michel Basquiat, Joe Bradley, Cecily Brown, John Chamberlain, John Currin, Edmund de Waal, Rachel Feinstein, Urs Fischer, Helen Frankenthaler, Ellen Gallagher, Theaster Gates, Katharina Grosse, Mark Grotjahn, Jennifer Guidi, Simon Hantaï, Damien Hirst, Alex Israel and Bret Easton Ellis, Ellsworth Kelly, Jeff Koons, Roy Lichtenstein, Man Ray, Peter MarinoAdam McEwenJoan MitchellTakashi MurakamiAlbert OehlenSteven ParrinoPablo Picasso, Rudolf Polanszky, Richard PrinceSterling RubyEd RuschaRichard SerraRudolf StingelCy TwomblyAndy WarholMary WeatherfordTom WesselmannJonas WoodChristopher Wool, and Zao Wou-Ki, among others.

To receive a PDF with detailed information on the works, please contact the gallery at inquire@gagosian.com. To attend the fair, purchase tickets at www.artbasel.com.

Download the full press release (PDF)

Tom Wesselmann, Sunset Nude with Wesselmann Still Life, 2004 © The Estate of Tom Wesselmann/Licensed by ARS/VAGA, New York

Richard Prince, Untitled, 2018 © Richard Prince

Auction

Museum of Contemporary Art Chicago
2019 Benefit Art Auction

Live auction: Saturday, November 16, 2019, 8:30pm
Silent auction: November 1–16, 2019
Preview: November 12–16, 2019
Museum of Contemporary Art Chicago
mcachicago.org

The Museum of Contemporary Art Chicago presents its annual Benefit Art Auction on Saturday, November 16, with a cocktail reception and viewing of the available works, followed by a seated dinner and live auction. Works by leading artists, including Virgil AblohTheaster GatesTakashi MurakamiRichard PrinceSarah Sze, and Christopher Wool, have been donated. All proceeds support MCA programs and exhibitions. For information on works in the live or silent auctions, visit artsy.netTo attend the event, purchase tickets at mcachicago.org.

Richard Prince, Untitled, 2018 © Richard Prince

Helen Frankenthaler, Eight in a Square, 1961 © 2019 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York

Art Fair

ART021 Shanghai 2019

November 9–10, 2019, booth C02
Shanghai Exhibition Center
www.art021.org

Gagosian is pleased to participate in ART021 Shanghai 2019, presenting works by Urs Fischer, Helen Frankenthaler, Ellen Gallagher, Theaster Gates, Katharina Grosse, Simon Hantaï, Damien Hirst, Thomas Houseago, Robert Indiana, Jia Aili, Jeff Koons, Grant Levy-Lucero, Takashi Murakami, Nam June Paik, Ed Ruscha, Taryn Simon, Pierre Soulages, Rudolf Stingel, Sarah Sze, Mary Weatherford, and Tom Wesselmann, among others.

To receive a PDF with detailed information on the works, please contact the gallery at inquire@gagosian.com.

Download the full press release in English (pdf), Simplified Chinese (pdf), or Traditional Chinese (pdf)

Helen Frankenthaler, Eight in a Square, 1961 © 2019 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York

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Museum Exhibitions

Takashi Murakami, Tan Tan Bo, 2001 © 2001 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Just Opened

Murakami Por Murakami

Through March 15, 2020
Instituto Tomie Ohtake, São Paulo
www.institutotomieohtake.org.br

This exhibition, which is a regrouping of Murakami by Murakami, previously on view at the Astrup Fearnley Museet in Oslo, focuses on Takashi Murakami’s renowned artworks, but also presents aspects of his activities as a collector, gallerist, businessman, and activist. In the past twenty years, the artist has been extremely visible on the international art scene, but he has also taken an active role within the Japanese art world, redefining the position of the artist in society.

Takashi Murakami, Tan Tan Bo, 2001 © 2001 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, Embodiment of “Um”, 2014 © 2014 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

On View

Takashi Murakami in
Japan Supernatural

Through March 8, 2020
Art Gallery of New South Wales, Australia
www.artgallery.nsw.gov.au

This exhibition features large-scale installations and classic Japanese cinema and animation alongside miniature carvings, humorous paintings, and the vibrant ukiyo-e woodblock prints that define the tradition of the supernatural in Japanese art. Centered on a monumental installation of painting and sculpture by Takashi Murakami, the show also explores Japanese artists of the past, including Katsushika Hokusai, as well as contemporary artists.

Takashi Murakami, Embodiment of “Um”, 2014 © 2014 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Jeff Koons, Gazing Ball (da Vinci Mona Lisa), 2016, Jordan Schnitzer Family Foundation © Jeff Koons

On View

POP Power from Warhol to Koons
Masterworks from the Collections of Jordan D. Schnitzer and His Family Foundation

Through March 8, 2020
Taubman Museum of Art, Roanoke, Virginia
www.taubmanmuseum.org

POP Power celebrates a perennial movement that revels in the new and the now, the celebrity and the commodity, and art made accessible for the masses. Work by Damien Hirst, Jeff Koons, Roy Lichtenstein, Takashi Murakami, Richard Prince, and Andy Warhol is included.

Jeff Koons, Gazing Ball (da Vinci Mona Lisa), 2016, Jordan Schnitzer Family Foundation © Jeff Koons

Takashi Murakami, Open Your Hands Wide, Embrace Happiness!, 2010 © 2010 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

On View

Happy!

Through July 5, 2020
NSU Art Museum, Fort Lauderdale, Florida
nsuartmuseum.org

Happy! presents contemporary works produced by artists who aim to engage the viewer emotionally. In their works, as in life, sorrow and happiness are intertwined. The exhibition follows a multigenerational trajectory from the mid-twentieth century to today. Work by Jeff Koons, Takashi Murakami, Richard Prince, and Andy Warhol is included.

Takashi Murakami, Open Your Hands Wide, Embrace Happiness!, 2010 © 2010 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

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Press

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