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Georg Baselitz

Visit from Hokusai

November 7–December 19, 2015
980 Madison Avenue, New York

Installation view Artwork © Georg Baselitz 2015. Photo: Rob McKeever

Installation view

Artwork © Georg Baselitz 2015. Photo: Rob McKeever

Installation view Artwork © Georg Baselitz 2015. Photo: Rob McKeever

Installation view

Artwork © Georg Baselitz 2015. Photo: Rob McKeever

Installation view Artwork © Georg Baselitz 2015. Photo: Rob McKeever

Installation view

Artwork © Georg Baselitz 2015. Photo: Rob McKeever

Works Exhibited

Georg Baselitz, Untitled, 2015 Ink pen, watercolor, and india ink on paper, in 2 parts; left: 26 ⅜ × 20 ⅛ inches (66.8 × 51 cm); right: 26 ⅜ × 20 ⅛ inches (66.9 × 50.9 cm)© Georg Baselitz 2015. Photo; Jochen Littkemann, Berlin

Georg Baselitz, Untitled, 2015

Ink pen, watercolor, and india ink on paper, in 2 parts; left: 26 ⅜ × 20 ⅛ inches (66.8 × 51 cm); right: 26 ⅜ × 20 ⅛ inches (66.9 × 50.9 cm)
© Georg Baselitz 2015. Photo; Jochen Littkemann, Berlin

Georg Baselitz, Untitled, 2015 Ink pen, lavis, and india ink on paper, in 2 parts; left: 26 ½ × 20 ¼ inches (67.2 × 51.3 cm); right: 26 ⅛ × 20 ⅛ inches (66.4 × 50.9 cm)© Georg Baselitz 2015. Photo; Jochen Littkemann, Berlin

Georg Baselitz, Untitled, 2015

Ink pen, lavis, and india ink on paper, in 2 parts; left: 26 ½ × 20 ¼ inches (67.2 × 51.3 cm); right: 26 ⅛ × 20 ⅛ inches (66.4 × 50.9 cm)
© Georg Baselitz 2015. Photo; Jochen Littkemann, Berlin

Georg Baselitz, Untitled, 2015 Ink pen, watercolor, and india ink on paper, in 2 parts; left: 26 ⅛ × 20 inches (66.3 × 50.8 cm); right: 26 ⅛ × 20 ⅛ inches (66.2 × 50.9 cm)© Georg Baselitz 2015. Photo: Jochen Littkemann, Berlin

Georg Baselitz, Untitled, 2015

Ink pen, watercolor, and india ink on paper, in 2 parts; left: 26 ⅛ × 20 inches (66.3 × 50.8 cm); right: 26 ⅛ × 20 ⅛ inches (66.2 × 50.9 cm)
© Georg Baselitz 2015. Photo: Jochen Littkemann, Berlin

Georg Baselitz, Untitled, 2015 Ink pen and india ink on paper, in 2 parts; left: 26 × 20 ⅛ inches (66.1 × 50.9 cm); right: 25 ⅞ × 19 ¾ inches (65.7 × 50 cm)© Georg Baselitz 2015. Photo: Jochen Littkemann, Berlin

Georg Baselitz, Untitled, 2015

Ink pen and india ink on paper, in 2 parts; left: 26 × 20 ⅛ inches (66.1 × 50.9 cm); right: 25 ⅞ × 19 ¾ inches (65.7 × 50 cm)
© Georg Baselitz 2015. Photo: Jochen Littkemann, Berlin

About

A drawing is always naked.
—Georg Baselitz

Gagosian New York is pleased to present new drawings by Georg Baselitz.

Drawing has always been central to Baselitz’s art. Parallel to his cerebral yet impassioned paintings and roughly hewn sculptures, the practice of drawing is a test site for assimilation and disorientation in his oeuvre. In a new series of two-part ink drawings, Baselitz is “visited” by Katsushika Hokusai (1760–1849), whose exquisitely controlled color woodblock prints epitomized the refined ukiyo-e genre in Japanese art and persist in the popular imagination today.

In each diptych, Baselitz pairs reconsidered motifs from his own work with iterations—in ink with blue, yellow, or green watercolor washes—of an intimate late work by Hokusai, a wry self-portrait sketched at the end of a letter to his print publisher in 1842. The letter accompanied a group of prints made forty years earlier, which the Japanese master described to his publisher as repetitive, unresolved, and immature. He signed it with his pseudonym of the day: “Sincerely yours, the eighty-three-year-old Hachiemon.”

Read more

Installation view, Georg Baselitz: Archinto, Museo di Palazzo Grimani, Venice, May 19, 2021–November 27, 2022. Photo: Matteo De Fina

Georg Baselitz: Archinto

On the occasion of Georg Baselitz: Archinto at Museo di Palazzo Grimani, Venice, Artcore Films produced a short documentary featuring the artist. In the video, Baselitz details the origins of the project, how he approached the unique space, and his experiments in process and technique.

Baselitz: La rétrospective

Baselitz: La rétrospective

Richard Calvocoressi visits Georg Baselitz’s retrospective exhibition at the Centre Pompidou in Paris and reflects on both the historical specificity and timeless themes of the artist’s sixty-year career.

Georg Baselitz working on Madame Demoisielle weit weg von der Küste (Madame Demoiselle a long way from the coast)

Georg Baselitz: Pulling Up the Image

In celebration of five recent projects related to Georg Baselitz, Richard Calvocoressi, Max Hollein, and Katy Siegel speak with the artist and look at his prolific career.

Damien Hirst's Reclining Woman on the cover of Gagosian Quarterly, Fall 2021

Now available
Gagosian Quarterly Fall 2021

The Fall 2021 issue of Gagosian Quarterly is now available, featuring Damien Hirst’s Reclining Woman (2011) on its cover.

Georg Baselitz working on a painting in his studio.

Georg Baselitz: What if...

Richard Calvocoressi narrates a tour of an exhibition of new paintings by Georg Baselitz in San Francisco, describing the visual effect of these luminous compositions and explaining their relationship to earlier works by the artist.

Georg Baselitz and Zeng Fanzhi. Portraits of both artists in black-and-white.

Artist to Artist: Georg Baselitz and Zeng Fanzhi

On the occasion of Georg Baselitz: Years later at Gagosian, Hong Kong, Zeng Fanzhi composed a written foreword for the exhibition’s catalogue and a video message to the German painter. Baselitz wrote a letter of thanks to the Chinese artist for his insightful thoughts.