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Sometimes when I walk into a gallery and I see someone’s work, I think to myself, ‘Gee, I wish I had done that.’
—Richard Prince

Gagosian is pleased to announce Bob Dylan, an exhibition by Richard Prince featuring a trio of large-scale paintings of the singer-songwriter, opening at the gallery in Beverly Hills on February 27. With Dylan’s popularity and influence again in ascendence following the theatrical release of James Mangold’s Oscar-nominated biopic A Complete Unknown (2024), Prince’s work casts a spotlight of a different kind on the Nobel Prize–winning musician by reflecting on the extraordinary resonance of his image.

The three striking ten-foot-square paintings on view in Beverly Hills, which together make up Untitled (Dylan) (2014), show a detail of Jerry Schatzberg’s famous portrait shot of Dylan, which was reproduced on John Berg’s cover design for the 1966 double LP Blonde on Blonde. Dylan’s seventh studio album, the record combines an expansive musicality with a modernist lyrical style and is often ranked as among the greatest ever made. The cover image, which portrays its subject in a dark suede jacket and black-and-white checkered scarf looking directly at the photographer, was taken outside 375 West Street at Morton Street in Manhattan’s meatpacking district. In his interpretation, Prince presents the likeness, which was originally in naturalistic color, in gauzy black-and-white. He also manipulates its already shaky focus to varying degrees, further obscuring its fine detail.

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Rollin’ High and Mighty Traps: Richard Prince

Rollin’ High and Mighty Traps: Richard Prince

Sydney Stutterheim traces the linkages and affinities between the work of Richard Prince and that of Bob Dylan. Using Prince’s Untitled (Dylan) as a starting point, she considers the artist’s enduring interest in questions of originality and authorship, as well as his sustained relationship with the worlds of American music and counterculture.

Helter Skelter: Arthur Jafa and Richard Prince

Helter Skelter: Arthur Jafa and Richard Prince

Helter Skelter—an exhibition at Fondazione Prada’s Venetian venue, Ca’ Corner della Regina—marks the first creative dialogue between two visionaries of American art, Arthur Jafa and Richard Prince. The show explores the grit, grift, violence, and ingenuity of American culture through more than fifty works, including photography, video, and large-scale installations that interrogate themes of race, gender, media, and politics. In the interview below, Nancy Spector, the exhibition’s curator, speaks about the shared motifs—from apocalyptic sunsets to a fascination with “monstrosity”—that led her to pair these artists for the first time.

Picture Books: Percival Everett and Brandon Taylor

Picture Books: Percival Everett and Brandon Taylor

The second installment of Picture Books, an imprint organized by Emma Cline and Gagosian, presents author Percival Everett’s novella Grand Canyon, Inc. alongside Untitled (Original Cowboy), a photograph by Richard Prince. In celebration of the publication, Everett met with author Brandon Taylor to discuss the novella, the role of history in the writing process, and the similarity in methodologies for science and literature.

Richard Prince: Cowboy

Richard Prince: Cowboy

On the occasion of the publication of Richard Prince: Cowboy, a major monograph on the artist’s preoccupation with the mythic American West, Lucy Sante tracks the archetype through mass media, advertising, and the art of Richard Prince to illuminate the cowboy’s enduring appeal.

Gagosian Quarterly Summer 2020

Now available
Gagosian Quarterly Summer 2020

The Summer 2020 issue of Gagosian Quarterly is now available, featuring Joan Jonas’s Mirror Piece 1 (1969) on its cover.

The Right Time

The Right Time

Natasha Stagg on influencers, the loss of the it-girl, and the “promotional life.”

Gagosian Quarterly Spring 2020

Now available
Gagosian Quarterly Spring 2020

The Spring 2020 issue of Gagosian Quarterly is now available, featuring Cindy Sherman’s Untitled #412 (2003) on its cover.

Cast of Characters

Cast of Characters

James Lawrence explores how contemporary artists have grappled with the subject of the library.

Visions of the Self: Jenny Saville on Rembrandt

Visions of the Self: Jenny Saville on Rembrandt

Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.

Richard Prince

Richard Prince

Text by Richard Hell.

Richard Prince: Folk Songs poster

Richard Prince: Folk Songs

$20
Front cover of Richard Prince: Folksongs book

Richard Prince: Folksongs

$50
Cover of Richard Prince: Early Photography 1977–87 book

Richard Prince: Early Photography 1977–87

$125
Richard Prince: High Times Album

Richard Prince: High Times Album

$100
Richard Prince: Early Photography, 1977–87 poster

Richard Prince: Early Photography, 1977–87

$20
Cover of the book Richard Prince: Bettie Kline

Richard Prince: Bettie Kline

$400
Cover of the book Richard Prince: Collected Writings

Richard Prince: Collected Writings

$40
Cover of the book Richard Prince: The Entertainers

Richard Prince: The Entertainers

$75
Cover of the book Grand Canyon, Inc. by Percival Everett

Grand Canyon, Inc. / Untitled (Original Cowboy)

From $40