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Gagosian is pleased to announce Persephone, Mary Weatherford’s first solo exhibition in Asia, opening at the gallery in Hong Kong on March 24, 2026. In the new paintings on view, Weatherford explores light and color, and pursues her interest in found materials, collage, and neon through a mythological theme that resonates with the changing seasons.

Persephone features luminous paintings in vinyl emulsion paint on linen. Some are augmented by colored neon tubes, seashells, or coral. In Greek mythology, Persephone is stolen from earth to become queen of the underworld; upon her return she presides over springtime renewal. As in the Chinese myth of Nian, a hibernating beast that emerges at year’s end, her story explains the cycle of seasons: when Persephone is abducted by Hades, her mother Demeter’s grief causes all plant life to cease. An eventual compromise requires Persephone to spend part of the year below ground, and the other part on earth, allowing spring flowers to bloom, bees to buzz, and blue summer skies to bring joy. Weatherford’s new series imagines the earthquake of Persephone’s disappearance and her journey into radiance, representing her achievement of new life.

The Hong Kong exhibition unfolds over a sequence of three spaces designed by acclaimed architectural firm Johnston Marklee, each of which can be glimpsed from the one that precedes it. The narrative’s themes of transformation and rebirth have been features of Weatherford’s work since her exhibition I’ve Seen Gray Whales Go By at Gagosian New York in 2018. Persephone finds Weatherford interweaving these preoccupations with an exploration of the hero’s journey and coming of age. In this, Weatherford also draws inspiration from early paintings by Robert Smithson that juxtapose above- and below-ground scenes, some of which come from a series inspired by Dante’s Inferno, possibly the most famous and influential depiction of the underworld.

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Mary Weatherford and Mark Lee: Persephone

In Conversation
Mary Weatherford and Mark Lee: Persephone

Ahead of Persephone, an exhibition of new paintings by Mary Weatherford inside Hong Kong’s historic Pedder Building, the Quarterly’s Wyatt Allgeier met with Weatherford and the architect Mark Lee to talk about their collaboration. Here, they discuss how custom architectural interventions—from mirrored columns to strategic light play—transform the gallery, evoking Persephone’s mythic journey through the underworld and back into the light of spring.

Mary Weatherford: The Flaying of Marsyas

Mary Weatherford: The Flaying of Marsyas

In conjunction with her exhibition The Flaying of Marsyas at Museo di Palazzo Grimani, Venice, Mary Weatherford discusses the featured paintings, which are directly inspired by Titian’s late, eponymous masterpiece of circa 1570–76 and reflect her enduring fascination with the painting.

Gagosian Quarterly Summer 2022

Now available
Gagosian Quarterly Summer 2022

The Summer 2022 issue of Gagosian Quarterly is now available, with two different covers—featuring Takashi Murakami’s 108 Bonnō MURAKAMI.FLOWERS (2022) and Andreas Gursky’s V & R II (2022).

Mary Weatherford: The Flaying of Marsyas

Mary Weatherford: The Flaying of Marsyas

Coinciding with the 59th Venice Biennale, an exhibition at the Museo di Palazzo Grimani in Venice presents new paintings by Mary Weatherford inspired by Titian’s The Flaying of Marsyas (c. 1570–76). Francine Prose traces the development of these works.

Mary Weatherford: Train Yards

Mary Weatherford: Train Yards

Mary Weatherford speaks to Laura Hoptman about her new paintings, the Train Yard series. Begun in 2016, this body of work evokes the sights and sounds of railroads and night skies. The series will be shown for the first time in late 2020, in an exhibition at Gagosian, London.

Mary Weatherford

Work in Progress
Mary Weatherford

We visit the artist’s California studio as she prepares for her exhibition I’ve Seen Gray Whales Go By. She speaks with Jennifer Peterson about her new paintings, her studio process, and the artists who have inspired her.

Mary Weatherford: I’ve Seen Gray Whales Go By

Mary Weatherford: I’ve Seen Gray Whales Go By

Taking viewers behind the scenes during the installation of Mary Weatherford’s I’ve Seen Gray Whales Go By at Gagosian, New York, this video features interviews with the artist and John Elderfield.

After Frankenthaler: An Interview with Katy Siegel

After Frankenthaler: An Interview with Katy Siegel

Art historian Katy Siegel discusses her recent exhibition at the Rose Art Museum and publication “The heroine Paint”: After Frankenthaler with Gagosian’s Alison McDonald.

Cover of the book Mary Weatherford: The Flaying of Marsyas with dust jacket

Mary Weatherford: The Flaying of Marsyas

From $100
Cover of the book Mary Weatherford: Train Yards

Mary Weatherford: Train Yards

$100
Cover of the book Mary Weatherford: Canyon—Daisy—Eden

Mary Weatherford: Canyon—Daisy—Eden

$80
Cover of the book Mary Weatherford: I’ve Seen Gray Whales Go By

Mary Weatherford: I’ve Seen Gray Whales Go By

$100
Mary Weatherford: California print

Mary Weatherford: California

$3,250
Mary Weatherford: Panorama Drive print

Mary Weatherford: Panorama Drive

$3,250
Mary Weatherford: Union Ave print

Mary Weatherford: Union Ave

$3,250
Cover of the book To Bend the Ear of the Outer World

To Bend the Ear of the Outer World: Conversations on contemporary abstract painting

$125
Cover of the book “The heroine Paint”: After Frankenthaler

“The heroine Paint”: After Frankenthaler

$40