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Michael Craig-Martin at artgenève

January 30–February 2, 2020
Palexpo, Geneva
artgeneve.ch

Colorful flags by Michael Craig-Martin will be installed among the booths of artgenève. The flags—depicting mass-produced everyday items, such as sunglasses and shoes—probe the relationship between object and image, harnessing the human capacity to imagine absent forms through symbols and pictures. In July 2019, the work was installed in London, as part of Art in Mayfair, organized by the Royal Academy of Arts and Bond Street.

Michael Craig-Martin’s installation of flags on Bond Street, London, 2019

Michael Craig-Martin’s installation of flags on Bond Street, London, 2019

Related News

Michael Craig-Martin, Untitled (steering wheel fragment), 2016 © Michael Craig-Martin. Photo: Mike Bruce

Support

Artists Support: London
Michael Craig-Martin

Michael Craig-Martin is participating in the first iteration of Artists Support: London, launching June 17, 2021. Craig-Martin will donate 100 percent of the proceeds from the sale of his artwork Untitled (steering wheel fragment) (2016) to Centrepoint, the United Kingdom’s leading charity dedicated to fighting youth homelessness. The work will be available through November 20, 2021. Artists Support is a nonprofit initiative powered by artists, who donate a work for sale whose proceeds directly support a local charity of their choice. For more information, visit artists-support.com.

Michael Craig-Martin, Untitled (steering wheel fragment), 2016 © Michael Craig-Martin. Photo: Mike Bruce

Michael Craig-Martin’s installation at Pacific Place, Hong Kong, 2021. Artwork © Michael Craig-Martin

Public Installation

Michael Craig-Martin

May 19–June 9, 2021
Pacific Place, Hong Kong
pacificplace.com.hk

Michael Craig-Martin’s powder-coated steel sculptures and his brightly colored flags depicting everyday objects are on display at Pacific Place, Hong Kong. The forms have an instant sensory, intellectual, and emotional impact; evoking the tangible experiences of day-to-day life while speaking to the symbolic potency the represented objects hold. This installation is part of Swire Properties Arts Month, in partnership with Art Basel Hong Kong, and celebrates the company’s commitment to art and culture.

Michael Craig-Martin’s installation at Pacific Place, Hong Kong, 2021. Artwork © Michael Craig-Martin

Michael Craig-Martin, Cornucopia Galactica, 2020, installation view, Flannels, London © Michael Craig-Martin. Photo: courtesy W1 Curates

Public Installation

W1 Curates
Michael Craig-Martin

June 29–July 12, 2020
Flannels, London
www.w1curates.com

Michael Craig-Martin has created a new digital work viewable around the clock on a three-story building on Oxford Street in London, presented by W1 Curates. The artist describes his work Cornucopia Galactica as “a celebration, a dynamic cornucopia, a galaxy of these great wonders of nature, constantly moving, turning, spinning through an intensely colored space like planets, satellites, and spaceships.” W1 Curates aims to bring art to the people by using state-of-the-art technology to transform the exterior of the Flannels London flagship store into a digital exhibition space.

Michael Craig-Martin, Cornucopia Galactica, 2020, installation view, Flannels, London © Michael Craig-Martin. Photo: courtesy W1 Curates

Helen Frankenthaler, Heart of London Map, steel sculpture

Helen Frankenthaler: A Painter’s Sculptures

On the occasion of four exhibitions in London exploring different aspects of Helen Frankenthaler’s work, Lauren Mahony introduces texts by the sculptor Anthony Caro and by the artist herself on her relatively unfamiliar first body of sculpture, made in the summer of 1972 in Caro’s London studio.

Carrie Mae Weems’s The Louvre (2006), on the cover of Gagosian Quarterly, Summer 2021

Now available
Gagosian Quarterly Summer 2021

The Summer 2021 issue of Gagosian Quarterly is now available, featuring Carrie Mae Weems’s The Louvre (2006) on its cover.

Black-and-white photograph of Marie-Laure de Noailles in 1936 by Man Ray.

Game Changer
Vicomtesse Marie-Laure de Noailles

Ariella Wolens explores the patron’s role in fostering the legendary art world of early twentieth-century France.

Rene Ricard, So Who Left Who, 2007 © Estate of Rene Ricard

Building a Legacy
Famously Unknown: Legacy Building in the Art World

In this video, Raymond Foye and Rani Singh discuss the general principles and methodologies of archiving, editing, and presenting the work of overlooked artists and writers. They share firsthand accounts and learning experiences from working with artists and poets such as Jordan Belson, Gregory Corso, Rene Ricard, and Harry Smith.

Jia Aili working in his studio, Beijing

Work in Progress
Jia Aili: In the Studio

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Installation view, Adriana Varejão: Talavera, Gagosian, West 21st Street, New York, May 3–June 26, 2021. Photo: Rob McKeever

Adriana Varejão: For a Poetics of Difference

Curator Luisa Duarte considers the artist’s oeuvre, writing on Varejão’s active engagement with theories of difference, as well as the cultural specters of the past.

Dr. David Driskell, 2002, head resting on hand in a blue shirt with art in the background.

Game Changer
Dr. David Driskell

Taylor Aldridge reflects on the enduring legacy of the artist, educator, curator, and scholar.

Louise Bonnet, Resting Sphinx Black Background, 2021, colored pencil on paper, 24 x 19 inches (61 x 48.3 cm)

Louise Bonnet: Sphinxes

Ali Subotnick investigates the artist’s surreal new series of drawings.

Albert Oehlen’s studio, Ispaster, Spain, 2019–20. Photos © Esther Freund

Albert Oehlen: Terrifying Sunset

The artist speaks with Mark Godfrey about his new paintings, touching on the works’ relationship to John Graham, the Rothko Chapel, and Leigh Bowery.

Eiko Otake stands on what was part of the original seawall next to the Tomioka Fishing Harbor.

A Body in Fukushima

Ten years after Fukushima’s nuclear meltdown of 2011, movement-based artist Eiko Otake and historian/photographer William Johnston discuss their visits to that irradiated landscape. The forthcoming book A Body in Fukushima documents their ongoing performance project.

To Create a Vision: Jia Aili in Conversation with Philip Tinari

To Create a Vision: Jia Aili in Conversation with Philip Tinari

Jia Aili speaks with curator Philip Tinari about his arts education, his working process, and his desire to expand the talking points around painting.

Left: Rachel Feinstein, Corine, 2018 © Rachel Feinstein. Photo: Jeff McLane. Right: Ewa Juszkiewicz, Untitled (after Elisabeth Vigée Le Brun), 2021 © Ewa Juszkiewicz

Artist to Artist: Rachel Feinstein and Ewa Juszkiewicz

On the occasion of Frieze New York 2021, the two artists discuss remixing conventions, the allure of Rococo, and the importance of research and history within their respective practices.