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Art Fair

Michael Craig-Martin at artgenève

January 30–February 2, 2020
Palexpo, Geneva
artgeneve.ch

Colorful flags by Michael Craig-Martin will be installed among the booths of artgenève. The flags—depicting mass-produced everyday items, such as sunglasses and shoes—probe the relationship between object and image, harnessing the human capacity to imagine absent forms through symbols and pictures. In July 2019, the work was installed in London, as part of Art in Mayfair, organized by the Royal Academy of Arts and Bond Street.

Michael Craig-Martin’s installation of flags on Bond Street, London, 2019

Michael Craig-Martin’s installation of flags on Bond Street, London, 2019

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Sarah Sze, Turning and Turning, 2024 © Sarah Sze. Photo: Maris Hutchinson

Art Fair

Art Basel Hong Kong 2024

March 27–30, 2024
Hong Kong Convention and Exhibition Centre
www.artbasel.com

Gagosian is participating in Art Basel Hong Kong 2024 with a selection of works by international contemporary artists. The works on view, which embrace a dizzying variety of subjects and approaches, see the participating artists identify fresh ways to disrupt established histories of abstraction and figuration, and instill sculptural and painterly representations of the natural world with complex cultural significance.

Sarah Sze, Turning and Turning, 2024 © Sarah Sze. Photo: Maris Hutchinson

Photo: courtesy International Catalogue Raisonné Association

Talk

ICRA Annual Conference 2022
Legacy: The Artist’s View

Thursday, December 1, 2022, 9:30am
Cromwell Place, London
icra.art

The International Catalogue Raisonné Association conference will give artists, their families, and catalogue raisonné authors space to articulate their thoughts on the theme of legacy. Engaging with the question of posterity, the conference asks how a family’s closeness to the artist can be both a blessing and a challenge, and thinks about ways in which later generations as well as nonfamily members can address issues surrounding an artist’s continued relevance. Edmund de Waal will be the keynote speaker and Michael Craig-Martin and Rachel Whiteread will contribute to the conference as well. The in-person and online event will include a question-and-answer session.

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Photo: courtesy International Catalogue Raisonné Association

Left: Michael Craig-Martin. Photo: Caroline True. Right: Jan Dalley

In Conversation

FT Weekend Festival 2022
Michael Craig-Martin and Jan Dalley

Saturday, September 3, 2022, 11–11:45am
Kenwood House, London
ftweekend.live.ft.com

As part of this year’s FT Weekend Festival in London, Michael Craig-Martin will be in conversation with Financial Times arts editor Jan Dalley on the Arts Stage to discuss his long career in art, teaching, and writing, as well as his latest projects. A principal figure of British conceptual art, Craig-Martin probes the relationship between objects and images, harnessing the human capacity to imagine absent forms through symbols and pictures.

Gagosian is partnering with the Financial Times to host the Arts Stage at the one-day event where leading experts discuss the arts, music, literature, food, business, and technology. Recent Gagosian Quarterly films will be screened between sessions on the stage throughout the day and Gagosian publications will also be presented.

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Left: Michael Craig-Martin. Photo: Caroline True. Right: Jan Dalley

Self portrait of Francesca Woodman, she stands against a wall holding pieces of ripped wallpaper in front of her face and legs

Francesca Woodman

Ahead of the first exhibition of Francesca Woodman’s photographs at Gagosian, director Putri Tan speaks with historian and curator Corey Keller about new insights into the artist’s work. The two unravel themes of the body, space, architecture, and ambiguity.

Cover of Gagosian Quarterly, Spring 2024, featuring Jean-Michel Basquiat Cover

Now available
Gagosian Quarterly Spring 2024

The Spring 2024 issue of Gagosian Quarterly is now available with a fresh cover design featuring Jean-Michel Basquiat’s Lead Plate with Hole (1984).

Installation view, with three paintings by Simon Hantaï

Simon Hantaï: Azzurro

Join curator Anne Baldassari as she discusses the exhibition Simon Hantaï:Azzurro, Gagosian, Rome, and the significance of blue in the artist’s practice. The show forms part of a triptych with Gagosian’s two previous Hantaï exhibitions, LES NOIRS DU BLANC, LES BLANCS DU NOIR at Le Bourget in 2019–20, and Les blancs de la couleur, la couleur du blanc in New York, in 2022.

Sofia Coppola: Archive

Sofia Coppola: Archive

MACK recently published Sofia Coppola: Archive 1999–2023, the first publication to chronicle Coppola’s entire body of work in cinema. Comprised of the filmmaker’s personal photographs, developmental materials, drafted and annotated scripts, collages, and unseen behind-the-scenes photography from all of her films, the monograph offers readers an intimate look into the process behind these films.

Prosperity’s Long Song #1: At Lights-Out Hour

Prosperity’s Long Song #1: At Lights-Out Hour

We present the first installment of a four-part short story by Arinze Ifeakandu. Set at the Marian Boys’ Boarding School in Nigeria, “Prosperity’s Long Song” explores the country’s political upheavals through the lens of ancient mythologies and the mystical power of poetry.

Still from The World of Apu (1959), directed by Satyajit Ray, it features a close up shot of a person crying, only half of their face is visible, the rest is hidden behind fabric

Mount Fuji in Satyajit Ray’s Woodblock Art, Part II

In the first installment of this two-part feature, published in our Winter 2023 edition, novelist and critic Amit Chaudhuri traced the global impacts of woodblock printing. Here, in the second installment, he focuses on the films of Satyajit Ray, demonstrating the enduring influence of the woodblock print on the formal composition of these works.

Two people stand on a snowy hill looking down

Adaptability

Adam Dalva looks at recent films born from short stories by the Japanese writer Haruki Murakami and asks, What makes a great adaptation? He considers how the beloved surrealist’s prose particularly lends itself to cinematic interpretation.

Chris Eitel in the Kagan Design Group workshop

Vladimir Kagan’s First Collection: An Interview with Chris Eitel

Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.

Black and white portrait of Alexey Brodovitch

Game Changer: Alexey Brodovitch

Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.

Various artworks by Jeff Perrone hang on a white gallery wall

Outsider Artist

David Frankel considers the life and work of Jeff Perrone, an artist who rejected every standard of success, and reflects on what defines an existence devoted to art.

Interior of Goetheanum, Dornach, Switzerland

Goetheanum: Rudolf Steiner and Contemporary Art

Author and artist Ross Simonini reports on a recent trip to the world center of the anthroposophical movement, the Goetheanum in Switzerland, exploring the influence of the movement’s founder and building’s designer Rudolf Steiner on twentieth-century artists.

A sculpture by the artist Duane Hanson of two human figures sitting on a bench

Duane Hanson: To Shock Ourselves

On the occasion of an exhibition at Fondation Beyeler, novelist Rachel Cusk considers the ethical and aesthetic arrangements that Duane Hanson’s sculpture initiates within the viewer.