Monday, November 25, 2019, 6:30–8pm
Tate Modern, London
On the occasion of Helen Frankenthaler, a yearlong display of the artist’s work at Tate Modern, London, Clifford Ross, chairman of the Helen Frankenthaler Foundation, and art historian Briony Fer will discuss Frankenthaler’s life, work, and legacy. The talk will be chaired by Mark Godfrey, senior curator of international art at Tate Modern. The event has reached capacity.
Helen Frankenthaler, Vessel, 1961 © 2019 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York
Alexander Nemerov and Clifford Ross on Helen Frankenthaler
Friday, August 23, 2019, 6–8pm
Parrish Art Museum, Water Mill, New York
Art historian Alexander Nemerov, who is currently working on a new book about Helen Frankenthaler, will speak with Clifford Ross, chairman of the Helen Frankenthaler Foundation. The pair will discuss Nemerov’s forthcoming publication as well as the exhibition currently on view at the Parrish Art Museum, Abstract Climates: Helen Frankenthaler in Provincetown. To attend the event, purchase tickets at parrishart.org.
Helen Frankenthaler, Summer Picture, 1959, collection of Helen Frankenthaler Foundation, New York © 2019 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York. Photo: Tim Pyle
Sea Change: A Decade of Paintings, 1974–1983
Tuesday, May 14, 2019, 6pm
Gagosian senior curator John Elderfield and director Jason Ysenburg will lead a tour of the exhibition Helen Frankenthaler: Sea Change: A Decade of Paintings, 1974–1983 at Gagosian, Rome. Elderfield and Ysenburg will explore the important period in Helen Frankenthaler’s work that began in the summer of 1974, which was sparked by the changing appearance of the wide vistas and moving tides of the Long Island Sound. The show coincides with an exhibition of her work at the Museo di Palazzo Grimani in Venice on the occasion of the 58th Venice Biennale. To attend the free event, RSVP to firstname.lastname@example.org. Space is limited.
Installation view, Helen Frankenthaler: Sea Change: A Decade of Paintings, 1974–1983, Gagosian, Rome, March 13–July 19, 2019. Artwork © 2019 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York. Photo: Matteo D’Eletto, M3 Studio
Arts Funding and Donation
Helen Frankenthaler Foundation
New Education Initiatives
On November 30, 2018, the Helen Frankenthaler Foundation announced two new initiatives for arts funding: the Frankenthaler Scholarships, which will support graduate students of painting and of art history, and the Frankenthaler Prints Initiative, comprising gifts of selected prints by the artist to ten university-affiliated museums and grants to develop related programs. For more information, visit www.frankenthalerfoundation.org.
Helen Frankenthaler, Untitled, 1967 © 2018 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York/Chiron Press, New York. Photo: Steven Sloman
Albert Oehlen: Maximum Chance Maximum Control
The artist met with art historian Christian Malycha to discuss his newest paintings.
Gagosian Quarterly Winter 2019
The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.
Giuseppe Penone at Fort Mason
A yearlong outdoor installation by Giuseppe Penone in San Francisco’s historic Fort Mason features two life-size bronze sculptures cast from fallen trees. The project continues the artist’s long investigation of the perpetual give-and-take between humans and nature. In this video, Penone discusses what drew him to this landscape and the concepts behind the installation.
Tatiana Trouvé: In Time
In upstate New York, Jenny Jaskey discovers Tatiana Trouvé’s Between sky and earth. Begun in 2012, this multifaceted installation exists as a crucial nexus in the artist’s career, both a result of her ongoing practice and a generative source for continuing investigations.
Edmund de Waal and Sally Mann
Sally Mann joins Edmund de Waal onstage at the Frick Collection in New York to converse about art, writing, and the importance of place in their respective bodies of work.
Theaster Gates: Amalgam
Theaster Gates’s exhibition Amalgam explores the social histories of migration and interracial relations by highlighting the specific history of the Maine island of Malaga. Here, William Whitney considers the exhibition in relation to Gates’s ongoing art practices and social commitments.
Casa Malaparte: A House Like Ourselves
Wyatt Allgeier explores the legacy of Curzio Malaparte and corresponds with the avant-garde author’s youngest descendant, Tommaso Rositani Suckert, on the subject of his decision to reproduce select pieces of furniture from the iconic Casa Malaparte in Capri, Italy.
Giuseppe Penone: Foglie di bronzo / Leaves of Bronze
Gagosian director Pepi Marchetti Franchi speaks about Giuseppe Penone’s recent exhibition in San Francisco, detailing the various works and their relationships to the artist’s long-standing sculptural practice.
The artist discusses her life and work with Alan Yentob.
Work in Progress
The artist tells Negar Azimi about her interest in the monstrous, the influence of science fiction on her practice, and her recent rooftop commission at the Metropolitan Museum of Art, New York.
Edmund de Waal and Jan Dalley
At the FT Weekend Festival 2019 in London, Edmund de Waal sat down for a conversation with Financial Times arts editor Jan Dalley. They spoke about the relationship between words and sculpture in his practice, and about two recent projects: the two-part exhibition psalm, in Venice, and Elective Affinities, at the Frick Collection, New York.
Discovering Dora Maar
Brigitte Benkemoun’s book Je suis le carnet de Dora Maar takes a novel approach to the art of biography. For the Quarterly, Benkemoun recounts her discovery of a mysterious Hermès address book, the subsequent realization of its genius former owner, and her journey to learn more about the life, friends, and art of Dora Maar.